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COMPOSERJOPLIN, SCOTT
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PERFORMERWilliam Albright
Scott Joplin - The Complete Rags Marches & Waltzes / Albright
- Nimbus
- November 1, 2009
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RELEASE DATENovember 01, 2009
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UPC710357254628
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CATALOG NUMBERNI2546-8
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LABELNimbus
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NUMBER OF DISCS3
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GENRE
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Maple Leaf Rag
Composer: Scott Joplin
Performer: William Albright
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Original Rags
Composer: Scott Joplin
Performer: William Albright
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The Favorite
Composer: Scott Joplin
Performer: William Albright
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The Easy Winners
Composer: Scott Joplin
Performer: William Albright
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Peacherine Rag
Composer: Scott Joplin
Performer: William Albright
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The Entertainer
Composer: Scott Joplin
Performer: William Albright
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The Strenuous Life
Composer: Scott Joplin
Performer: William Albright
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Elite Syncopations
Composer: Scott Joplin
Performer: William Albright
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A Breeze from Alabama
Composer: Scott Joplin
Performer: William Albright
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Palm Leaf
Composer: Scott Joplin
Performer: William Albright
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Weeping Willow
Composer: Scott Joplin
Performer: William Albright
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The Cascades
Composer: Scott Joplin
Performer: William Albright
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The Sycamore
Composer: Scott Joplin
Performer: William Albright
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The Chrysanthemum
Composer: Scott Joplin
Performer: William Albright
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Leola
Composer: Scott Joplin
Performer: William Albright
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Eugenia
Composer: Scott Joplin
Performer: William Albright
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The Ragtime Dance
Composer: Scott Joplin
Performer: William Albright
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Nonpareil
Composer: Scott Joplin
Performer: William Albright
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Reflection Rag
Composer: Scott Joplin
Performer: William Albright
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Gladiolus Rag
Composer: Scott Joplin
Performer: William Albright
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Searchlight Rag
Composer: Scott Joplin
Performer: William Albright
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Rose Leaf Rag
Composer: Scott Joplin
Performer: William Albright
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Pine Apple Rag
Composer: Scott Joplin
Performer: William Albright
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Fig Leaf Rag
Composer: Scott Joplin
Performer: William Albright
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Sugar Cane
Composer: Scott Joplin
Performer: William Albright
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Country Club
Composer: Scott Joplin
Performer: William Albright
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Paragon Rag
Composer: Scott Joplin
Performer: William Albright
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Wall Street Rag
Composer: Scott Joplin
Performer: William Albright
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Euphonic Sounds
Composer: Scott Joplin
Performer: William Albright
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Solace
Composer: Scott Joplin
Performer: William Albright
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Stoptime Rag
Composer: Scott Joplin
Performer: William Albright
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Scott Joplin's New Rag
Composer: Scott Joplin
Performer: William Albright
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Silver Swan Rag
Composer: Scott Joplin
Performer: William Albright
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Magnetic Rag
Composer: Scott Joplin
Performer: William Albright
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The Crush Collision March
Composer: Scott Joplin
Performer: William Albright
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Harmony Club Waltz
Composer: Scott Joplin
Performer: William Albright
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Combination March
Composer: Scott Joplin
Performer: William Albright
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Swipesy Cake Walk
Composer: Scott Joplin, Arthur Marshall
Performer: William Albright
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Augustan Club Waltz
Composer: Scott Joplin, Scott Hayden
Performer: William Albright
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Sunflower Slow Drag
Composer: Scott Joplin, Scott Hayden
Performer: William Albright
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Cleopha
Composer: Scott Joplin
