Saint-Saens: Le Deluge / Wurtte, Figuralchor Der Gedachtniskirche Stuttgart

$21.99
Label
Ars Produktion
Release Date
January 1, 2013
Format
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    Featuring ⌄
    • COMPOSER
      SAINT-SAENS, C.
    • PERFORMER
      Rudner, Muller-Cant, Wurttembergische Philharmonie Reutlingen
    Product Details ⌄
    • RELEASE DATE
      January 01, 2013
    • UPC
      4260052381274
    • CATALOG NUMBER
      ARS38127
    • LABEL
      Ars Produktion
    • NUMBER OF DISCS
      1
    • GENRE
      Choral - Sacred
    Works ⌄

    1. Samson et Dalila, Op. 47, Act III: Bacchanale

      Composer: Camille Saint-Saëns

      Ensemble: Württembergische Philharmonie Reutlingen

      Conductor: Ola Rudner

    2. Orient et occident, Op. 25

      Composer: Camille Saint-Saëns

      Ensemble: Württembergische Philharmonie Reutlingen

      Conductor: Ola Rudner

    3. Prelude

      Composer: Camille Saint-Saëns

      Ensemble: Württembergische Philharmonie Reutlingen

      Conductor: Ola Rudner

    4. Part I: Corruption de l'homme - Colere de Dieu - Alliance avec Noe

      Composer: Camille Saint-Saëns

      Ensemble: Stuttgart Figuralchor der Gedächtniskirche, Württembergische Philharmonie Reutlingen

      Performer: Carolin Strecker, Daniel Schreiber, Philip Niederberger

      Conductor: Ola Rudner

    5. Part II: L'Arche - Le Deluge

      Composer: Camille Saint-Saëns

      Ensemble: Stuttgart Figuralchor der Gedächtniskirche, Württembergische Philharmonie Reutlingen

      Performer: Daniel Schreiber

      Conductor: Ola Rudner

    6. Part III: La Colombe - Sortie de l'Arche - Benediction de Dieu

      Composer: Camille Saint-Saëns

      Ensemble: Stuttgart Figuralchor der Gedächtniskirche, Württembergische Philharmonie Reutlingen

      Performer: Isabelle Müller-Cant, Carolin Strecker, Daniel Schreiber, Philip Niederberger

      Conductor: Ola Rudner


Today Camille SaintSaëns is classified as a conservative classicist by many people. By his contemporaries he was considered as a musical revolutionary who demanded "dreams of the future" his audience. His oratorio Le Déluge courted the pope's resentment; he criticized it as too secular. It certainly is a significant contribution to the French Oratorio, whose composer is finally rediscovered as one of the great personalities in the history of music.