Chandos
Respighi: Church Windows; Brazilian Impressions; Belkis Queen of Sheba, Metamorphoseon; Roman Trilogy
$21.99
Details
- Composer
- RESPIGHI, OTTORINO
- Artist
- Simon, Tortelier
- Format
- CD
- Label
- Chandos
- Released
- May 28, 2013
- Catalog #
- CHAN 241-45
- UPC
- 095115244524
About
The ‘Roman Trilogy’ is among Respighi’s best-known and best-loved works. Fountains of Rome and Pines of Rome are comprised of four distinct sections, each again depicting a particular fountain, or pine grove, in Rome, at a particular time of day. The final chapter in the trilogy, Roman Festivals, is inspired by, as the title suggests, four Rome-based festivals.
Respighi based his Church Windows on Three Piano Preludes on Gregorian Melodies. The preludes were published in 1922, and orchestrated three years later, Respighi adding one further movement, making it a four-piece symphonic suite. Each of the individual movements was given an appropriate sub-heading, illustrating a biblical or religious scene that might have appeared in actual stained-glass windows. The first movement, for instance, is slow and stately, its constant forward moving accompaniment suggesting ‘the passing of a chariot beneath a brilliant and starry sky’, hence the name ‘The Flight into Egypt’.
Brazilian Impressions took its inspiration from the composer’s colourful and vibrant memories of a trip to South America. The opening movement is a deeply atmospheric nocturne, depicting dance rhythms and folksongs heard in the distance on a warm, tropical Brazilian evening. A less pleasant memory perhaps is recalled in the second movement, namely a visit to the Butantan Reptile Institute, the sliding movements and angry whirring of the rattle-snakes perfectly depicted in the music.
The ballet score for Belkis, Queen of Sheba evokes the wondrous journey undertaken in the year 1000 B.C. by Belkis, the Queen of Sheba, in response to an imperial message from Solomon, the King of Israel. The full eighty-minute ballet required an enormous orchestra including such unconventional instruments as sitars and wind machines, a chorus and vocal soloists, and a narrator to relate the story in verse. Two years after completing the ballet score, Respighi extracted a purely orchestral suite, which is recorded here.
Metamorphoseon, commissioned by Serge Koussevitzky to mark the fiftieth anniversary of the Boston Symphony Orchestra in 1930, consists of twelve variations, or ‘modes’. The day after the work’s premiere performance, The Boston Traveller wrote: ‘...a colossal achievement... His is a rare genius for melody, an absolute technical command and above all, brilliant orchestration.’
Review:
Sumptuous, meaty performances, featuring Tortelier's vigorous Roman trilogy. The Philharmonia's rich sonorities enjoy a spacious Chandos recording.
– BBC Music Magazine
Respighi based his Church Windows on Three Piano Preludes on Gregorian Melodies. The preludes were published in 1922, and orchestrated three years later, Respighi adding one further movement, making it a four-piece symphonic suite. Each of the individual movements was given an appropriate sub-heading, illustrating a biblical or religious scene that might have appeared in actual stained-glass windows. The first movement, for instance, is slow and stately, its constant forward moving accompaniment suggesting ‘the passing of a chariot beneath a brilliant and starry sky’, hence the name ‘The Flight into Egypt’.
Brazilian Impressions took its inspiration from the composer’s colourful and vibrant memories of a trip to South America. The opening movement is a deeply atmospheric nocturne, depicting dance rhythms and folksongs heard in the distance on a warm, tropical Brazilian evening. A less pleasant memory perhaps is recalled in the second movement, namely a visit to the Butantan Reptile Institute, the sliding movements and angry whirring of the rattle-snakes perfectly depicted in the music.
The ballet score for Belkis, Queen of Sheba evokes the wondrous journey undertaken in the year 1000 B.C. by Belkis, the Queen of Sheba, in response to an imperial message from Solomon, the King of Israel. The full eighty-minute ballet required an enormous orchestra including such unconventional instruments as sitars and wind machines, a chorus and vocal soloists, and a narrator to relate the story in verse. Two years after completing the ballet score, Respighi extracted a purely orchestral suite, which is recorded here.
Metamorphoseon, commissioned by Serge Koussevitzky to mark the fiftieth anniversary of the Boston Symphony Orchestra in 1930, consists of twelve variations, or ‘modes’. The day after the work’s premiere performance, The Boston Traveller wrote: ‘...a colossal achievement... His is a rare genius for melody, an absolute technical command and above all, brilliant orchestration.’
