Schutz: Schwanengesang / Rademann, Dresden Chamber Chorus

$20.99
Label
Carus
Release Date
January 19, 2018
Format
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    Featuring ⌄
    • COMPOSER
      SCHUTZ, HEINRICH
    • PERFORMER
      Rademann, Dresdner Kammerchor, Mields, Samann, Erler, Kunath, Poplutz, Mathger, Schicketanz, Schwand
    Product Details ⌄
    • RELEASE DATE
      January 19, 2018
    • UPC
      4009350832756
    • CATALOG NUMBER
      CV83275
    • LABEL
      Carus
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. Wohl denen, die ohne Wandel leben, SWV 482

      Composer: Heinrich Schütz

      Ensemble: Dresdner Kammerchor

      Performer: Dorothee Mields, Gerlinde Sämann, Stefan Kunath, David Erler, Tobias Mäthger, Georg Poplutz, Martin Schicketanz, Felix Schwandtke, Margret Baumgartl, Juliane Laake, Sarah Perl, Frauke Hess, Friederike Otto, Julian Nagel, Sebastian Krause, Fernando Günther, Stephan Rath, Stefan Maass, Matthias Müller, Matthias Perl, Clemens Schlemmer, Michaela Hasselt

      Conductor: Hans-Christoph Rademann

    2. Tue wohl deinem Knechte, SWV 483

      Composer: Heinrich Schütz

      Ensemble: Dresdner Kammerchor

      Performer: Dorothee Mields, Gerlinde Sämann, Stefan Kunath, David Erler, Tobias Mäthger, Georg Poplutz, Martin Schicketanz, Felix Schwandtke, Margret Baumgartl, Juliane Laake, Sarah Perl, Frauke Hess, Friederike Otto, Julian Nagel, Sebastian Krause, Fernando Günther, Stephan Rath, Stefan Maass, Matthias Müller, Matthias Perl, Clemens Schlemmer, Michaela Hasselt

      Conductor: Hans-Christoph Rademann

    3. Zeige mir, Herr, den Weg deiner Rechte, SWV 484

      Composer: Heinrich Schütz

      Ensemble: Dresdner Kammerchor

      Performer: Dorothee Mields, Gerlinde Sämann, Stefan Kunath, David Erler, Tobias Mäthger, Georg Poplutz, Martin Schicketanz, Felix Schwandtke, Margret Baumgartl, Juliane Laake, Sarah Perl, Frauke Hess, Friederike Otto, Julian Nagel, Sebastian Krause, Fernando Günther, Stephan Rath, Stefan Maass, Matthias Müller, Matthias Perl, Clemens Schlemmer, Michaela Hasselt

      Conductor: Hans-Christoph Rademann

    4. Gedenke deinem Knechte an dein Wort, SWV 485

      Composer: Heinrich Schütz

      Ensemble: Dresdner Kammerchor

      Performer: Dorothee Mields, Gerlinde Sämann, Stefan Kunath, David Erler, Tobias Mäthger, Georg Poplutz, Martin Schicketanz, Felix Schwandtke, Margret Baumgartl, Juliane Laake, Sarah Perl, Frauke Hess, Friederike Otto, Julian Nagel, Sebastian Krause, Fernando Günther, Stephan Rath, Stefan Maass, Matthias Müller, Matthias Perl, Clemens Schlemmer, Michaela Hasselt

      Conductor: Hans-Christoph Rademann

    5. Du tust Guts deinem Knechte, SWV 486

      Composer: Heinrich Schütz

      Ensemble: Dresdner Kammerchor

      Performer: Dorothee Mields, Gerlinde Sämann, Stefan Kunath, David Erler, Tobias Mäthger, Georg Poplutz, Martin Schicketanz, Felix Schwandtke, Margret Baumgartl, Juliane Laake, Sarah Perl, Frauke Hess, Friederike Otto, Julian Nagel, Sebastian Krause, Fernando Günther, Stephan Rath, Stefan Maass, Matthias Müller, Matthias Perl, Clemens Schlemmer, Michaela Hasselt

      Conductor: Hans-Christoph Rademann

    6. Meine Seele verlanget nach deinem Heil, SWV 487

      Composer: Heinrich Schütz

      Ensemble: Dresdner Kammerchor

      Performer: Dorothee Mields, Gerlinde Sämann, Stefan Kunath, David Erler, Tobias Mäthger, Georg Poplutz, Martin Schicketanz, Felix Schwandtke, Margret Baumgartl, Juliane Laake, Sarah Perl, Frauke Hess, Friederike Otto, Julian Nagel, Sebastian Krause, Fernando Günther, Stephan Rath, Stefan Maass, Matthias Müller, Matthias Perl, Clemens Schlemmer, Michaela Hasselt

      Conductor: Hans-Christoph Rademann

    7. Wie habe ich dein Gesetze so lieb, SWV 488

      Composer: Heinrich Schütz

      Ensemble: Dresdner Kammerchor

      Performer: Dorothee Mields, Gerlinde Sämann, Stefan Kunath, David Erler, Tobias Mäthger, Georg Poplutz, Martin Schicketanz, Felix Schwandtke, Margret Baumgartl, Juliane Laake, Sarah Perl, Frauke Hess, Friederike Otto, Julian Nagel, Sebastian Krause, Fernando Günther, Stephan Rath, Stefan Maass, Matthias Müller, Matthias Perl, Clemens Schlemmer, Michaela Hasselt

