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COMPOSERSATIE, ERIK
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PERFORMERNoriko Ogawa
Satie: Piano Music, Vol. 4 / Ogawa
- BIS
- June 4, 2021
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RELEASE DATEJune 04, 2021
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UPC7318599923352
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CATALOG NUMBERBIS-2335
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LABELBIS
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NUMBER OF DISCS1
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GENRE
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Marche-Ouverture
Composer: Erik Satie
Performer: Noriko Ogawa
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Scene 1: La nuit
Composer: Erik Satie
Performer: Noriko Ogawa
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Scene 1: Danse de tendresse: Apollon et Venus
Composer: Erik Satie
Performer: Noriko Ogawa
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Scene 1: Signes du Zodiaque
Composer: Erik Satie
Performer: Noriko Ogawa
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Scene 1: Entrée et Danse de Mercure
Composer: Erik Satie
Performer: Noriko Ogawa
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Scene 2: Danse des Grâces
Composer: Erik Satie
Performer: Noriko Ogawa
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Scene 2: Bain des Grâces
Composer: Erik Satie
Performer: Noriko Ogawa
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Scene 2: Fuite de Mercure
Composer: Erik Satie
Performer: Noriko Ogawa
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Scene 2: Colère de Cerbère
Composer: Erik Satie
Performer: Noriko Ogawa
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Scene 3: Polka des lettres
Composer: Erik Satie
Performer: Noriko Ogawa
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Scene 3: Nouvelle danse
Composer: Erik Satie
Performer: Noriko Ogawa
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Scene 3: Le Chaos
Composer: Erik Satie
Performer: Noriko Ogawa
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Scene 3: Rapt de Proserpine
Composer: Erik Satie
Performer: Noriko Ogawa
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I. Marche franco-lunaire
Composer: Erik Satie
Performer: Noriko Ogawa
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III. Valse du Mystérieux baiser dans l'œil
Composer: Erik Satie
Performer: Noriko Ogawa
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Les pantins dansent
Composer: Erik Satie
Performer: Noriko Ogawa
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Les pantins dansent (early version)
Composer: Erik Satie
Performer: Noriko Ogawa
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La mort de Monsieur Mouche: Prélude
Composer: Erik Satie
Performer: Noriko Ogawa
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I. Quadrille
Composer: Erik Satie
Performer: Noriko Ogawa
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II. Valse
Composer: Erik Satie
Performer: Noriko Ogawa
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III. Pas vite
Composer: Erik Satie
Performer: Noriko Ogawa
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IV. Mazurka
Composer: Erik Satie
Performer: Noriko Ogawa
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V. Un peu vif
Composer: Erik Satie
Performer: Noriko Ogawa
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VI. Polka
Composer: Erik Satie
Performer: Noriko Ogawa
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VII. Quadrille
Composer: Erik Satie
Performer: Noriko Ogawa
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I. Prélude
Composer: Erik Satie
Performer: Noriko Ogawa
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II. Entr'acte
Composer: Erik Satie
Performer: Noriko Ogawa
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III. Final
Composer: Erik Satie
Performer: Noriko Ogawa
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Ouverturette
Composer: Erik Satie
Performer: Noriko Ogawa
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Projectionnette
Composer: Erik Satie
Performer: Noriko Ogawa
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Act I: Rideau
Composer: Erik Satie
Performer: Noriko Ogawa
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Act I: Entrée de la Femme
Composer: Erik Satie
Performer: Noriko Ogawa
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Act I: Musique
Composer: Erik Satie
Performer: Noriko Ogawa
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Act I: Entrée de l'Homme
Composer: Erik Satie
Performer: Noriko Ogawa
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Act I: Danse de la porte tournante
Composer: Erik Satie
Performer: Noriko Ogawa
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Act I: Entrée des Hommes
Composer: Erik Satie
Performer: Noriko Ogawa
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Act I: Danse des Hommes
Composer: Erik Satie
Performer: Noriko Ogawa
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Act I: Danse de la Femme
Composer: Erik Satie
Performer: Noriko Ogawa
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Act I: Final
Composer: Erik Satie
Performer: Noriko Ogawa
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Cinéma: Entr'acte symphonique de Relâche (version for piano)
Composer: Erik Satie
Performer: Noriko Ogawa
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Act II: Musique de rentrée
Composer: Erik Satie
Performer: Noriko Ogawa
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Act II: Rentrée des Hommes
Composer: Erik Satie
Performer: Noriko Ogawa
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Act II: Rentrée de la Femme
Composer: Erik Satie
Performer: Noriko Ogawa
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Act II: Les Hommes se dévêtissent
Composer: Erik Satie
Performer: Noriko Ogawa
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Act II: Danse de l’Homme et de la Femme
Composer: Erik Satie
Performer: Noriko Ogawa
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Act II: Les Hommes regagnent leur place et retrouvent leurs pardessus
Composer: Erik Satie
Performer: Noriko Ogawa
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Act II: Danse de la brouette
Composer: Erik Satie
Performer: Noriko Ogawa
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Act II: Danse de la couronne
Composer: Erik Satie
Performer: Noriko Ogawa
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Act II: Le Danseur dépose la couronne sur la tête d'une spectatrice
Composer: Erik Satie
Performer: Noriko Ogawa
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Act II: La Femme rejoint son fauteuil
Composer: Erik Satie
Performer: Noriko Ogawa
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Act II: La queue du Chien - Petite danse finale
Composer: Erik Satie
Performer: Noriko Ogawa
Featuring ⌄
Product Details ⌄
Works ⌄
For the fourth instalment in her acclaimed Satie cycle, Noriko Ogawa has gathered music written for the stage – from the pantomime Jack in the Box (1899) to the ballet Relâche (1924) – one of Satie’s last works. Several of the pieces exist in different scorings, but the piano versions heard here are all Satie’s own. Throughout the program, what comes across strongly is the influence of music hall and cabaret; composed in 1900, Prélude de “La mort de Monsieur Mouche” even offers a hint of the ragtime, one of the first appearances of the genre in European music. Stage projects are as a rule collaborative efforts, and among Satie’s collaborators were some of the leading names of the art world at the time, including Jean Cocteau, Picasso, the Dadaist poet and painter Francis Picabia, and film director René Clair. Satie’s score Cinéma has been called one of the first synchronized film scores.
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