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COMPOSERSTRAUSS, RICHARD
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PERFORMERHopf, Rysanek, Hongen, Bohme, Terkal, Hellwig, Weber, Goltz, Proglhof, Czerwenka, Dickie, Chor Der W
Richard Strauss: Die Frau Ohne Schatten / Böhm, Rysanek
- Orfeo
- September 21, 2005
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RELEASE DATESeptember 21, 2005
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UPC4011790668321
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CATALOG NUMBERORF-C668053
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LABELOrfeo
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NUMBER OF DISCS3
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GENRE
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Act I: Licht uberm see (Amme, Geisterbote)
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Performer: Elisabeth Höngen, Kurt Böhme
Conductor: Karl Böhm
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Act I: Amme! Wachst du? (Kaiser, Amme)
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Performer: Hans Hopf, Elisabeth Höngen
Conductor: Karl Böhm
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Act I: Ist mein Liebster dahin? (Kaiserin, Falke, Amme)
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Performer: Leonie Rysanek, Judith Hellwig, Elisabeth Höngen
Conductor: Karl Böhm
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Act I: Amme, um alles, wo find' ich den Schatten? (Kaiserin, Amme)
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Performer: Leonie Rysanek, Elisabeth Höngen
Conductor: Karl Böhm
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Act I: Verwandlung - Dieb! Da, nimm! (Einaugiger, Einarmiger, Buckliger, Frau, Barak)
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Performer: Harald Pröglhöf, Oscar Czerwenka, Murray Dickie, Christel Goltz, Ludwig Weber
Conductor: Karl Böhm
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Act I: Sie aus dem Hause, und das fur immer (Frau, Barak)
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Performer: Christel Goltz, Ludwig Weber
Conductor: Karl Böhm
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Act I: Dritthalb Jahr bin ich dein Weib (Farberin, Frau)
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Performer: Christel Goltz, Ludwig Weber
Conductor: Karl Böhm
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Act I: Was wollt ihr hier? (Farberin, Amme, Kaiserin, Dienerinnen, Jungling)
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Performer: Christel Goltz, Elisabeth Höngen, Leonie Rysanek, Emmy Loose, Anny Felbermayer, Hilde Rössel-Majdan, Karl Terkal
Conductor: Karl Böhm
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Act I: Meine Seele ist satt geworden der Mutterschaft (Farberin, Amme, Kinderstimmen)
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Performer: Christel Goltz, Elisabeth Höngen, Alfred Poell, Eberhard Wächter, Ljubomir Pantscheff
Conductor: Karl Böhm
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Act I: Trag' ich die ware selber zu markt (Barak, Farberin, Wachter)
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Performer: Ludwig Weber, Christel Goltz, Alfred Poell, Eberhard Wächter, Ljubomir Pantscheff
Conductor: Karl Böhm
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Act II: Komm bald wieder nach Haus, mein Gebieter (Amme, Farberin, Kaiserin, Chorus)
Composer: Richard Strauss
Ensemble: Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
Performer: Elisabeth Höngen, Christel Goltz, Leonie Rysanek
Conductor: Karl Böhm
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Act II: Was ist nun die Rede, du Prinzessin (Barak, Einaugiger, Einarmiger, Buckliger, Bettelkinder, Farberin)
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Performer: Ludwig Weber, Harald Pröglhöf, Oscar Czerwenka, Murray Dickie, Liselotte Maikl, Ruthilde Boesch, Berta Seidl, Edith Priessner, Gertraud Bastezky, Christel Goltz
Conductor: Karl Böhm
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Act II: Verwandlung
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Conductor: Karl Böhm
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Act II: Falke, Falke, du wiedergefundener (Kaiser)
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Performer: Hans Hopf
Conductor: Karl Böhm
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Act II: Es gibt deren, die haben immer Zeit (Farberin, Barak, Amme, Jungling)
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Performer: Christel Goltz, Ludwig Weber, Elisabeth Höngen, Karl Terkal
Conductor: Karl Böhm
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Act II: Ein handwerk verstehst du sicher nicht (Farberin, Barak, Kaiserin)
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Performer: Ludwig Weber, Christel Goltz, Leonie Rysanek
Conductor: Karl Böhm
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Act II: Sieh - Amme - sieh (Kaiserin, Chorus, Falke)
