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COMPOSERVARIOUS
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PERFORMERVia Veritate, Shrock
Renaissance Reborn / Shrock, Via Veritate
- GIA
- October 19, 2018
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RELEASE DATEOctober 19, 2018
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UPC785147003625
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CATALOG NUMBERGIACD-1036
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LABELGIA
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NUMBER OF DISCS1
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GENRE
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Musica Dei donum optimi
Composer: Orlande de Lassus
Ensemble: Via Veritate
Conductor: Dennis Shrock
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Ave Maria
Composer: Robert Parsons
Ensemble: Via Veritate
Conductor: Dennis Shrock
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Dixit Maria ad angelum
Composer: Hans Leo Hassler
Ensemble: Via Veritate
Conductor: Dennis Shrock
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Missa super Dixit Maria: Kyrie - Gloria
Composer: Hans Leo Hassler
Ensemble: Via Veritate
Conductor: Dennis Shrock
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Factum est silentium
Composer: Richard Dering
Ensemble: Via Veritate
Conductor: Dennis Shrock
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Tu es Petrus
Composer: Giovanni Pierluigi da Palestrina
Ensemble: Via Veritate
Conductor: Dennis Shrock
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Psalm 98, SwWV 98, "Chantez à Dieu nouveau cantique"
Composer: Jan Pieterszoon Sweelinck
Ensemble: Via Veritate
Conductor: Dennis Shrock
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Italia mia benche'l parlar sia indarno
Composer: Philippe Verdelot
Ensemble: Via Veritate
Conductor: Dennis Shrock
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Madrigals, Book 2 (Il secondo libro de madrigali): Ecco mormorar l'onde, SV 51
Composer: Claudio Monteverdi
Ensemble: Via Veritate
Conductor: Dennis Shrock
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Moro, lasso, al mio duolo
Composer: Carlo Gesualdo
Ensemble: Via Veritate
Conductor: Dennis Shrock
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Leggiadre ninfe e pastorelli amanti
Composer: Luca Marenzio
Ensemble: Via Veritate
Conductor: Dennis Shrock
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English Madrigals, Set 1: Fair Phyllis I Saw Sitting All Alone
Composer: John Farmer
Ensemble: Via Veritate
Conductor: Dennis Shrock
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As Vesta Was, From Latmos Hill Descending
Composer: Thomas Weelkes
Ensemble: Via Veritate
Conductor: Dennis Shrock
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Madrigalls: No. 13. Weep, O Mine Eyes
Composer: John Bennet
Ensemble: Via Veritate
Conductor: Dennis Shrock
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Draw on Sweet Night
Composer: John Wilbye
Ensemble: Via Veritate
Conductor: Dennis Shrock
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Book of Songs, Book 1: Now, O Now I Needs Must Part
Composer: John Dowland
Ensemble: Via Veritate
Conductor: Dennis Shrock
Featuring ⌄
Product Details ⌄
Works ⌄
Renaissance Reborn was, first, the title of a lecture on performance practices given at the 2017 national conference of the American Choral Directors Association. Along with the subtitle “Breathing New Life into Renaissance Music,” the lecture presented historically informed practices that dealt with the subjects of vocal and instrumental forces, sound and pitch, meter and tactus, tempo, phrasing, structure, music dicta and music recta, text underlay, ornamentation, and expression – all the practices supported by primary sources from the Renaissance era and all the music became like restored art works that revealed their original rich and bright colors. The lecture led to the writing of the book Performing Renaissance Music, with expanded material and musical examples, and to the recording of this album, which incorporates the historical practices. The repertoire is from the apex of the era (1538–1618); it includes common gestures of the time (motet, mass, and madrigal) and the most esteemed composers from across Europe.
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