Solitaire

$16.99
Label
IBS Classical
Release Date
March 1, 2019
Format
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    Featuring ⌄
    • COMPOSER
      VARIOUS
    • PERFORMER
      Pedro Camara Toldos
    Product Details ⌄
    • RELEASE DATE
      March 01, 2019
    • UPC
      8436556421761
    • CATALOG NUMBER
      IBS222018
    • LABEL
      IBS Classical
    • NUMBER OF DISCS
      2
    • GENRE
      Jazz
    Works ⌄

    1. No. 1. —

      Composer: Giacinto Scelsi

      Performer: Pedro Pablo Cámara Toldos

    2. No. 2. —

      Composer: Giacinto Scelsi

      Performer: Pedro Pablo Cámara Toldos

    3. No. 3. —

      Composer: Giacinto Scelsi

      Performer: Pedro Pablo Cámara Toldos

    4. Mute Materie

      Composer: Nadir Vassena

      Performer: Pedro Pablo Cámara Toldos

    5. Ultimo a lato

      Composer: Giorgio Netti

      Performer: Pedro Pablo Cámara Toldos

    6. Canzona di ringraziamneto (version for saxophone)

      Composer: Salvatore Sciarrino

      Performer: Pedro Pablo Cámara Toldos

    7. Miralh

      Composer: Jose Sanchez Verdu

      Performer: Pedro Pablo Cámara Toldos

    8. Sequenza IXb

      Composer: Luciano Berio

      Performer: Pedro Pablo Cámara Toldos

    9. wq.132 à creux perdu

      Composer: José Luis Torá

      Performer: Pedro Pablo Cámara Toldos

    10. Quimera y fantasma

      Composer: Abel Paúl

      Performer: Pedro Pablo Cámara Toldos

    11. Saxony

      Composer: James Tenney

      Performer: Pedro Pablo Cámara Toldos

    12. Ricercare una melodia (version for saxophone)

      Composer: Jonathan Harvey

      Performer: Pedro Pablo Cámara Toldos

    13. Flexidra II - Burzstyn III

      Composer: Camilo Andrés Méndez San Juan

      Performer: Pedro Pablo Cámara Toldos

    14. El gran cabrón

      Composer: Germán Alonso

      Performer: Pedro Pablo Cámara Toldos


This album aims to compile the most emblematic works of the end of the twentieth century while seeking to give more recent music a leading role because, fortunately, some of today's creators are of the same quality as the most firmly-established figures of the previous period. This is not work about the flutter-tonguing "traditional contemporary saxophone", display of the shallowest virtuosity, an accumulation of slaps or "strident multiphonics" used as effects, and which have been made an example of our feeblest "clichés". Quite the contrary, the intention has been to select a programme where various styles coexist while seeking to keep in common the use the individual composers make of the saxophone, of course using E.T.s, although never as techniques themselves but rather with the aim of offering a message, part of the differentiated language of each. This is the main feature of the current panorama, the quest for a sonic language original to each composer, using the saxophone as the medium, never as the beginning or end of the composition.