-
COMPOSERSALTER, HANS J.
-
ORCHESTRA / ENSEMBLEMoscow Symphony Orchestra
-
PERFORMERWilliam Stromberg
Salter, Dessau: House Of Frankenstein / Stromberg, Moscow Symphony
- Naxos
- September 25, 2007
-
RELEASE DATESeptember 25, 2007
-
UPC747313018871
-
CATALOG NUMBER8570188
-
LABELNaxos
-
NUMBER OF DISCS1
-
GENRE
-
Universal Signature
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Main Title
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Lightning Strikes
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Gruesome Twosome Escape
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Strangulation
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Off to Vasaria
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Chamber of Horrors
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Dracula Restored
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Dracula's Ring
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
The Burgomaster Murdered
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Rendezvous with Dracula
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
The World Beyond
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Dracula Pursued
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Dracula Destoyed
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Gypsy Tantrums
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Ilonka Whipped
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Dan's Love
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
The Ruins
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
The Monstrosities
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Wolf Man Revived
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Show Me the Records
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Travels
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Hunchback's Jealousy
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Niemann's Laboratory
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Liquefying Brains
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Niemann's Revenge
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
The Pentagram
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Full Moon
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Silver Bullet
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Dr. Niemann Successful
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
The Moon is Full
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Larry at Peace
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Dr Niemann Attacked
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
Death of the Unholy Two
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
-
End Cast
Composer: Hans J. Salter
Ensemble: Moscow Philharmonic Orchestra
Conductor: William Stromberg
Featuring ⌄
Product Details ⌄
Works ⌄
Just when you thought it was safe to leave the shelter of the world behind the sofa here come not one, not two, but three monsters – Dracula, The Wolf Man and the Frankenstein Monster! And with them comes the most preposterous plot of all! Mad scientist Boris Karloff escapes from prison thanks to a thunderstorm; with a hunchback assistant he takes the persona of the owner of a travelling chamber of horrors. Within days he has got his hands on the three monsters already named, finding the Frankenstein Monster and the Wolf Man encased in ice in a cave, and he punctuates his desire for revenge with experiments in brain transplants! In the end, everybody dies.
Whether or not the plot is silly, to say the least, the music is superb!
Hans J Salter was another refugee from Nazi Germany, a man who studied with Alban Berg and Franz Schreker, who made his career in Hollywood. His collaborator, Paul Dessau, had arrived in America in 1939 after a career in Europe as both composer and conductor. He was made more politically aware through wartime collaboration with Brecht and joined the American Communist Party in 1946, returning to East Berlin two years later. His collaboration with Brecht continued, and after the writer’s death took to writing using Schoenberg’s twelve note technique and supporting the growing West European avant-garde.
This disk gives us the complete score for the film – 55 minutes of the most eerie and atmospheric music, with the most evocative titles – Rendezvous with Dracula, Death of the Unholy Two and Liquefying Brains. What a score it is and what marvellous work John Morgan has done in his reconstruction from a three line piano score – Universal having destroyed all their old horror film scores. The orchestration is fully 1940s horror and the music sounds incredibly modern – so much so that when the Moscow musicians were recording the score they wondered if it was from a modern film. This is music for film which was truly ahead of its time.
Having already written about seven of these disks in the Naxos Film Music Classics series there is little new I can say. The production values are high, the recordings full and spacious, the performances totally committed, the booklet helpful and detailed and the standard of scholarship without peer.
How about giving us some David Raksin? I’d put The Bad and the Beautiful (1952), The Big Combo (1955) and Al Capone (1959) on the list for a start. Am I being greedy? Of course I am, but Naxos cannot, after what we’ve already heard, stop giving us such quality recordings.
-- Bob Briggs, MusicWeb International
- Choosing a selection results in a full page refresh.
- Press the space key then arrow keys to make a selection.