Composer: Richard Strauss
Ensemble: Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
Performer: Leonie Rysanek, Judith Hellwig
Conductor: Karl Böhm
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Act II: Es dunkelt, Dass ich nicht sehe zur Arbeit (Barak, Einaugiger, Einarmiger, Buckliger, Amme, Farberin, Kaiserin)
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Performer: Ludwig Weber, Harald Pröglhöf, Oscar Czerwenka, Murray Dickie, Elisabeth Höngen, Christel Goltz, Leonie Rysanek
Conductor: Karl Böhm
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Act II: Das Weib ist irre (Barak, Einaugiger, Einarmiger, Buckliger, Amme, Kaiserin, Farberin)
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Performer: Ludwig Weber, Harald Pröglhöf, Oscar Czerwenka, Murray Dickie, Elisabeth Höngen, Leonie Rysanek, Christel Goltz
Conductor: Karl Böhm
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Act III: Schweigt doch, ihr Stimmen! (Farberin)
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Performer: Christel Goltz
Conductor: Karl Böhm
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Act III: Mir anvertraut, dass ich sie hege (Barak, Farberin)
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Performer: Ludwig Weber, Christel Goltz, Hilde Rössel-Majdan
Conductor: Karl Böhm
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Ach III: Verwandlung - Sie kommen! (Geisterbote, Chorus)
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Performer: Emmy Loose, Anny Felbermayer, Hilde Rössel-Majdan, Kurt Böhme
Conductor: Karl Böhm
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Act III: Fort von hier! (Amme, Kaiserin)
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Performer: Elisabeth Höngen, Leonie Rysanek
Conductor: Karl Böhm
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Act III: Was Menschen bedurfen? (Amme, Barak, Farberin, Echo, Bote)
Composer: Richard Strauss
Ensemble: Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
Performer: Elisabeth Höngen, Ludwig Weber, Christel Goltz, Kurt Böhme
Conductor: Karl Böhm
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Act III: Verwandlung - Vater bist du's? (Kaiserin, Farberin, Barak, Chorus)
Composer: Richard Strauss
Ensemble: Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
Performer: Leonie Rysanek, Alfred Poell, Eberhard Wächter, Ljubomir Pantscheff, Christel Goltz, Ludwig Weber
Conductor: Karl Böhm
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Act III: Wenn das Herz aus Kristall … (Kaiser, Kaiserin, Chorus)
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Performer: Hans Hopf, Liselotte Maikl, Ruthilde Boesch, Berta Seidl, Edith Priessner, Gertraud Bastezky, Leonie Rysanek
Conductor: Karl Böhm
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Act III: Trifft mich sein Lieben nicht (Farberin, Barak, Chorus)
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Performer: Christel Goltz, Ludwig Weber, Liselotte Maikl, Ruthilde Boesch, Berta Seidl, Edith Priessner, Gertraud Bastezky
Conductor: Karl Böhm
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Act III: Nun will ich jubeln (Barak, Kaiser, Farberin, Chorus)
Composer: Richard Strauss
Ensemble: Orchester der Wiener Staatsoper
Performer: Ludwig Weber, Hans Hopf, Leonie Rysanek, Christel Goltz, Liselotte Maikl, Ruthilde Boesch, Berta Seidl, Edith Priessner, Gertraud Bastezky
Conductor: Karl Böhm
Featuring ⌄
Product Details ⌄
Works ⌄
Leonie Rysanek is the familiar Empress, seemingly hypnotized and enchanted, her voice settling down after some initial pitch problems mid-range to offer a glorious reading, with gleaming, cutting top notes and true sentiment throughout. She makes us feel for the character and her plight. Her Emperor is the beefy tenor Hans Hopf, who is less crude than usual and has the notes and stamina for the role, particularly in the seemingly endless final scene, which, when presented as complete as is it here, can be quite a challenge.
As the Dyer's Wife, Christel Goltz is not quite in the same class with the others; her singing is secure and good enough but she lacks any subtlety and can't compare with, say, Christa Ludwig in the role. Elisabeth Höngen's Nurse is nasty and biting, and she gets through the role without shouting. Kurt Böhme's Messenger is potent and the rest of the cast--Vienna stalwarts from the '50s--is top notch.
Böhm captures just the correct otherworldliness of the music, and the Vienna Philharmonic, tam tam, gongs and all, plays with great feeling and love. The sound is pure, clear monaural (the studio recording is early stereo but is essentially no better), with even the harps audible; Strauss' exotica is underlined but not so prominent that we can't hear the gorgeously tonal score. The vibrancy of the live experience is thrilling. If you own the Decca, you won't need this, really, but you must own one or the other.
--Robert Levine, ClassicsToday.com
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