      Conductor: Hans-Christoph Rademann

    8. Ich hasse die Flattergeister, SWV 489

      Composer: Heinrich Schütz

      Ensemble: Dresdner Kammerchor

      Performer: Dorothee Mields, Gerlinde Sämann, Stefan Kunath, David Erler, Tobias Mäthger, Georg Poplutz, Martin Schicketanz, Felix Schwandtke, Margret Baumgartl, Juliane Laake, Sarah Perl, Frauke Hess, Friederike Otto, Julian Nagel, Sebastian Krause, Fernando Günther, Stephan Rath, Stefan Maass, Matthias Müller, Matthias Perl, Clemens Schlemmer, Michaela Hasselt

      Conductor: Hans-Christoph Rademann

    9. Deine Zeugnisse sind wunderbarlich, SWV 490

      Composer: Heinrich Schütz

      Ensemble: Dresdner Kammerchor

      Performer: Dorothee Mields, Gerlinde Sämann, Stefan Kunath, David Erler, Tobias Mäthger, Georg Poplutz, Martin Schicketanz, Felix Schwandtke, Margret Baumgartl, Juliane Laake, Sarah Perl, Frauke Hess, Friederike Otto, Julian Nagel, Sebastian Krause, Fernando Günther, Stephan Rath, Stefan Maass, Matthias Müller, Matthias Perl, Clemens Schlemmer, Michaela Hasselt

      Conductor: Hans-Christoph Rademann

    10. Ich rufe von ganzem Herzen, SWV 491

      Composer: Heinrich Schütz

      Ensemble: Dresdner Kammerchor

      Performer: Dorothee Mields, Gerlinde Sämann, Stefan Kunath, David Erler, Tobias Mäthger, Georg Poplutz, Martin Schicketanz, Felix Schwandtke, Margret Baumgartl, Juliane Laake, Sarah Perl, Frauke Hess, Friederike Otto, Julian Nagel, Sebastian Krause, Fernando Günther, Stephan Rath, Stefan Maass, Matthias Müller, Matthias Perl, Clemens Schlemmer, Michaela Hasselt

      Conductor: Hans-Christoph Rademann

    11. Die Fürsten verfolgen mich ohne Ursach, SWV 492

      Composer: Heinrich Schütz

      Ensemble: Dresdner Kammerchor

      Performer: Dorothee Mields, Gerlinde Sämann, Stefan Kunath, David Erler, Tobias Mäthger, Georg Poplutz, Martin Schicketanz, Felix Schwandtke, Margret Baumgartl, Juliane Laake, Sarah Perl, Frauke Hess, Friederike Otto, Julian Nagel, Sebastian Krause, Fernando Günther, Stephan Rath, Stefan Maass, Matthias Müller, Matthias Perl, Clemens Schlemmer, Michaela Hasselt

      Conductor: Hans-Christoph Rademann

    12. Jauchzet dem Herren, alle Welt, SWV 493

      Composer: Heinrich Schütz

      Ensemble: Dresdner Kammerchor

      Performer: Dorothee Mields, Gerlinde Sämann, Stefan Kunath, David Erler, Tobias Mäthger, Georg Poplutz, Martin Schicketanz, Felix Schwandtke, Margret Baumgartl, Juliane Laake, Sarah Perl, Frauke Hess, Friederike Otto, Julian Nagel, Sebastian Krause, Fernando Günther, Stephan Rath, Stefan Maass, Matthias Müller, Matthias Perl, Clemens Schlemmer, Michaela Hasselt

      Conductor: Hans-Christoph Rademann

    13. Meine Seele erhebt den Herren, SWV 494, "Teutsch Magnificat"

      Composer: Heinrich Schütz

      Ensemble: Dresdner Kammerchor

      Performer: Dorothee Mields, Gerlinde Sämann, Stefan Kunath, David Erler, Tobias Mäthger, Georg Poplutz, Martin Schicketanz, Felix Schwandtke, Margret Baumgartl, Juliane Laake, Sarah Perl, Frauke Hess, Friederike Otto, Julian Nagel, Sebastian Krause, Fernando Günther, Stephan Rath, Stefan Maass, Matthias Müller, Matthias Perl, Clemens Schlemmer, Michaela Hasselt

      Conductor: Hans-Christoph Rademann


Heinrich Schütz composed his last work, a monumental setting of Psalm 119, in 1671 at the age of 86, complemented by a setting of Psalm 100, and a setting of the German Magnificat. This group of works, known as the “Schwanengesang”, or “swansong”, is a highly personal musical declaration, distinguished by its elegance and spiritual depth. As part of the Schütz Complete Recording, the Dresdner Kammerchor conducted by Hans-Christoph Rademann has again made a recording which sets new standards, presenting both the sung and the expressive elements of the composition in exemplary fashion. This recording of the fragmentary-surviving Schwanengesang is based on a new edition of the music by Werner Breig, published in November 2017 as part of the Stuttgart Schütz Edition. In many passages it suggests other approaches to reconstruction from the version published in 1984, and so approaches the Schwanengesang in a completely different way.