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COMPOSERSTRAUSS, RICHARD
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ORCHESTRA / ENSEMBLECity Of Birmingham Symphony Orchestra
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PERFORMERAndris Nelsons
Strauss: Also Sprach Zarathustra; Don Juan; Till Eulenspiegel / Nelsons, City of Birmingham Symphony
- Orfeo
- May 27, 2014
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RELEASE DATEMay 27, 2014
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UPC4011790878126
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CATALOG NUMBERORF-C878141A
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LABELOrfeo
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NUMBER OF DISCS1
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GENRE
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Einleitung —
Composer: Richard Strauss
Ensemble: City of Birmingham Symphony Orchestra
Conductor: Andris Nelsons
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Von den Hinterweltlern —
Composer: Richard Strauss
Ensemble: City of Birmingham Symphony Orchestra
Conductor: Andris Nelsons
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Von der grossen Sehnsucht —
Composer: Richard Strauss
Ensemble: City of Birmingham Symphony Orchestra
Conductor: Andris Nelsons
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Von den Freuden-und Leidenschaften —
Composer: Richard Strauss
Ensemble: City of Birmingham Symphony Orchestra
Conductor: Andris Nelsons
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Das Grablied —
Composer: Richard Strauss
Ensemble: City of Birmingham Symphony Orchestra
Conductor: Andris Nelsons
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Von der Wissenschaft —
Composer: Richard Strauss
Ensemble: City of Birmingham Symphony Orchestra
Conductor: Andris Nelsons
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Der Genesende —
Composer: Richard Strauss
Ensemble: City of Birmingham Symphony Orchestra
Conductor: Andris Nelsons
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Das Tanzlied —
Composer: Richard Strauss
Ensemble: City of Birmingham Symphony Orchestra
Conductor: Andris Nelsons
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Nachtwandlerlied
Composer: Richard Strauss
Ensemble: City of Birmingham Symphony Orchestra
Conductor: Andris Nelsons
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Don Juan, Op. 20, TrV 156
Composer: Richard Strauss
Ensemble: City of Birmingham Symphony Orchestra
Conductor: Andris Nelsons
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Till Eulenspiegels lustige Streiche (Till Eulenspiegel's Merry Pranks), Op. 28, TrV 171
Composer: Richard Strauss
Ensemble: City of Birmingham Symphony Orchestra
Conductor: Andris Nelsons
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"Like his mentor Mariss Jansons, Andris Nelsons has developed a special affinity with the music of Richard Strauss, in which his conducting combines a thrilling impulse with an appreciation of the finer points of instrumental detail and evocative atmosphere. In a mammoth work such as Also sprach Zarathustra, Strauss does lay traps for interpreters who maybe have less finely honed instincts of taste, pacing and orchestral texture than Nelsons does, but his vision of this half-hour, Nietzsche-inspired score is of such clarity and integrity as to cast aside the accusations of posturing and garishness that are sometimes levelled against it." - Geoffrey Norris, The Telegraph
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