Scattolin: Suoni e rime sparse - Choral, Vocal and Instrumental Works

Regular price $10.99
Label
Tactus
Release Date
August 6, 2021
Format
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    Featuring
    • COMPOSER
      SCATTOLIN, PIER PAOLO
    • PERFORMER
      Various
    Product Details
    • RELEASE DATE
      August 06, 2021
    • UPC
      8007194107388
    • CATALOG NUMBER
      TC941903
    • LABEL
      Tactus
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. Estasi

      Composer: Pier Paolo Scattolin

      Ensemble: Coro da camera di Bologna

      Conductor: Pier Paolo Scattolin

    2. Per non dimenticare

      Composer: Pier Paolo Scattolin

      Ensemble: Coro da camera di Bologna

      Performer: Gianluca Morara, Simone Spinaci, Simone Maretti, Mirco Mungari

      Conductor: Pier Paolo Scattolin

    3. Ulisse

      Composer: Pier Paolo Scattolin

      Ensemble: Coro da camera di Bologna

      Conductor: Pier Paolo Scattolin

    4. Ottava fuga

      Composer: Pier Paolo Scattolin

      Ensemble: Coro da camera di Bologna

      Conductor: Pier Paolo Scattolin

    5. Incantesimo sciamanico

      Composer: Pier Paolo Scattolin

      Ensemble: Coro da camera di Bologna

      Performer: Mirco Mungari

      Conductor: Pier Paolo Scattolin

    6. Morning

      Composer: Pier Paolo Scattolin

      Ensemble: Coro da camera di Bologna

      Conductor: Pier Paolo Scattolin

    7. Eleanor Rigby

      Composer: Pier Paolo Scattolin

      Ensemble: Bologna Chamber Choir

      Conductor: Pier Paolo Scattolin

    8. La pulce (Oh pulce)

      Composer: Pier Paolo Scattolin

      Ensemble: Coro giovanile Euridice

      Performer: Guido Sodo, Angela Troilo, Giuseppe Monari

      Conductor: Pier Paolo Scattolin

    9. Le Baccanti

      Composer: Pier Paolo Scattolin

      Ensemble: Coro da camera di Bologna, Circe

      Conductor: Pier Paolo Scattolin

    10. Bagatella in contrappunto (version for 2 trumpets and organ)

      Composer: Pier Paolo Scattolin

      Performer: Antonio Quero, Marco Vestiboli, Giuseppe Monari

      Conductor: Pier Paolo Scattolin

    11. Non ti perderò

      Composer: Pier Paolo Scattolin

      Ensemble: Bologna Chamber Choir

      Conductor: Pier Paolo Scattolin

    12. Buonanotte

      Composer: Pier Paolo Scattolin

      Performer: Angela Troilo

    13. Moon river

      Composer: Pier Paolo Scattolin

      Ensemble: Coro da camera di Bologna

      Conductor: Pier Paolo Scattolin

    14. Quattro liriche

      Composer: Pier Paolo Scattolin

      Performer: Sonila Kaceli, Angela Troilo, Antonio Lorenzoni

      Conductor: Pier Paolo Scattolin

    15. Zodiacus VII (version for 2 voices and organ)

      Composer: Pier Paolo Scattolin

      Performer: Sonila Kaceli, Angela Troilo, Giuseppe Monari

      Conductor: Pier Paolo Scattolin

    16. Proverbi

      Composer: Pier Paolo Scattolin

      Ensemble: Coro da camera di Bologna

      Conductor: Pier Paolo Scattolin

    17. Anteo

      Composer: Pier Paolo Scattolin

      Ensemble: Coro da camera di Bologna, Circe

      Conductor: Pier Paolo Scattolin


The present release synthesizes some stages characterizing the composition path of Pier Paolo Scattolin: from a cappella vocality to instrumentalism with stylistic dynamics sometimes distant but all having in common the research on sound, from the linguistic phoneme to the eclectic and sometimes experimental use of instrumental emission. The path winds through almost forty years of continuous investigation and dissection of both choral and instrumental sound, the latter of a chamber/soloistic character and in some cases concerted and intersected with the voice. In the a cappella choral repertoire a varied anthology collects poetic and literary texts by Dante Alighieri, Giuseppe Ungaretti, Alda Merini, Umberto Saba, Emily Dickinson, Alessandro Striggio, Agnolo Poliziano, Alceo, Saffo, Ipponatte, Enzo Iacchetti, Agnese Troilo and the composer himself. Some choral pieces are concerted with the Ensemble of ancient instruments Circe from Bologna, whose presence stems from the search for a sound language proceeding towards the stripping and essentiality of a music and a sound coherent with the setting of the poetic texts in order to transfer their instrumental characteristics to contemporary musical expression. In some pieces the solo voices are added as an almost instrumental colour, a timbre enrichment of the sonorities of the organ, the recorders, and the trumpets.