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COMPOSERVAROIUS
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ORCHESTRA / ENSEMBLERossini Chamber Choir
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PERFORMERAntinori, Baiocchi
Sacred Music in Saint Peter's Basilica
- Tactus
- April 5, 2019
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RELEASE DATEApril 05, 2019
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UPC8007194106985
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CATALOG NUMBERTC940002
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LABELTactus
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NUMBER OF DISCS1
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GENRE
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Magnificat IV toni a 5v
Composer: Simone Baiocchi
Ensemble: Rossini Chamber Choir
Performer: Lorenzo Antinori
Conductor: Simone Baiocchi
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Confitemini Domino
Composer: Valentino Miserachs
Ensemble: Rossini Chamber Choir
Performer: Lorenzo Antinori
Conductor: Simone Baiocchi
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Ritus initiales
Composer: Valentino Miserachs
Ensemble: Rossini Chamber Choir
Performer: Lorenzo Antinori
Conductor: Simone Baiocchi
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Kyrie eleison
Composer: Domenico Bartolucci
Ensemble: Rossini Chamber Choir
Performer: Lorenzo Antinori
Conductor: Simone Baiocchi
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Gloria in excelsis deo
Composer: Domenico Bartolucci
Ensemble: Rossini Chamber Choir
Performer: Lorenzo Antinori
Conductor: Simone Baiocchi
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Collecta
Composer: Domenico Bartolucci
Ensemble: Rossini Chamber Choir
Performer: Lorenzo Antinori
Conductor: Simone Baiocchi
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Psalmus responsorius
Composer: Simone Baiocchi
Ensemble: Rossini Chamber Choir
Performer: Lorenzo Antinori
Conductor: Simone Baiocchi
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Alleluia - Evangelium
Composer: Mario Visconti
Ensemble: Rossini Chamber Choir
Performer: Lorenzo Antinori
Conductor: Simone Baiocchi
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Credo I
Composer: Mario Visconti
Ensemble: Rossini Chamber Choir
Performer: Lorenzo Antinori
Conductor: Simone Baiocchi
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Se voi avete fame
Composer: Valentino Donella
Ensemble: Rossini Chamber Choir
Performer: Lorenzo Antinori
Conductor: Simone Baiocchi
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Super oblata et Præfatio
Composer: Valentino Donella
Ensemble: Rossini Chamber Choir
Performer: Lorenzo Antinori
Conductor: Simone Baiocchi
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Missa secundi de angelis: Sanctus and Benedictus
Composer: Domenico Bartolucci
Ensemble: Rossini Chamber Choir
Performer: Lorenzo Antinori
Conductor: Simone Baiocchi
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Prex eucharistica
Composer: Domenico Bartolucci
Ensemble: Rossini Chamber Choir
Performer: Lorenzo Antinori
Conductor: Simone Baiocchi
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Doxologia - Amen
Composer: Michele Manganelli
Ensemble: Rossini Chamber Choir
Performer: Lorenzo Antinori
Conductor: Simone Baiocchi
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Ritus communionis
Composer: Michele Manganelli
Ensemble: Rossini Chamber Choir
Performer: Lorenzo Antinori
Conductor: Simone Baiocchi
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Missa secundi de angelis: Agnus Dei I - II
Composer: Domenico Bartolucci
Ensemble: Rossini Chamber Choir
Performer: Lorenzo Antinori
Conductor: Simone Baiocchi
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Ave verum
Composer: Michele Manganelli
Ensemble: Rossini Chamber Choir
Performer: Lorenzo Antinori
Conductor: Simone Baiocchi
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Post communionem
Composer: Michele Manganelli
Ensemble: Rossini Chamber Choir
Performer: Lorenzo Antinori
Conductor: Simone Baiocchi
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Ritus conclusionis
Composer: Michele Manganelli
Ensemble: Rossini Chamber Choir
Performer: Lorenzo Antinori
Conductor: Simone Baiocchi
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Sub tuum praesidium [Gregorian chant]
Composer: Anonymous
Ensemble: Rossini Chamber Choir
Performer: Lorenzo Antinori
Conductor: Simone Baiocchi
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Organ Symphony No. 5 in F Minor, Op. 42, No. 1: V. Toccata: Allegro
Composer: Charles-Marie Widor
Performer: Lorenzo Antinori
Featuring ⌄
Product Details ⌄
Works ⌄
What paths did the composition of sacred music take at the beginning of this millennium? What is its relationship with liturgy? What prospects does it have? On the occasion of the centenary of the birth of Domenico Bartolucci (1917-2013), historic conductor of the choir of the Sistine Chapel and prolific composer, the Second National Conference of Composers of Sacred Music, promoted by the Associazione Italiana Santa Cecilia, was held in Rome from 1 to 3 September 2017. The conclusive Mass that was celebrated in St. Peter’s Basilica, in the Cappella del Coro, offered the chance to observe how today’s composers deal with the holy texts, ideally proceeding along the paths that since the first centuries of the Christian era, with time, branched out from the papal seat to the ends of the earth. Contrary to what happens at present in a widespread practice, the texts that are set to music in this celebration are not juxtaposed to the rite but spring from it, and the lexicon used by the composers – albeit with differences between the individual composers – aims to express the deep meaning of the celebration without misleading the listeners or shocking them with avant-garde languages and shifting their attention to matters that are foreign to the liturgical prayer.
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