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COMPOSERROCHBERG, GEORGE
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PERFORMERShorr, Skaerved
Rochberg: Violin Sonata, Caprice Variations / Peter Sheppard Skærved, Aaron Shorr
- Metier
- March 28, 2011
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RELEASE DATEMarch 28, 2011
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UPC809730852121
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CATALOG NUMBERMSV28521
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LABELMetier
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NUMBER OF DISCS2
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GENRE
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I. Sarabande: Molto adagio con tenerezza
Composer: George Rochberg
Performer: Peter Sheppard Skærved, Aaron Shorr
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II. Scherzo capriccioso, con spirito
Composer: George Rochberg
Performer: Peter Sheppard Skærved, Aaron Shorr
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III. Ardentemente -
Composer: George Rochberg
Performer: Peter Sheppard Skærved, Aaron Shorr
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III. Adagio
Composer: George Rochberg
Performer: Peter Sheppard Skærved, Aaron Shorr
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No. 1. Allegro energico
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 2. Presto
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 3. Allegro molto e con fucco
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 4. Poco allegro ma quasi recitando
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 5. Poco agitato ma con molto rubato
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 6. Poco allegretto ma con molto rubato
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 7. Presto (after Beethoven Op. 74 Scherzo)
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 8. Languido (after Schubert Waltz Op. 9, No. 22)
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 9. Non troppo presto (after Brahms Op. 35, Book 1, No. 2)
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 10. Vivace (after Brahms Op. 35, Book 1, No. 3)
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 11. Andante (after Brahms Op. 35, Book 1, No. 11)
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 12. Andante com moto (after Brahms Op. 35, Book 1, No. 12)
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 13. Feroce, energico (after Brahms Op. 35, Book 2, No.10)
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 14. Alla guitarra; allegretto con molto rubato
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 15. Con grazia; un poco agitato
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 16. Andante amoroso
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 17. Poco adagio
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 18. Allegro fantastico
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 19. Vivace
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 20. Quasi cadenza: Andante con molto espressivo
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 21. Allegro con brio (after Beethoven Symphony No. 7, Finale)
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 22. Molto espressivo e cantando
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 23. Andante graziso e tranquillo
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 24. Allegretto
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 25. Scherzo
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 26. Con brio
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 27. Aria
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 28. Molto agitato
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 29. Lento ma non troppo
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 30. Poco allegretto e leggiero
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 31. Molto adagio
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 32. Allegro assai, burlesco
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 33. Moderato - Con amore
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 34. Molto adagio
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 35. Allegro molto - Fantastico
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 36. Largo - Sereno
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 37. Barcarolle
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 38. Can-Can Tempo - Presto
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 39. Elegiac; fantastico
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 40. Robust, do not rush
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 41. Allegro molto (after Webern Passacaglia Op. 1)
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 42. Nocturnal: slow
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 43. Andantino
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 44. Scherzo (after Mahler Symphony No. 5: Scherzo)
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 45. Presto
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 46. Bravura, sempre recitando, in the "grand manner"
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 47. Arabesque, fantastico
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 48. Moderately fast, fantastico
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 49. Feroce
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 50. Fantasy
Composer: George Rochberg
Performer: Peter Sheppard Skærved
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No. 51. Quasi Presto, robusto (Paganini's Theme: Caprice 24, Book 2)
Composer: George Rochberg
Performer: Peter Sheppard Skærved
Featuring ⌄
Product Details ⌄
Works ⌄
Rochberg is a composer who embraces a broad spectrum of compositional styles and genres throughout his long span of musical career. Plunged into Schoenbergian serialism in his early years, Rochberg, after the death of his son in 1964, discarded the technique and turned to a musical language that mixed abstract chromaticism with tonal idioms. The Violin Sonata, written in 1988, is a telling exemplification of his late style. The profound emotional expression in all four movements is characterized by the constant employment of atonality and tonal variety.
The Caprice Variations, in which Rochberg masterfully blends Modernist and Classical elements, is a beguiling, if not bemusing, composition. The one-and-a-half-hour long solo violin work begins with a theme that incorporates traditional tonal harmony in the manner of Bach’s solo violin partita – diatonic sequences, balanced phrases, and perfect cadences. Musical humor continues by the composer echoing the styles of our great predecessors such as Bach, Beethoven, Mozart, Schubert, Brahms, and Mahler – some more tacitly, some more overtly. Apart from appreciating Rochberg’s musical humor and wisdom, one may well wish to treat the variations as an entertaining test of musicianship while listening.
The marvelous recording quality captures both the music’s refined details and the sense of ample space. The informative booklet, written mainly by the violinist himself, devotes its central focus to the portrait of the composer’s personality and aesthetic philosophy. Being a long-term musical collaborator and an intimate comrade of the composer, Skærved would be the ideal one to take up the job. Not only is the general description of the performer’s rehearsing and recording procedures included, the booklet also encompasses some interesting and thought-provoking conversations between the musicians that enable the readers to have a better understanding on both the composer’s compositional process and the performer’s reception towards the music. I would have welcomed some more detailed information on the composer’s general compositional style(s) and the analytical commentary of the two works in this album so that less experienced listeners could also be benefited.
After all, an outstanding recording that provides wonderful listening experiences.
-- Danny Kim-Nam Hui, ConcertoNet.com
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