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COMPOSERAntonio Rosetti
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ORCHESTRA / ENSEMBLEVokalensemble Beckerpsalter
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PERFORMERL'Arpa Festante
Rosetti: Der sterbende Jesus / Moesus, L'arpa festante
- CPO
- April 19, 2024
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RELEASE DATEApril 19, 2024
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UPC761203556724
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CATALOG NUMBER555567-2
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LABELCPO
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NUMBER OF DISCS1
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GENRE
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Er kommt zu bluten (Chorus)
Composer: Antonio Rosetti
Ensemble: Vokalensemble BeckerPsalter, L' Arpa festante
Conductor: Johannes Moesus
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Recitative: Wohin verfolgt die Unruh mich (Johannes, Chorus)
Composer: Antonio Rosetti
Ensemble: Vokalensemble BeckerPsalter, L' Arpa festante
Performer: Georg Poplutz
Conductor: Johannes Moesus
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Aria: So steigt nach Ungewittern (Johannes)
Composer: Antonio Rosetti
Ensemble: L' Arpa festante
Performer: Georg Poplutz
Conductor: Johannes Moesus
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Recitative: Schon steht das Kreuz (Maria, Jesus)
Composer: Antonio Rosetti
Ensemble: L' Arpa festante
Performer: Anna-Lena Elbert, Daniel Ochoa
Conductor: Johannes Moesus
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Preis und Dank! (Chorus)
Composer: Antonio Rosetti
Ensemble: Vokalensemble BeckerPsalter, L' Arpa festante
Conductor: Johannes Moesus
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Recitative: Woher die düst're Mitternacht (Johannes)
Composer: Antonio Rosetti
Ensemble: L' Arpa festante
Performer: Georg Poplutz
Conductor: Johannes Moesus
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Recitative: Mein Gott! Warum verlassen auch von dir (Jesus)
Composer: Antonio Rosetti
Ensemble: L' Arpa festante
Performer: Daniel Ochoa
Conductor: Johannes Moesus
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Fallet nieder und dankt! … Der Vorhang im Tempel zerriss (Chorus)
Composer: Antonio Rosetti
Ensemble: Vokalensemble BeckerPsalter, L' Arpa festante
Conductor: Johannes Moesus
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Recitative and Aria: Wohin, wo flieh' ich hin? (Maria)
Composer: Antonio Rosetti
Ensemble: L' Arpa festante
Performer: Anna-Lena Elbert
Conductor: Johannes Moesus
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Aria: Wenn dann einst der Tränen müde (Soprano)
Composer: Antonio Rosetti
Ensemble: L' Arpa festante
Performer: Anna-Lena Elbert
Conductor: Johannes Moesus
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Recitative: Hier saß er oft … O, warum säumt' (Maria, Johannes)
Composer: Antonio Rosetti
Ensemble: L' Arpa festante
Performer: Anna-Lena Elbert, Georg Poplutz
Conductor: Johannes Moesus
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Aria: Weh mir Armen! (Soprano)
Composer: Antonio Rosetti
Ensemble: L' Arpa festante
Performer: Anna-Lena Elbert
Conductor: Johannes Moesus
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Recitative: Lass' ab! Dein Schmerz zerreißt (Tenor)
Composer: Antonio Rosetti
Ensemble: L' Arpa festante
Performer: Georg Poplutz
Conductor: Johannes Moesus
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Selig sind von nun an alle (Chorus)
Composer: Antonio Rosetti
Ensemble: Vokalensemble BeckerPsalter, L' Arpa festante
Conductor: Johannes Moesus
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Recitative: Einst schlief er sanft in stiller Nacht (Tenor)
Composer: Antonio Rosetti
Ensemble: L' Arpa festante
Performer: Georg Poplutz
Conductor: Johannes Moesus
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Fuge: Doch der Sieger ist schon nah (Chorus)
Composer: Antonio Rosetti
Ensemble: Vokalensemble BeckerPsalter, L' Arpa festante
Conductor: Johannes Moesus
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Recitative and Aria: Es ist gescheh'n! … Weine (Joseph von Arimathia)
Composer: Antonio Rosetti
Ensemble: L' Arpa festante
Performer: Anne Bierwirth
Conductor: Johannes Moesus
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Recitative: O lasst mich sie … Auch da sein Blut (Soprano, Tenor)
Composer: Antonio Rosetti
Ensemble: L' Arpa festante
Performer: Anna-Lena Elbert, Georg Poplutz
Conductor: Johannes Moesus
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Zwischen Hoffnung, Angst und Beben (Chorus)
Composer: Antonio Rosetti
Ensemble: Vokalensemble BeckerPsalter, L' Arpa festante
Conductor: Johannes Moesus
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Recitative: Hemmt nun die Flut der Tränen! (Alto)
Composer: Antonio Rosetti
Ensemble: L' Arpa festante
Performer: Anne Bierwirth
Conductor: Johannes Moesus
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Duet: Tief anbetend hier im Staube (Alto, Tenor)
Composer: Antonio Rosetti
Ensemble: L' Arpa festante
Performer: Anne Bierwirth, Georg Poplutz
Conductor: Johannes Moesus
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Recitiative: So bebet nicht! (Tenor)
Composer: Antonio Rosetti
Ensemble: L' Arpa festante
Performer: Georg Poplutz
Conductor: Johannes Moesus
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Frohlockt! Der Fromme steht voll Zuversicht (Chorus)
Composer: Antonio Rosetti
Ensemble: Vokalensemble BeckerPsalter, L' Arpa festante
Conductor: Johannes Moesus
Featuring ⌄
Product Details ⌄
Works ⌄
In contrast to his more famous classical contemporaries, Antonio Rosetti was a "provincial" composer in terms of his external living circumstances. But the suspicion that he was only active for a quarter century in Swabian Wallerstein because his level was not high enough for the great centres of music has proven to be completely without merit. Whether we look at his symphonic works, concertos, chamber music or vocal works – a master's hand is unmistakable, as our continuously growing collection of impressive examples shows. This now includes the oratorio The Dying Jesus, which depicts the events of Good Friday both urgently and compassionately – an ideal complement to the scenes of Jesus in Gethsemane already available.
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