Schubert composed his three sublimely alluring Sonatas for Violin and Piano in the spring of 1816, though they had to wait until 1836 for posthumous publication by Diabelli, who re-named them ‘sonatinas’. With their sometimes subordinate role for the violin and deceptively uncomplicated style, these pieces sidestep the influence of Beethoven and return more to the world of Mozart’s later violin sonatas, particularly with the Sonata D 384. The minor-key works develop Schubert’s gift for drama and vocal melody further, including hints of his famous song Erlkönig from the previous year.