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COMPOSERSAINT-SAENS, CAMILLE
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ORCHESTRA / ENSEMBLEOrchestra Della Svizzera Italiana
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PERFORMERBeuron, Christoyannis, Poschner
Saint-Saens: Melodies avec orchestre / Poschner
- Alpha
- February 24, 2017
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RELEASE DATEFebruary 24, 2017
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UPC3760014192739
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CATALOG NUMBERALPHA273
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LABELAlpha
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NUMBER OF DISCS1
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GENRE
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Angélus
Composer: Camille Saint-Saëns
Ensemble: Orchestra della Svizzera Italiana
Performer: Yann Beuron
Conductor: Markus Poschner
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L'attente
Composer: Camille Saint-Saëns
Ensemble: Orchestra della Svizzera Italiana
Performer: Yann Beuron
Conductor: Markus Poschner
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Rêverie
Composer: Camille Saint-Saëns
Ensemble: Orchestra della Svizzera Italiana
Performer: Yann Beuron
Conductor: Markus Poschner
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Mélodies persanes, Op. 26: No. 1. La brise (version for voice and orchestra)
Composer: Camille Saint-Saëns
Ensemble: Orchestra della Svizzera Italiana
Performer: Tassis Christoyannis
Conductor: Markus Poschner
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Extase (version for voice and orchestra)
Composer: Camille Saint-Saëns
Ensemble: Orchestra della Svizzera Italiana
Performer: Tassis Christoyannis
Conductor: Markus Poschner
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La feuille de peuplier (The Poplar Leaf)
Composer: Camille Saint-Saëns
Ensemble: Orchestra della Svizzera Italiana
Performer: Yann Beuron
Conductor: Markus Poschner
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L'enlèvement
Composer: Camille Saint-Saëns
Ensemble: Orchestra della Svizzera Italiana
Performer: Yann Beuron
Conductor: Markus Poschner
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Les fées
Composer: Camille Saint-Saëns
Ensemble: Orchestra della Svizzera Italiana
Performer: Tassis Christoyannis
Conductor: Markus Poschner
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Souvenances (arr. for voice and orchestra)
Composer: Camille Saint-Saëns
Ensemble: Orchestra della Svizzera Italiana
Performer: Yann Beuron
Conductor: Markus Poschner
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Désir d'amour (arr. for voice and orchestra)
Composer: Camille Saint-Saëns
Ensemble: Orchestra della Svizzera Italiana
Performer: Tassis Christoyannis
Conductor: Markus Poschner
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Les cloches de la mer
Composer: Camille Saint-Saëns
Ensemble: Orchestra della Svizzera Italiana
Performer: Tassis Christoyannis
Conductor: Markus Poschner
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Mélodies persanes, Op. 26: No. 2. La splendeur vide (version for voice and orchestra)
Composer: Camille Saint-Saëns
Ensemble: Orchestra della Svizzera Italiana
Performer: Tassis Christoyannis
Conductor: Markus Poschner
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Le pas d'armes du Roi Jean
Composer: Camille Saint-Saëns
Ensemble: Orchestra della Svizzera Italiana
Performer: Tassis Christoyannis
Conductor: Markus Poschner
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La cloche
Composer: Camille Saint-Saëns
Ensemble: Orchestra della Svizzera Italiana
Performer: Yann Beuron
Conductor: Markus Poschner
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Papillons
Composer: Camille Saint-Saëns
Ensemble: Orchestra della Svizzera Italiana
Performer: Yann Beuron
Conductor: Markus Poschner
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Plainte
Composer: Camille Saint-Saëns
Ensemble: Orchestra della Svizzera Italiana
Performer: Yann Beuron
Conductor: Markus Poschner
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Aimons-nous
Composer: Camille Saint-Saëns
Ensemble: Orchestra della Svizzera Italiana
Performer: Yann Beuron
Conductor: Markus Poschner
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Mélodies persanes, Op. 26: No. 5. Au cimetière (version for voice and orchestra)
Composer: Camille Saint-Saëns
Ensemble: Orchestra della Svizzera Italiana
Performer: Tassis Christoyannis
Conductor: Markus Poschner
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Danse macabre (version for voice and orchestra)
Composer: Camille Saint-Saëns
Ensemble: Orchestra della Svizzera Italiana
Performer: Tassis Christoyannis
Conductor: Markus Poschner
Featuring ⌄
Product Details ⌄
Works ⌄
Although the turn of the twentieth century marked the golden age of French song, the genre was generally accompanied on the piano and only rarely orchestrated by its composers. But Camille Saint-Saëns, a great lover of poetry, was also a champion of the orchestrated mélodie and the French coloristic style. He also wanted to counterbalance the overwhelming popularity of operatic arias in concert programmes. An immense admirer of Victor Hugo, Saint-Saëns set many of his poems to music, including L'Enlèvement, Rêverie, and Le Pas d'armes du Roi Jean, regarded as one of his masterpieces. Exoticism and a certain sense of the supernatural run through such songs as Danse macabre, one of the most popular pieces of classical music, but always heard nowadays either in its version for orchestra alone or performed by a singer with piano accompaniment. Of the twenty-five mélodies with orchestra listed in the catalogue of Saint-Saëns, nineteen are recorded here, all of them for the first time! With interpreters of the calibre of Yann Beuron and Tassis Christoyannis, the words are perfectly served here and the composer’s coloristic talents heard from the very first bars. This release of world premiere recordings is a genuine event that enables us to rediscover a whole segment of the history of vocal music, a renaissance made possible by the Fondation Bru Zane.
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