Saint-Saëns: Music for Violin and Piano, Vol. 3 - Transcriptions / Clamagirand, Cohen

$9.99
Label
Naxos
Release Date
September 10, 2021
Format
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    Featuring ⌄
    • COMPOSER
      SAINT-SAENS, CAMILLE
    • PERFORMER
      Fanny Clamagirand, Vanya Cohen
    Product Details ⌄
    • RELEASE DATE
      September 10, 2021
    • UPC
      747313431472
    • CATALOG NUMBER
      8574314
    • LABEL
      Naxos
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. Danse macabre, Op. 40 (version for violin and piano)

      Composer: Camille Saint-Saëns

      Performer: Fanny Clamagirand, Vanya Cohen

    2. Jota aragonese, Op. 64 (version for violin and piano)

      Composer: Camille Saint-Saëns

      Performer: Fanny Clamagirand, Vanya Cohen

    3. Le déluge, Op. 45: Prélude (version for violin and piano)

      Composer: Camille Saint-Saëns

      Performer: Fanny Clamagirand, Vanya Cohen

    4. Havanaise in E Major, Op. 83 (version for violin and piano)

      Composer: Camille Saint-Saëns

      Performer: Fanny Clamagirand, Vanya Cohen

    5. Introduction et rondo capriccioso in A Minor, Op. 28 (arr. G. Bizet for violin and piano)

      Composer: Camille Saint-Saëns

      Performer: Fanny Clamagirand, Vanya Cohen

    6. Prière, Op. 158bis (version for violin and piano)

      Composer: Camille Saint-Saëns

      Performer: Fanny Clamagirand, Vanya Cohen

    7. Caprice andalous, Op. 122 (version for violin and piano)

      Composer: Camille Saint-Saëns

      Performer: Fanny Clamagirand, Vanya Cohen

    8. Samson et Dalila, Op. 47, Act I: Printemps qui commence (version for violin and piano)

      Composer: Camille Saint-Saëns

      Performer: Fanny Clamagirand, Vanya Cohen

    9. 6 Études, Op. 52: No. 6. En forme de valse (arr. E. Ysaÿe for violin and piano as Caprice d'après l'étude en forme de valse)

      Composer: Camille Saint-Saëns

      Performer: Fanny Clamagirand, Vanya Cohen


Saint-Saëns composed many original works for the violin. He also took the art of arrangement to new heights of refinement, believing his transcriptions were independent of their models, following the precedent of composers such as Liszt. This album presents early or alternative duo versions of some of Saint-Saëns’s most popular works, in which the declamatory style of the originals – such as the ever-popular Danse macabre or the habanera-infused Havanaise–is made more intimate and subtle. Composed for the exclusive use of Queen Elisabeth of Belgium in 1918, the Airde Dalila here receives its world premiere recording.