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COMPOSERROSENMULLER, JOHANN
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PERFORMERVarious
Rosenmüller: Psalm Concertos; Sacred Concertos / Meyer, Ensemble 1684
- CPO
- September 3, 2021
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RELEASE DATESeptember 03, 2021
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UPC761203517428
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CATALOG NUMBER555174-2
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LABELCPO
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NUMBER OF DISCS1
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GENRE
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Magnificat anima mea Dominum
Composer: Johann Rosenmüller
Ensemble: Ensemble 1684
Conductor: Gregor Meyer
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Der Name des Herren
Composer: Johann Rosenmüller
Ensemble: Ensemble 1684
Conductor: Gregor Meyer
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Domine probasti me et cognovisti
Composer: Johann Rosenmüller
Ensemble: Ensemble 1684
Conductor: Gregor Meyer
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Ego te Laudo
Composer: Johann Rosenmüller
Ensemble: Ensemble 1684
Conductor: Gregor Meyer
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Sinfonia No. 1
Composer: Johann Rosenmüller
Ensemble: Ensemble 1684
Conductor: Gregor Meyer
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Confitebor tibi Domine
Composer: Johann Rosenmüller
Ensemble: Ensemble 1684
Conductor: Gregor Meyer
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Welt ade, ich bin dein mude
Composer: Johann Rosenmüller
Ensemble: Ensemble 1684
Conductor: Gregor Meyer
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Nunc dimittis
Composer: Johann Rosenmüller
Ensemble: Ensemble 1684
Conductor: Gregor Meyer
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Bleibe bei uns, denn es will Abend werden
Composer: Johann Rosenmüller
Ensemble: Ensemble 1684
Conductor: Gregor Meyer
Featuring ⌄
Product Details ⌄
Works ⌄
Following our first album with sacred concertos by Johann Rosenmüller, we are now releasing another album with concertos for larger ensembles by this genial composer and musician who quite soon attracted attention with his perfect musical blend and tireless creative drive as well as with his persistent striving for innovation. In his works Rosenmüller succeeded in blending the new Italian colorfulness and tonal sensitivity with the gravity of Central German music into a unique, sublime style. The more than one hundred works by Rosenmüller that have come down to us, most of them dimensioned on the large scale, reveal a composer who gave everything he had to bring to perfection the mixing of Central German and Italian stylistics begun in Leipzig and ultimately to lend the sacred concerto a personal signature. “The music speaks for itself, for it is filled with enthralling moments. Such a discovery would not be possible without such an impressive interpretation as that of the Ensemble 1684. The soloists shine in their outstanding textual articulation and flawless vocal technique; the instrumentalists always provide for optimally balanced dialogues.”
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