Rossler: Sextet, Op. 16; Piano Quintet, Op. 28

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Label
CPO
Release Date
February 14, 2025
Format
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    Featuring
    • COMPOSER
      Richard Rossler
    • PERFORMER
      Artis-Quartett Wien, Oliver Triendl, Pascal Moragues, Jose-Vicente Castello
    Product Details
    • RELEASE DATE
      February 14, 2025
    • UPC
      761203553723
    • CATALOG NUMBER
      555537-2
    • LABEL
      CPO
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. I. Passacaglia: Moderato - Allegro moderato

      Composer: Richard Rössler

      Performer: Pascal Moraguès, Jose Vicente Castello, Peter Schuhmayer, Herbert Kefer, Othmar Muller, Oliver Triendl

    2. II. Andante sostenuto

      Composer: Richard Rössler

      Performer: Pascal Moraguès, Jose Vicente Castello, Peter Schuhmayer, Herbert Kefer, Othmar Muller, Oliver Triendl

    3. III. Presto

      Composer: Richard Rössler

      Performer: Pascal Moraguès, Jose Vicente Castello, Peter Schuhmayer, Herbert Kefer, Othmar Muller, Oliver Triendl

    4. IV. Allegro ma non troppo

      Composer: Richard Rössler

      Performer: Pascal Moraguès, Jose Vicente Castello, Peter Schuhmayer, Herbert Kefer, Othmar Muller, Oliver Triendl

    5. I. Allegro

      Composer: Richard Rössler

      Ensemble: Artis Quartet

      Performer: Oliver Triendl

    6. II. Con moto

      Composer: Richard Rössler

      Ensemble: Artis Quartet

      Performer: Oliver Triendl

    7. III. Poco allegro

      Composer: Richard Rössler

      Ensemble: Artis Quartet

      Performer: Oliver Triendl

    8. IV. Vivo

      Composer: Richard Rössler

      Ensemble: Artis Quartet

      Performer: Oliver Triendl


A new name appears in our collection of rarities: Richard Roßler, born in 1880 in Riga, the Latvian capital, trained at the Berlin Music Academy and later highly esteemed there as a professor of piano from 1918 to 1953, was one of those late-Romantic composers deeply influenced by Johannes Brahms. Unlike his Hungarian contemporary Bela Bartok, Roßler remained steadfastly loyal to the worldview of his great role model. When he realized, around 40, that aesthetic developments were passing him by, he limited his output to a few occasional pieces. This is all the more regrettable, as the two newly recorded works here reveal a significant and profound talent capable of creating distinctive characters using traditional musical means.