Review:
Sumptuous, meaty performances, featuring Tortelier's vigorous Roman trilogy. The Philharmonia's rich sonorities enjoy a spacious Chandos recording.
– BBC Music Magazine
Tracklist 36 tracks
- Disc 1
-
1 I. La fuga in Egitto (The Flight into Egypt) 05:37
- Track
- 1
- Title
- I. La fuga in Egitto (The Flight into Egypt)
- Duration
- 05:37
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon
-
2 II. San Michele Arcangelo (St. Michael Archangel) 05:48
- Track
- 2
- Title
- II. San Michele Arcangelo (St. Michael Archangel)
- Duration
- 05:48
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon
-
3 III. Il Mattutino di Santa Chiara (The Matins of St. Clare) 05:31
- Track
- 3
- Title
- III. Il Mattutino di Santa Chiara (The Matins of St. Clare)
- Duration
- 05:31
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon
-
4 IV. San Gregorio Magno (St. Gregory the Great) 09:38
- Track
- 4
- Title
- IV. San Gregorio Magno (St. Gregory the Great)
- Duration
- 09:38
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon
-
5 Theme: Andante moderato 01:48
- Track
- 5
- Title
- Theme: Andante moderato
- Duration
- 01:48
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon
-
6 Modus I: Moderato non troppo 01:53
- Track
- 6
- Title
- Modus I: Moderato non troppo
- Duration
- 01:53
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon
-
7 Modus II: Allegretto 01:37
- Track
- 7
- Title
- Modus II: Allegretto
- Duration
- 01:37
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon
-
8 Modus III: Lento 02:22
- Track
- 8
- Title
- Modus III: Lento
- Duration
- 02:22
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon
-
9 Modus IV: Lento espressivo 02:38
- Track
- 9
- Title
- Modus IV: Lento espressivo
- Duration
- 02:38
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon
-
10 Modus V: Molto vivace 00:36
- Track
- 10
- Title
- Modus V: Molto vivace
- Duration
- 00:36
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon
-
11 Modus VI: Vivo 00:43
- Track
- 11
- Title
- Modus VI: Vivo
- Duration
- 00:43
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon
-
12 Modus VII: Cadenza 06:38
- Track
- 12
- Title
- Modus VII: Cadenza
- Duration
- 06:38
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon
-
13 Modus VIII: Andantino mosso 01:21
- Track
- 13
- Title
- Modus VIII: Andantino mosso
- Duration
- 01:21
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon
-
14 Modus IX: Lento non troppo 02:18
- Track
- 14
- Title
- Modus IX: Lento non troppo
- Duration
- 02:18
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon
-
15 Modus X: Molto allegro 00:41
- Track
- 15
- Title
- Modus X: Molto allegro
- Duration
- 00:41
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon
-
16 Modus XI: Molto allegro 00:51
- Track
- 16
- Title
- Modus XI: Molto allegro
- Duration
- 00:51
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon
-
17 Modus XII: Vivo non troppo 02:05
- Track
- 17
- Title
- Modus XII: Vivo non troppo
- Duration
- 02:05
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon
-
18 I. Circenses 04:31
- Track
- 18
- Title
- I. Circenses
- Duration
- 04:31
- Composer
- Ottorino Respighi
- Performer
- Leslie Pearson
- Ensemble
- Philharmonia Orchestra
- Conductor
- Yan Pascal Tortelier
-
19 II. Il Giubileo 06:36
- Track
- 19
- Title
- II. Il Giubileo
- Duration
- 06:36
- Composer
- Ottorino Respighi
- Performer
- Leslie Pearson
- Ensemble
- Philharmonia Orchestra
- Conductor
- Yan Pascal Tortelier
-
20 III. L'Ottobrata 07:41
- Track
- 20
- Title
- III. L'Ottobrata
- Duration
- 07:41
- Composer
- Ottorino Respighi
- Performer
- Leslie Pearson
- Ensemble
- Philharmonia Orchestra
- Conductor
- Yan Pascal Tortelier
-
21 IV. La Befana 05:35
- Track
- 21
- Title
- IV. La Befana
- Duration
- 05:35
