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COMPOSERBACH, C.P.E.
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PERFORMERMiklos Spanyi
C.P.E. Bach: Solo Keyboard Music, Vol. 36 / Spanyi
- BIS
- June 1, 2018
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RELEASE DATEJune 01, 2018
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UPC7318590022634
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CATALOG NUMBERBIS-2263
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LABELBIS
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NUMBER OF DISCS1
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GENRE
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Rondo in E-Flat Major, Wq. 61/1, H. 288
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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I. Allegro di molto
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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II. Allegretto
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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III. Presto di molto
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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Fantasia in B-Flat Major, Wq. 61/3, H. 289
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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Rondo in D Minor, Wq. 61/4, H. 290
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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I. Allegretto
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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II. Andante
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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III. Allegretto
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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Fantasia in C Major, Wq. 61/6, H. 291
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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I. Andantino
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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II. Adagio e sostenuto
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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III. Allegro
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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12 Variations on La folia d'Espagne, Wq. 118/9, H. 263
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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I. Rondo: Lebhaft
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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II. Andante
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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III. Allegro
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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Fantasia in F-Sharp Minor, Wq. 67, H. 300
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
Featuring ⌄
Product Details ⌄
Works ⌄
Carl Philipp Emanuel Bach published the first collection in his series 'for Connaisseurs and Amateurs' in 1779, at the age of 65, and the sixth and final in 1787, a year before his death. Throughout the series he continues to develop the three genres which are featured in it – sonata, rondo and fantasia. In the sixth collection, the fantasias and rondos continue to resemble each other in structure and in stylistic features: abrupt tempo changes, disruptive rhythms, and constant harmonic non sequiturs. Bach gives them ample dimensions, but as in previous collections he continues to reduce the length of the sonatas, to the point that Sonata No. 1 is the shortest work of the collection, although it is in three distinct movements. On this amply-filled album, Miklós Spányi also includes four other works from Carl Philipp's last decade which in various ways underline the composer's boundless curiosity. The Sonata in G major, Wq 65/48 was composed for an experimental keyboard instrument with a bowing device coupled to it – a 'Bogenclavier' – while Bach in the set of variations Wq 118/9 gives us his own take on La Folia, the harmonic scheme that almost a century earlier had inspired composers such as Corelli, Marin Marais and Vivaldi, as well as his own father, in the famous ‘Peasant Cantata’.
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