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COMPOSERBALOGH DUKAY JENEY KODALY
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PERFORMERRajk, Budapest Strings, Cedrone
Stolen Time / Judit Rajk, Cedrone, Budapest Strings
- Hungaroton
- May 14, 2021
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RELEASE DATEMay 14, 2021
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UPC5991813284426
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CATALOG NUMBERHCD32844
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LABELHungaroton
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NUMBER OF DISCS1
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GENRE
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Halotti Szertartás (Funeral Rite): Én imádottam a kereszt tövébe hullva (My Adored Fallen to the Foot of the Crucifix) (arr. for contralto solo)
Composer: Zoltán Jeney
Performer: Judit Rajk
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Molnár Anna (Annie Miller)
Composer: Zoltán Kodály
Ensemble: Budapest Strings
Performer: Judit Rajk
Conductor: Alessandro Cedrone
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Fáj a szivem (My Heart is Breaking)
Composer: Zoltán Kodály
Ensemble: Budapest Strings
Performer: Judit Rajk
Conductor: Alessandro Cedrone
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Kádár Kata (Mother, Listen)
Composer: Zoltán Kodály
Ensemble: Budapest Strings
Performer: Judit Rajk
Conductor: Alessandro Cedrone
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Wenn mein Mütterlein (When Your Mother)
Composer: Máté Balogh
Performer: Judit Rajk, Horia Dumitrache
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No. 3. Egy kicsi madárka (Came a Bird Aflying)
Composer: Zoltán Kodály
Ensemble: Budapest Strings
Performer: Judit Rajk
Conductor: Alessandro Cedrone
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No. 20. Tücsöklakodalom (The Cricket's Wedding)
Composer: Zoltán Kodály
Ensemble: Budapest Strings
Performer: Judit Rajk
Conductor: Alessandro Cedrone
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No. 21. Zöld erdőben (In the Forest)
Composer: Zoltán Kodály
Ensemble: Budapest Strings
Performer: Judit Rajk
Conductor: Alessandro Cedrone
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No. 31. Dudanóta (Piper-Johnny)
Composer: Zoltán Kodály
Ensemble: Budapest Strings
Performer: Judit Rajk
Conductor: Alessandro Cedrone
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Karşılıklı konuşma
Composer: Máté Balogh
Performer: Judit Rajk, Horia Dumitrache, Oszkár Varga, Máté Balogh
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… es mío y para mí … (… it's mine and it's for me …)
Composer: Barnabás Dukay
Performer: Judit Rajk
Featuring ⌄
Product Details ⌄
Works ⌄
This album features a small part of Judit Rajk’s rich repertoire, Hungarian compositions of the 20th and 21st centuries, starting with Zoltán Kodály’s folksong arrangements, through Barnabás Dukay’s large-scale monody, Zoltán Jeney’s brief, resigned lament, to the sensitive song on the death of children by Máté Balogh. Although the bases of the works in this recording differ, they share one point in common: they use a small slice of the past in a daring and unique manner, whether it is actually used or merely as an element of inspiration. The challenge for the performer is to decide how to enrich this “past”, this time of tradition, with her own tempo.
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