-
COMPOSERROSSINI, GIOACHINO
-
ORCHESTRA / ENSEMBLECamerata Bach Choir Poznan
-
PERFORMERGritskova, Bakonyi, Aleida, Tarver, Sanchez-Valverde, Arrieta, Virtuosi
Rossini: Sigismondo / Gritskova, Fogliani
- Naxos
- July 14, 2017
-
RELEASE DATEJuly 14, 2017
-
UPC730099040372
-
CATALOG NUMBER8660403-04
-
LABELNaxos
-
NUMBER OF DISCS1
-
GENRE
-
Act I: Sinfonia
Composer: Gioachino Rossini
Ensemble: Virtuosi Brunensis
Conductor: Antonino Fogliani
-
Act I Scene 1: Introduction: O prence misero (Chorus, Anagilda, Radoski, Ladislao)
Composer: Gioachino Rossini
Ensemble: Poznań Camerata Bach Choir, Virtuosi Brunensis
Performer: Paula Sánchez-Valverde, César Arrieta, Kenneth Tarver
Conductor: Antonino Fogliani
-
Act I Scene 2: Recitative: Né fia, german, che rieda (Anagilda, Radoski, Ladislao)
Composer: Gioachino Rossini
Ensemble: Virtuosi Brunensis
Performer: Paula Sánchez-Valverde, César Arrieta, Kenneth Tarver, Michele D'Elia
Conductor: Antonino Fogliani
-
Act I Scene 3: Cavatina: Non seguirmi… omai t'invola (Sigismondo, Anagilda, Ladislao, Radoski)
Composer: Gioachino Rossini
Ensemble: Virtuosi Brunensis
Performer: Margarita Gritskova, Paula Sánchez-Valverde, Kenneth Tarver, César Arrieta
Conductor: Antonino Fogliani
-
Act I Scene 3: Recitative: Signor, mentre t'adora - Scene 4: O dubbi miei! (Ladislao, Sigismondo, Anagilda)
Composer: Gioachino Rossini
Performer: Kenneth Tarver, Margarita Gritskova, Paula Sánchez-Valverde, Michele D'Elia
Conductor: Antonino Fogliani
-
Act I Scene 5: Scene: O tranquillo soggiorno - Cavatina: Oggetto amabile (Aldimira)
Composer: Gioachino Rossini
Ensemble: Virtuosi Brunensis
Performer: Maria Aleida
Conductor: Antonino Fogliani
-
Act I Scene 5: Recitative: Signora… (Zenovito, Aldimira)
Composer: Gioachino Rossini
Performer: Marcell Bakonyi, Maria Aleida, Michele D'Elia
Conductor: Antonino Fogliani
-
Act I Scene 5: Recitative: Di caccia il suono - Scene 6: Chorus: Al bosco! (Zenovito, Aldimira, Chorus)
Composer: Gioachino Rossini
Ensemble: Poznań Camerata Bach Choir, Virtuosi Brunensis
Performer: Marcell Bakonyi, Maria Aleida, Michele D'Elia
Conductor: Antonino Fogliani
-
Act I Scene 8: Recitative: Il loco è questo - Scene 9: Ti veggo, sì… - Scene 10: Mio re! - Scene 11: Venga Ulderico (Sigismondo, Anagilda, Ladislao)
Composer: Gioachino Rossini
Performer: Margarita Gritskova, Paula Sánchez-Valverde, Kenneth Tarver, Michele D'Elia
Conductor: Antonino Fogliani
-
Act I Scene 11: Recitative: Che avvenne? - Aria: Vidi… (Sigismondo, Ladislao)
Composer: Gioachino Rossini
Ensemble: Virtuosi Brunensis
Performer: Margarita Gritskova, Kenneth Tarver
Conductor: Antonino Fogliani
-
Act I Scene 12: Recitative: Crederò agli occhi miei? (Sigismondo, Aldimira)
Composer: Gioachino Rossini
Performer: Margarita Gritskova, Maria Aleida, Michele D'Elia
Conductor: Antonino Fogliani
-
