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Rhapsodic Musings / Jennifer Koh
Cedille

Rhapsodic Musings / Jennifer Koh

$19.99

Details

Composer
CARTER SALONEN THOMAS ZORN
Artist
Jennifer Koh
Format
CD
Label
Cedille
Released
Sep 29, 2009
Catalog #
CDR 113
UPC
735131911320

About



RHAPSODIC MUSINGS • Jennifer Koh (vn) • ÇEDILLE 113 (52:00)


SALONEN Lachen Verlernt. CARTER Four Lauds. THOMAS Pulsar. ZORN Goetia


& A video by Tal Rosner


Rumor has it that there’s a big chunk of the classical music listening public that is afraid of contemporary music. When it’s played with the passion and conviction that violinist Jennifer Koh generates on behalf of these three 21st-century scores (not excluding Elliott Carter’s Four Lauds , which were composed between 1984 and 2000), the skeptics have nothing to fear. She displays impeccable technique and a flawless tonal range regardless of their degree of difficulty, and more important, uncovers the lyrical impulse at the music’s core.


Even so, I think the disc’s title, borrowed from Carter, understates the nature of the music somewhat. None of these works quite suit the state of absorption in thought or dreamy abstraction that my dictionary applies to musing, though rhapsodic they may be. True, Augusta Read Thomas’s Pulsar does resolve its dramatic thrusts, swoops, and soaring with a meditative conclusion. And Carter’s Four Lauds —“Statement—Remembering Aaron” (Copland), “Riconoscenza per Goffredo Petrassi,” “Rhapsodic Musings,” and “Fantasy”—maintain recognizable classical proportions amid their flamboyant gestures. Esa-Pekka Salonen’s Lachen Verlernt takes its title from a line in Albert Giraud’s sequence of poems, Pierrot Lunaire (in Otto Hartleben’s German translation from the original French, “Mein Lachen/Hab ich verlernt!”—I have unlearned [or forgotten] all my laughter!). The music, however, owes nothing to Schoenberg as it accelerates, chaconne-like, from an introductory lament to a fantasia of impulsive double-stops and sizzling twists of phrase. (Tal Rosner’s accompanying CD-ROM video of geometric and graphically altered imagery choreographed to Lachen Verlernt is a pleasant but extraneous bonus.)


The eight movements of John Zorn’s Goetia provide—perhaps predictably, given his participation in free jazz, thrash rock, and other extravagant musical genres—the most aggressive events and make the most treacherous technical demands on the violinist. The title is derived from the Greek word for sorcery, and relates to the Middle Ages practice of conjuring demons through elaborate spells and numerological systems. In this case, Zorn has devised a sequence of 277 pitches that remain the same in each movement, but whose character changes according to shifts in phrasing, tempo, dynamics, and attack. But, as program booklet annotator Paul Griffiths suggests, the bristling pizzicatos, slashing multi-stops, and moto perpetuo passages, for all their “demonic” intensity, may simply remind us of how the fiddle has long been identified as the devil’s own instrument.


Jennifer Koh is a hell of a violinist (sorry, couldn’t resist), and this is a most impressive recital.


FANFARE: Art Lange

Tracklist 14 tracks

  1. 1 Lachen verlernt 09:43
    Track
    1
    Title
    Lachen verlernt
    Duration
    09:43
    Composer
    Esa-Pekka Salonen
    Performer
    Jennifer Koh
  2. 2 No. 1. Statement: Remembering Aaron 03:59
    Track
    2
    Title
    No. 1. Statement: Remembering Aaron
    Duration
    03:59
    Composer
    Elliott Carter
    Performer
    Jennifer Koh
  3. 3 No. 2. Riconoscenza per Goffredo Petrassi 05:10
    Track
    3
    Title
    No. 2. Riconoscenza per Goffredo Petrassi
    Duration
    05:10
    Composer
    Elliott Carter
    Performer
    Jennifer Koh
  4. 4 No. 3. Rhapsodic Musings 03:05
    Track
    4
    Title
    No. 3. Rhapsodic Musings
    Duration
    03:05
    Composer
    Elliott Carter
    Performer
    Jennifer Koh
  5. 5 No. 4. Fantasy: Remembering Roger 05:00
    Track
    5
    Title
    No. 4. Fantasy: Remembering Roger
    Duration
    05:00
    Composer
    Elliott Carter
    Performer
    Jennifer Koh
  6. 6 Pulsar 05:33
    Track
    6
    Title
    Pulsar
    Duration
    05:33
    Composer
    Augusta Read Thomas
    Performer
    Jennifer Koh
  7. 7 I. — 01:24
    Track
    7
    Title
    I. —
    Duration
    01:24
    Composer
    John Zorn
    Performer
    Jennifer Koh
  8. 8 II. — 03:13
    Track
    8
    Title
    II. —
    Duration
    03:13
    Composer
    John Zorn
    Performer
    Jennifer Koh
  9. 9 III. — 01:15
    Track
    9
    Title
    III. —
    Duration
    01:15
    Composer
    John Zorn
    Performer
    Jennifer Koh
  10. 10 IV. — 02:35
    Track
    10
    Title
    IV. —
    Duration
    02:35
    Composer
    John Zorn
    Performer
    Jennifer Koh
  11. 11 V. — 01:44
    Track
    11
    Title
    V. —
    Duration
    01:44
    Composer
    John Zorn
    Performer
    Jennifer Koh
  12. 12 VI. — 02:56
    Track
    12
    Title
    VI. —
    Duration
    02:56
    Composer
    John Zorn
    Performer
    Jennifer Koh
  13. 13 VII. — 03:45
    Track
    13
    Title
    VII. —
    Duration
    03:45
    Composer
    John Zorn
    Performer
    Jennifer Koh
  14. 14 VIII. — 01:52
    Track
    14
    Title
    VIII. —
    Duration
    01:52
    Composer
    John Zorn
    Performer
    Jennifer Koh