Performer: William Albright
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March Majestic
Composer: Scott Joplin
Performer: William Albright
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Something Doing
Composer: Scott Joplin, Scott Hayden
Performer: William Albright
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Bethena
Composer: Scott Joplin
Performer: William Albright
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Rosebud
Composer: Scott Joplin
Performer: William Albright
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Blinks'Waltz
Composer: Scott Joplin
Performer: William Albright
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Antoinette
Composer: Scott Joplin
Performer: William Albright
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Heliotrope Bouquet
Composer: Scott Joplin, Louis Chauvin
Performer: William Albright
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Lily Queen
Composer: Scott Joplin, Arthur Marshall
Performer: William Albright
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Pleasant Moments
Composer: Scott Joplin
Performer: William Albright
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Felicity Rag
Composer: Scott Joplin, Scott Hayden
Performer: William Albright
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Kismet
Composer: Scott Joplin, Scott Hayden
Performer: William Albright
Featuring ⌄
Product Details ⌄
Works ⌄
JOPLIN Complete Rags, Marches, Waltzes • William Albright, (pn) • NIMBUS 2546/8 (3 CDs: 211:40)
William Albright was a major figure in the ragtime revival, along with his friend and colleague in academia, William Bolcom. Together they recorded music of Joplin and James P. Johnson; separately, each composed and played many rags on his own, which they sent to the other for amusement and comment. These were recorded as well, though Albright’s album of his own rags is sadly no longer in print. It’s a pity, as he was a fine pianist with a strong technique, and a fine sense of style. That technique and especially the style are on display in this fine set of Joplin’s rags, marches, and waltzes, recorded over a four-day period in 1989 for the defunct MusicMasters label.
No collection of Joplin, of course, can claim to be truly complete. Some rags almost certainly went unpublished, and it is believed others might have been published under pseudonyms. What we have are 49 works definitely by Joplin or composed by him in collaboration with others. They span The Crush Collision March of 1896 to the Magnetic Rag of 1914, his last composition before tertiary syphilis killed him. A third and separate category is formed of doubtful attributions, rags that would have been credited to Joplin at the height of his evanescent fame, much in the spirit that French and Dutch music publishers in the final quarter of the 18th century produced far more string quartets and symphonies by Haydn than Haydn ever wrote. None of these apocrypha are offered here, save one, a curious piece, the Silver Swan Rag , included on stylistic grounds. Discovered in 1970, and twice performed on piano rolls from the 1914–1915 period, it is credited to Joplin, but shows some notable flaws of compositional technique. Albright surmises in his liner notes that it was probably an early work, held back for years, but we’ll likely never know why Joplin would have chosen to record it, if he did, since other, finer works of his were at his fingertips.
Albright avoids an anachronistic, speed demon approach that would be more appropriate to latterday stride pianists such as James P. Johnson or Willie “The Lion” Smith. Nor does he break heavily in such pieces as The Entertainer or the beautiful Weeping Willow for nostalgia addicts. Rhythmically firm, he avoids sudden shifts of tempo, preferring to maintain a steady pace or subtly accelerate through the four strains of a standard rag. His dynamic palette is broad, though he applies variation sparingly once again. Clarity of touch does not preclude beauty of tone, as The Cascades shows. Albright takes obvious enjoyment in the music he is playing.
Potential buyers might want to note that this is not “purist” Joplin, though it is perhaps all the more authentic for not exactly following the published scores. Like an earlier Joplin enthusiast and performer, “Knocky” Parker, Albright sometimes improvises or alters—though always more tastefully than the erratic Parker, who devalued these works by sometimes coining his own additional melodic lines. Albright’s most frequent type of change is the double-dotting of the thematic content, something he applies for example to the B section of Easy Winners , instead of playing it straight as written. Elsewhere, he may perform chords off the beat instead of the written figurations on it, as in the B section of The Maple Leaf Rag ; or strum a figure before the introductory chords to the A section repeat, as in The Entertainer ; or vary the repeat of a few D section chords in a blues direction, as in Elite Syncopations . The results are a matter of brief, tasteful highlights, and typical of the way rags were lightly embellished (by all reports) during and after Joplin’s lifetime.
With good notes by Albright and fine sound, it’s great to see this recording rereleased by a major classical label. Hopefully, it will bring new attention to both the composer and pianist—and maybe lead to Albright’s performance of his own rags showing up once again. Strongly recommended.
FANFARE: Barry Brenesal
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