- Composer
- Ottorino Respighi
- Performer
- Leslie Pearson
- Ensemble
- Philharmonia Orchestra
- Conductor
- Yan Pascal Tortelier
- Disc 2
-
1 I. La fontana di Valle all'alba 04:39
- Track
- 1
- Title
- I. La fontana di Valle all'alba
- Duration
- 04:39
- Composer
- Ottorino Respighi
- Performer
- Leslie Pearson
- Ensemble
- Philharmonia Orchestra
- Conductor
- Yan Pascal Tortelier
-
2 II. La fontana del Tritone al mattino 02:44
- Track
- 2
- Title
- II. La fontana del Tritone al mattino
- Duration
- 02:44
- Composer
- Ottorino Respighi
- Performer
- Leslie Pearson
- Ensemble
- Philharmonia Orchestra
- Conductor
- Yan Pascal Tortelier
-
3 II. La fontana di Trevi al meriggio 03:38
- Track
- 3
- Title
- II. La fontana di Trevi al meriggio
- Duration
- 03:38
- Composer
- Ottorino Respighi
- Performer
- Leslie Pearson
- Ensemble
- Philharmonia Orchestra
- Conductor
- Yan Pascal Tortelier
-
4 IV. La fontana di Villa Medici al tramonto 05:38
- Track
- 4
- Title
- IV. La fontana di Villa Medici al tramonto
- Duration
- 05:38
- Composer
- Ottorino Respighi
- Performer
- Leslie Pearson
- Ensemble
- Philharmonia Orchestra
- Conductor
- Yan Pascal Tortelier
-
5 I. I pini di Villa Borghese (The Pines of the Villa Borghese) 02:49
- Track
- 5
- Title
- I. I pini di Villa Borghese (The Pines of the Villa Borghese)
- Duration
- 02:49
- Composer
- Ottorino Respighi
- Performer
- Leslie Pearson
- Ensemble
- Philharmonia Orchestra
- Conductor
- Yan Pascal Tortelier
-
6 II. Pini presso una catacomba (Pines Near a Catacomb) 06:33
- Track
- 6
- Title
- II. Pini presso una catacomba (Pines Near a Catacomb)
- Duration
- 06:33
- Composer
- Ottorino Respighi
- Performer
- Leslie Pearson
- Ensemble
- Philharmonia Orchestra
- Conductor
- Yan Pascal Tortelier
-
7 III. I pini del Gianicolo (The Pines of the Janiculum) 07:10
- Track
- 7
- Title
- III. I pini del Gianicolo (The Pines of the Janiculum)
- Duration
- 07:10
- Composer
- Ottorino Respighi
- Performer
- Leslie Pearson
- Ensemble
- Philharmonia Orchestra
- Conductor
- Yan Pascal Tortelier
-
8 IV. I pini della via Appia (The Pines of the Appian Way) 05:15
- Track
- 8
- Title
- IV. I pini della via Appia (The Pines of the Appian Way)
- Duration
- 05:15
- Composer
- Ottorino Respighi
- Performer
- Leslie Pearson
- Ensemble
- Philharmonia Orchestra
- Conductor
- Yan Pascal Tortelier
-
9 I. Il Sogno di Salomone (The Dream of Solomon) 07:58
- Track
- 9
- Title
- I. Il Sogno di Salomone (The Dream of Solomon)
- Duration
- 07:58
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon
-
10 II. Danza guerresca (War Dance) 02:51
- Track
- 10
- Title
- II. Danza guerresca (War Dance)
- Duration
- 02:51
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon
-
11 III. La Danza di Belkis all'aurora (The Dance of Belkis at Dawn) 06:19
- Track
- 11
- Title
- III. La Danza di Belkis all'aurora (The Dance of Belkis at Dawn)
- Duration
- 06:19
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon
-
12 IV. Danza orgiastica (Orgiastic Dance) 05:13
- Track
- 12
- Title
- IV. Danza orgiastica (Orgiastic Dance)
- Duration
- 05:13
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon
-
13 No. 1. Notte Tropicale (Tropical Night) 09:42
- Track
- 13
- Title
- No. 1. Notte Tropicale (Tropical Night)
- Duration
- 09:42
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon
-
14 No. 2. Butantan (In a snake-garden near Sao Paulo) 04:50
- Track
- 14
- Title
- No. 2. Butantan (In a snake-garden near Sao Paulo)
- Duration
- 04:50
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon
-
15 No. 3. Canzone e Danza (Song and Dance) 04:06
- Track
- 15
- Title
- No. 3. Canzone e Danza (Song and Dance)
- Duration
- 04:06
- Composer
- Ottorino Respighi
- Ensemble
- Philharmonia Orchestra
- Conductor
- Geoffrey Simon