After many years of creating intensely original solo piano and song repertoire, Robert Schumann made a relatively late entry into chamber music. The piano trio genre was initially inspired by Mendelssohn who was considered by Schumann to be ‘the 19th-century Mozart.’ After testing his creative freedom with the Phantasiestücke Schumann increasingly relished the sonorities and musical discourse of strings and piano, and from the effusive energy and ardour that shines through in Op. 63 to the deep convictions expressed in Op. 110, these works include pages of incredible lyricism and pure enchantment for which Schumann had no rivals.