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COMPOSERPURCELL, HENRY
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PERFORMERThe Sixteen, Christophers
Purcell: Royal Welcome Songs For King Charles III, Vol. 3 / Christophers, The Sixteen
- Coro
- September 4, 2020
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RELEASE DATESeptember 04, 2020
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UPC828021618222
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CATALOG NUMBERCOR16182
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LABELCoro
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NUMBER OF DISCS1
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GENRE
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Rejoice in the Lord alway, Z. 49, "Bell Anthem"
Composer: Henry Purcell
Ensemble: The Sixteen Choir
Performer: Daniel Collins, George Pooley, Ben Davies
Conductor: Harry Christophers
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The Prophetess, Z. 627, "The History of Dioclesian", Act III: Chaconne: Two in one upon a Ground
Composer: Henry Purcell
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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Close thine eyes and sleep secure (Upon a Quiet Conscience), Z. 184
Composer: Henry Purcell
Ensemble: The Sixteen Choir
Performer: Katy Hill, Ben Davies
Conductor: Harry Christophers
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Sir Barnaby Whigg, or No Wit Like a Woman's, Z. 589
Composer: Henry Purcell
Ensemble: The Sixteen Choir
Performer: Mark Dobell, Stuart Young
Conductor: Harry Christophers
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O all ye people, clap your hands, Z. 138
Composer: Henry Purcell
Ensemble: The Sixteen Choir
Performer: Kirsty Hopkins, Katy Hill, George Pooley, Stuart Young
Conductor: Harry Christophers
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Come, my hearts, play your parts, Z. 246
Composer: Henry Purcell
Performer: Mark Dobell, Jeremy Budd, George Pooley
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Symphony
Composer: Henry Purcell
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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What shall be done in behalf of the man?
Composer: Henry Purcell
Ensemble: The Sixteen Choir
Performer: Daniel Collins, Jeremy Budd, Ben Davies, Stuart Young
Conductor: Harry Christophers
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All the grandeur he possesses
Composer: Henry Purcell
Ensemble: The Sixteen Choir
Performer: Jeremy Budd
Conductor: Harry Christophers
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Let us sing the praises
Composer: Henry Purcell
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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Mighty Charles
Composer: Henry Purcell
Ensemble: The Sixteen Choir
Performer: Katy Hill, Daniel Collins, Jeremy Budd, Ben Davies, Stuart Young
Conductor: Harry Christophers
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May all factious troubles cease
Composer: Henry Purcell
Ensemble: The Sixteen Choir
Performer: Katy Hill, Kirsty Hopkins
Conductor: Harry Christophers
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Overture in D Minor, Z. 771
Composer: Henry Purcell
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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The Massacre of Paris, Z. 604: Thy genius, lo!
Composer: Henry Purcell
Ensemble: The Sixteen Choir
Performer: Ben Davies
Conductor: Harry Christophers
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O praise the Lord, all ye heathen, Z. 43
Composer: Henry Purcell
Ensemble: The Sixteen Choir
Performer: Jeremy Budd, Mark Dobell
Conductor: Harry Christophers
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The Sicilian Usurper (The History of King Richard the Second), Z. 581: Retir'd from any mortal's sight
Composer: Henry Purcell
Ensemble: The Sixteen Choir
Performer: Jeremy Budd
Conductor: Harry Christophers
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Symphony
Composer: Henry Purcell
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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From those serene and rapturous joys
Composer: Henry Purcell
Ensemble: The Sixteen Choir
Performer: Jeremy Budd
Conductor: Harry Christophers
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Behold th'indulgent Prince is come
Composer: Henry Purcell
Ensemble: The Sixteen Choir
Performer: Ben Davies
Conductor: Harry Christophers
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Welcome home
Composer: Henry Purcell
Ensemble: The Sixteen Choir
Performer: Kirsty Hopkins, Katy Hill
Conductor: Harry Christophers
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Welcome as sof refreshing show'rs
Composer: Henry Purcell
Ensemble: The Sixteen Choir
Performer: Stuart Young
Conductor: Harry Christophers
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Welcome, more welcome does he come
Composer: Henry Purcell
Ensemble: The Sixteen Choir
Performer: Mark Dobell
Conductor: Harry Christophers
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Nor does the sun more comfort bring
Composer: Henry Purcell
Ensemble: The Sixteen Choir
Performer: Jeremy Budd, Ben Davies
Conductor: Harry Christophers
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With trumpets and shouts we receive the World's Wonder
Composer: Henry Purcell
Ensemble: The Sixteen Choir
Performer: Daniel Collins
Conductor: Harry Christophers
Featuring ⌄
Product Details ⌄
Works ⌄
Purcell’s genius abounds in this, the fourth volume in The Sixteen’s series devoted to the composer. Henry Purcell grew from young childhood to established professional adulthood in the service of Charles II. He identified strongly with the court, but he was well aware of Charles’s unreliability as a patron. Wisely, Purcell made an early decision to diversify, flaunting his court connections while building up the largest possible client base beyond the court. This programme shows that strategy in action and celebrates a diversity of writing for both professional Court musicians as well as amateur enthusiasts. “Christophers creates a vivid sense of celebration and occasion, conjuring blustering trumpet fanfares and drum-rolls from his ensemble.” (Gramophone)
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