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COMPOSERVARIOUS
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PERFORMERCantar Alla Viola, Balbeisi, Marin
Segreti Accenti - Italian Renaissance Music / Cantar alla Viola
- Quartz Music
- April 6, 2018
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RELEASE DATEApril 06, 2018
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UPC880040212522
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CATALOG NUMBERQTZ2125
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LABELQuartz Music
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NUMBER OF DISCS1
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GENRE
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Aura soave
Composer: Luzzasco Luzzaschi
Ensemble: Cantar alla Viola
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Amor tien il suo regno
Composer: Luca Marenzio
Ensemble: Cantar alla Viola
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Se mai vedete amanti
Composer: Costanzo Festa
Ensemble: Cantar alla Viola
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Mort m'a privé a 4
Composer: Thomas Crecquillon
Ensemble: Cantar alla Viola
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Amor, l'mi lamento
Composer: Andreas de Florentia
Ensemble: Cantar alla Viola
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Il primo libro delle villanelle: Lasso non è cor mio ch'io ti rimiri
Composer: Luca Marenzio
Ensemble: Cantar alla Viola
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Io vorrei Dio d'amore
Composer: Sylvestro Ganassi
Ensemble: Cantar alla Viola
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Con la fronte fiorita e i crin'ardenti
Composer: Luca Marenzio
Ensemble: Cantar alla Viola
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Al primo vostro sguardo
Composer: Luca Marenzio
Ensemble: Cantar alla Viola
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Dicemi la mia stella
Composer: Luca Marenzio
Ensemble: Cantar alla Viola
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Ricercare No. 2
Composer: Girolamo Cavazzoni
Performer: Fernando Marin
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Ogni diletto
Composer: Magister Piero
Ensemble: Cantar alla Viola
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Altro non è'l mio amor
Composer: Costanzo Festa
Ensemble: Cantar alla Viola
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O primavera
Composer: Luzzasco Luzzaschi
Ensemble: Cantar alla Viola
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Alma che fai, che pensi
Composer: Luca Marenzio
Ensemble: Cantar alla Viola
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Le rose, fronde e fiori
Composer: Luca Marenzio
Ensemble: Cantar alla Viola
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Ahime che col fuggire
Composer: Luca Marenzio
Ensemble: Cantar alla Viola
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Ricercare No. 7
Composer: Francesco da Milano
Performer: Fernando Marin
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Cavalcando con un giovine accorto
Composer: Magister Piero
Ensemble: Cantar alla Viola
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Madonna io mi consumo
Composer: Costanzo Festa
Ensemble: Cantar alla Viola
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Ch'io non t'ami cor mio
Composer: Luzzasco Luzzaschi
Ensemble: Cantar alla Viola
Featuring ⌄
Product Details ⌄
Works ⌄
This release is dedicated to one of the most esteemed musical practices of the Renaissance: the art of accompanying the voice with the viola da gamba. Cantare alla viola (singing with a viol) is the name for this practice, which was quite common at the time. The art of this practice lies in the ability of the “viola” player to arrange and play madrigals to accompany one single voice, as a lutenist or vihuela player commonly does. Cantar alla Viola has careful selected some of the finest pieces of the Italian Renaissance in order to illustrate the intimate and skillful musical practice of Cantare alla viola. The pieces vary from the subtle and transparent trecento 2-voice ballades of Magister Piero and Andrea da Firenze played on the viella, to the exquisite and virtuous madrigals for one soprano by Luzzascho Luzasschi, accompanied by the viola da gamba. The Renaissance villanelle and 3-voice madrigals by Luca Marenzio and Costanzo Festa, are adapted for the polyphonic playing of two different bowed vihuelas. Solo pieces have been added to the release to show the instrumental practice on a bowed vihuela through arrangements of lute and keyboard pieces by composers such as Marco Antonio Cavazzoni or Francesco da Milano.
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