Act I Scene 12: Recitative: Se un tradimento reo - Duettino: Un segreto è il mio tormento (Sigismondo, Aldimira)
Composer: Gioachino Rossini
Ensemble: Virtuosi Brunensis
Performer: Margarita Gritskova, Maria Aleida, Michele D'Elia
Conductor: Antonino Fogliani
-
Act I Scene 13: Recitative: Il re dov'è? (Ladislao, Zenovito)
Composer: Gioachino Rossini
Performer: Kenneth Tarver, Marcell Bakonyi, Michele D'Elia
Conductor: Antonino Fogliani
-
Act I Scene 13: Aria: Tu l'opra tua seconda (Zenovito)
Composer: Gioachino Rossini
Ensemble: Virtuosi Brunensis
Performer: Marcell Bakonyi
Conductor: Antonino Fogliani
-
Act I Scene 14: Recitative: Io dispor che costei (Ladislao, Zenovito)
Composer: Gioachino Rossini
Performer: Kenneth Tarver, Marcell Bakonyi, Michele D'Elia
Conductor: Antonino Fogliani
-
Act I Scene 15: Recitative: Ella ricusa? - Duet: Perché obbedir disdegni? (Ladislao, Aldimira)
Composer: Gioachino Rossini
Ensemble: Virtuosi Brunensis
Performer: Kenneth Tarver, Maria Aleida, Michele D'Elia
Conductor: Antonino Fogliani
-
Act I Scene 17: Finale: Quale, o ciel, d'idee funeste (Sigismondo, Aldimira, Ladislao, Zenovito, Chorus, Anagilda, Radoski)
Composer: Gioachino Rossini
Ensemble: Poznań Camerata Bach Choir, Virtuosi Brunensis
Performer: Margarita Gritskova, Maria Aleida, Kenneth Tarver, Marcell Bakonyi, Paula Sánchez-Valverde, César Arrieta
Conductor: Antonino Fogliani
-
Act II Scene 1: Introduction: In segreto a che ci chiama? (Chorus)
Composer: Gioachino Rossini
Ensemble: Poznań Camerata Bach Choir, Virtuosi Brunensis
Conductor: Antonino Fogliani
-
Act II Scene 2: Recitative: Ah! Superato il bosco - Scene 3: Aldimira! (Sigismondo, Anagilda, Chorus)
Composer: Gioachino Rossini
Ensemble: Poznań Camerata Bach Choir
Performer: Margarita Gritskova, Paula Sánchez-Valverde, Michele D'Elia
Conductor: Antonino Fogliani
-
Act II Scene 3: Chorus: Viva Aldimira (Chorus, Anagilda, Radoski)
Composer: Gioachino Rossini
Ensemble: Poznań Camerata Bach Choir, Virtuosi Brunensis
Performer: Paula Sánchez-Valverde, César Arrieta
Conductor: Antonino Fogliani
-
Act II Scene 3: Recitative: O vista che m'agghiaccia! - Scene 4: Ella! (Ladislao, Aldimira, Sigismondo, Radoski, Anagilda)
Composer: Gioachino Rossini
Performer: Kenneth Tarver, Maria Aleida, Margarita Gritskova, César Arrieta, Paula Sánchez-Valverde, Michele D'Elia
Conductor: Antonino Fogliani
-
Act II Scene 4: Scene: Come!… - Duet: Tomba di morte (Aldimira, Sigismondo)
Composer: Gioachino Rossini
Ensemble: Virtuosi Brunensis
Performer: Maria Aleida, Margarita Gritskova, Michele D'Elia
Conductor: Antonino Fogliani
-
Act II Scene 5: Recitative: M'ingannaste, occhi miei? (Radoski, Anagilda)
Composer: Gioachino Rossini
Performer: César Arrieta, Paula Sánchez-Valverde, Michele D'Elia
Conductor: Antonino Fogliani
-
Act II Scene 5: Rondo: Sognava contenti (Anagilda)
Composer: Gioachino Rossini
Ensemble: Virtuosi Brunensis
