SIXTEEN (THE): Renaissance Portugal: The Sacred Music of Car

$14.99
Label
Coro
Release Date
September 1, 2005
Format
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    Featuring ⌄
    • COMPOSER
      CARDOSO LOBO
    • PERFORMER
      Renaissance Portugal
    Product Details ⌄
    • RELEASE DATE
      September 01, 2005
    • UPC
      828021603228
    • CATALOG NUMBER
      COR16032
    • LABEL
      Coro
    • NUMBER OF DISCS
      1
    • GENRE
      Choral - Sacred
    Works ⌄

    1. Sitivit anima mea

      Composer: Manuel Cardoso

      Conductor: Harry Christophers

    2. Tulerunt lapides

      Composer: Manuel Cardoso

      Conductor: Harry Christophers

    3. Non mortui

      Composer: Manuel Cardoso

      Conductor: Harry Christophers

    4. Kyrie

      Composer: Manuel Cardoso

      Conductor: Harry Christophers

    5. Gloria

      Composer: Manuel Cardoso

      Conductor: Harry Christophers

    6. Credo

      Composer: Manuel Cardoso

      Conductor: Harry Christophers

    7. Sanctus - Benedictus

      Composer: Manuel Cardoso

      Conductor: Harry Christophers

    8. Agnus Dei

      Composer: Manuel Cardoso

      Conductor: Harry Christophers

    9. Audivi vocem de caelo

      Composer: Duarte Lôbo

      Conductor: Harry Christophers

    10. Pater peccavi

      Composer: Duarte Lôbo

      Conductor: Harry Christophers

    11. Introitus

      Composer: Duarte Lôbo

      Conductor: Harry Christophers

    12. Kyrie

      Composer: Duarte Lôbo

      Conductor: Harry Christophers

    13. Graduale

      Composer: Duarte Lôbo

      Conductor: Harry Christophers

    14. Offertorium

      Composer: Duarte Lôbo

      Conductor: Harry Christophers

    15. Sanctus - Benedictus

      Composer: Duarte Lôbo

      Conductor: Harry Christophers

    16. Agnus Dei

      Composer: Duarte Lôbo

      Conductor: Harry Christophers

    17. Lux aeterna

      Composer: Duarte Lôbo

      Conductor: Harry Christophers


Portuguese sacred music of this period inhabits a distinctive sound world that can be seen as a continuation and development of the Spanish style of composers such as Morales and Guerrero, but it is often allied to a tantalizing harmonic richness and colour that is found nowhere else. Its individuality parallels the new and astonishing Manueline architecture in which much of it would have been performed.