Tartini: Sonate a violino solo & Aria del Tasso / Bovi, Banchini

$8.99
Label
Alpha
Release Date
August 24, 2018
Format
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    Featuring ⌄
    • COMPOSER
      TARTINI, GIUSEPPE
    • PERFORMER
      Banchini, Bovi
    Product Details ⌄
    • RELEASE DATE
      August 24, 2018
    • UPC
      3760014193538
    • CATALOG NUMBER
      ALPHA353
    • LABEL
      Alpha
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. Lieto ti prendo e poi

      Composer: Anonymous

      Performer: Patrizia Bovi

    2. I. Andante cantabile

      Composer: Giuseppe Tartini

      Performer: Chiara Banchini

    3. II. Allegro assai

      Composer: Giuseppe Tartini

      Performer: Chiara Banchini

    4. III. Aria del Tasso

      Composer: Giuseppe Tartini

      Performer: Chiara Banchini

    5. IV. Furlana

      Composer: Giuseppe Tartini

      Performer: Chiara Banchini

    6. Depon clorinda le sue spoglie inteste

      Composer: Anonymous

      Performer: Patrizia Bovi

    7. I. Andante cantabile

      Composer: Giuseppe Tartini

      Performer: Chiara Banchini

    8. II. Allegro

      Composer: Giuseppe Tartini

      Performer: Chiara Banchini

    9. III. Allegro assai

      Composer: Giuseppe Tartini

      Performer: Chiara Banchini

    10. IV. Presto: Amico il fato, guidami in porto

      Composer: Giuseppe Tartini

      Performer: Chiara Banchini

    11. V. Amico il fato

      Composer: Giuseppe Tartini

      Performer: Chiara Banchini

    12. I. Andante

      Composer: Giuseppe Tartini

      Performer: Chiara Banchini

    13. II. Allegro assai

      Composer: Giuseppe Tartini

      Performer: Chiara Banchini

    14. III. Giga: Allegro affettuoso

      Composer: Giuseppe Tartini

      Performer: Chiara Banchini

    15. Intanto erminia infra l'ombrose piante

      Composer: Anonymous

      Performer: Patrizia Bovi

    16. I. Cantabile

      Composer: Giuseppe Tartini

      Performer: Chiara Banchini

    17. II. Allegro

      Composer: Giuseppe Tartini

      Performer: Chiara Banchini

    18. III. Andante

      Composer: Giuseppe Tartini

      Performer: Chiara Banchini

    19. IV. Giga

      Composer: Giuseppe Tartini

      Performer: Chiara Banchini

    20. V. Tema con variazioni

      Composer: Giuseppe Tartini

      Performer: Chiara Banchini

    21. La lontananza (Solitario bosco ombroso)

      Composer: Paolo Antonio Rolli

      Performer: Patrizia Bovi

    22. I. Siciliana

      Composer: Giuseppe Tartini

      Performer: Chiara Banchini

    23. II. Allegro

      Composer: Giuseppe Tartini

      Performer: Chiara Banchini

    24. III. Allegro affettuoso

      Composer: Giuseppe Tartini

      Performer: Chiara Banchini

    25. Solitario bosco ombroso

      Composer: Giuseppe Tartini

      Performer: Patrizia Bovi, Chiara Banchini


Although Giuseppe Tartini was taught the first rudiments of music at the College of the Padri dell Scuole Pie in Capodistria, and may have received lessons in counterpoint from the Franciscan Bohuslav Cernohorsky in Assisi, many elements give the impression that the boy had an education that was anything but ‘academic,’ and that the future ‘maestro delle nazioni’ largely taught himself. However, there does exist a declared model for the music of Tartini, at least for a certain period: that of Corelli. His output seems dominated initially by the influence of his great predecessor in terms of both language and structure. The reference to folk music in his music is also obvious. Another interesting element in the sonatas presented on this release is the presence of mottoes of varying length placed next to the incipits of certain movements, and often written in a ciphered cuneiform alphabet invented by the composer. These are poetic quotations, mostly drawn from the works of Metastasio, although not all of them have been identified. At the end of this recording is one of Tartini’s very rare vocal pieces, the last composition copied into MS 1888/1. The poem Solitario bosco ombroso, based on a clearly Petrarchan model and on the classical antecedents of Tibullus and Propertius, was published for the first time by the poet Paolo Rolli in London in 1727, in a musical setting by Rolli himself.