Performer: Paula Sánchez-Valverde
Conductor: Antonino Fogliani
-
Act II Scene 7: Scene: Misero me! - Aria: Giusto ciel (Ladislao)
Composer: Gioachino Rossini
Ensemble: Virtuosi Brunensis
Performer: Kenneth Tarver
Conductor: Antonino Fogliani
-
Act II Scene 9: Recitative: Che più vuoi? - Scene 10: Ad Ulderico or ci affrettiam (Sigismondo, Aldimira, Radoski)
Composer: Gioachino Rossini
Performer: Margarita Gritskova, Maria Aleida, César Arrieta, Michele D'Elia
Conductor: Antonino Fogliani
-
Act II Scene 11: Scene: Alla partenza - Aria: Ah! signor (Radoski, Sigismondo, Aldimira, Chorus)
Composer: Gioachino Rossini
Ensemble: Poznań Camerata Bach Choir, Virtuosi Brunensis
Performer: César Arrieta, Margarita Gritskova, Maria Aleida
Conductor: Antonino Fogliani
-
Act II Scene 12: Recitative: Venga pur Ladislao (Ulderico, Ladislao)
Composer: Gioachino Rossini
Performer: Marcell Bakonyi, Kenneth Tarver, Michele D'Elia
Conductor: Antonino Fogliani
-
Act II Scene 13: Quartet: Genitor… deh vien! (Aldimira, Sigismondo, Ladislao, Ulderico)
Composer: Gioachino Rossini
Ensemble: Virtuosi Brunensis
Performer: Maria Aleida, Margarita Gritskova, Kenneth Tarver, Marcell Bakonyi
Conductor: Antonino Fogliani
-
Act II Scene 16: Grand Scene: O sorte barbara (Chorus, Sigismondo, Ulderico, Ladislao, Aldimira)
Composer: Gioachino Rossini
Ensemble: Poznań Camerata Bach Choir, Virtuosi Brunensis
Performer: Margarita Gritskova, Marcell Bakonyi, Kenneth Tarver, Maria Aleida
Conductor: Antonino Fogliani
-
Act II Scene 17: Recitative: E tu che per salvarlo (Ulderico, Aldimira, Ladislao, Sigismondo)
Composer: Gioachino Rossini
Performer: Marcell Bakonyi, Maria Aleida, Kenneth Tarver, Margarita Gritskova, Michele D'Elia
Conductor: Antonino Fogliani
-
Act II Scene 17: Finale: Qual felice amico giorno (Aldimira, Sigismondo, Ulderico, Ladislao, Chorus)
Composer: Gioachino Rossini
Ensemble: Poznań Camerata Bach Choir, Virtuosi Brunensis
Performer: Maria Aleida, Margarita Gritskova, Marcell Bakonyi, Kenneth Tarver
Conductor: Antonino Fogliani
Featuring ⌄
Product Details ⌄
Works ⌄
While filled with Rossini's distinctive musical hallmarks and notable for some wonderful duets, Sigismondo was one of his very few failures in the genre, for which blame is usually laid at the feet of librettist Giuseppe Foppa. Today, however, we can appreciate how this tale of an abused wife who retains her love for her deranged husband pushes the boundaries of the grand narrative tradition info a more searching psychological drama. An emphasis on madness and guilt and coloratura expressions of finer feeling results in a fascinating meeting of convention with experiment, Rossini's subsequent re-use of his music for Sigismondo in later hit operas being ample evidence of its intrinsic quality.
- Choosing a selection results in a full page refresh.
- Press the space key then arrow keys to make a selection.
