Stravinsky: The Rake's Progress / West, Garrison, Cheek, Craft, Orchestra Of St. Luke's

$20.99
Label
Naxos
Release Date
May 26, 2009
Format
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    Featuring ⌄
    • COMPOSER
      STRAVINSKY, IGOR
    • ORCHESTRA / ENSEMBLE
      Orchestra Of St Luke?S
    • PERFORMER
      West, Garrison, Cheek, Craft, Gregg Smith Singers
    Product Details ⌄
    Works ⌄

    1. Prelude

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Conductor: Robert Craft

    2. Act I Scene 1: Duet and Trio: The woods are green… (Anne, Tom, Trulove)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jayne West, Jon Garrison, Arthur Woodley

      Conductor: Robert Craft

    3. Act I Scene 1: Recitative: Anne, my dear… (Trulove, Anne, Tom)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Arthur Woodley, Jayne West, Jon Garrison

      Conductor: Robert Craft

    4. Act I Scene 1: Recitative: Here I stand… (Tom)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jon Garrison

      Conductor: Robert Craft

    5. Act I Scene 1: Aria: Since it is not by merit… (Tom)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jon Garrison

      Conductor: Robert Craft

    6. Act I Scene 1: Recitative: Tom Rakewell? (Nick, Tom)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: John Cheek, Jon Garrison

      Conductor: Robert Craft

    7. Act I Scene 1: Recitative: Fair lady… (Nick)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: John Cheek

      Conductor: Robert Craft

    8. Act I Scene 1: Quartet: I wished but once… (Tom, Nick, Anne, Trulove)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jon Garrison, John Cheek, Jayne West, Arthur Woodley

      Conductor: Robert Craft

    9. Act I Scene 1: Recitative: I'll call the coachman, sir (Nick, Trulove)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: John Cheek, Arthur Woodley

      Conductor: Robert Craft

    10. Act I Scene 1: Duettino: Farewell, farewell… (Anne, Tom)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jayne West, Jon Garrison

      Conductor: Robert Craft

    11. Act I Scene 1: Recitative: All is ready, sir (Nick, Tom)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: John Cheek, Jon Garrison

      Conductor: Robert Craft

    12. Act I Scene 1: Arioso: Dear Father Trulove… (Tom)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jon Garrison

      Conductor: Robert Craft

    13. Act I Scene 1: Terzettino: Laughter and light… (Tom, Anne, Trulove, Nick)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jon Garrison, Jayne West, Arthur Woodley, John Cheek

      Conductor: Robert Craft

    14. Act I Scene 2: Chorus: With air commanding… (Roaring boys, Whores)

      Composer: Igor Stravinsky

      Ensemble: Gregg Smith Singers, Orchestra of St. Luke's

      Conductor: Robert Craft

    15. Act I Scene 2: Recitative and Scene: Come, Tom… (Nick, Mother Goose, Tom)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: John Cheek, Shirley Love, Jon Garrison

      Conductor: Robert Craft

    16. Act I Scene 2: Chorus: Soon dawn will glitter… (Roaring boys, Whores, Nick)

      Composer: Igor Stravinsky

      Ensemble: Gregg Smith Singers, Orchestra of St. Luke's

      Performer: John Cheek

      Conductor: Robert Craft

    17. Act I Scene 2: Recitative: Brothers of Mars… (Nick)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: John Cheek

      Conductor: Robert Craft

    18. Act I Scene 2: Cavatina: Love, too frequently betrayed… (Tom)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jon Garrison

      Conductor: Robert Craft

    19. Act I Scene 2: Chorus: How sad a song (Whores, Mother Goose)

      Composer: Igor Stravinsky

      Ensemble: Gregg Smith Singers, Orchestra of St. Luke's

      Performer: Shirley Love

      Conductor: Robert Craft

    20. Act I Scene 2: Chorus: The sun is bright (Chorus, Nick)

      Composer: Igor Stravinsky

      Ensemble: Gregg Smith Singers, Orchestra of St. Luke's

      Performer: John Cheek

      Conductor: Robert Craft

    21. Act I Scene 3: Introduction

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Conductor: Robert Craft

    22. Act I Scene 3: Recitative: No word from Tom (Anne)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jayne West

      Conductor: Robert Craft

    23. Act I Scene 3: Aria: Quietly, night… (Anne)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jayne West

      Conductor: Robert Craft

    24. Act I Scene 3: Recitative: My father! (Anne)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jayne West

      Conductor: Robert Craft

    25. Act I Scene 3: Cabaletta: I go, I go to him (Anne)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jayne West

      Conductor: Robert Craft

    26. Act II Scene 1: Introduction

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Conductor: Robert Craft

    27. Act II Scene 1: Aria: Vary the song (Tom)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jon Garrison

      Conductor: Robert Craft

    28. Act II Scene 1: Recitative: O Nature, green unnatural mother… (Tom)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jon Garrison

      Conductor: Robert Craft

    29. Act II Scene 1: Aria: Always the quarry… (Tom)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jon Garrison

      Conductor: Robert Craft

    30. Act II Scene 1: Recitative: Master, are you alone? (Nick, Tom)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: John Cheek, Jon Garrison

      Conductor: Robert Craft

    31. Act II Scene 1: Aria: In youth the panting slave… (Nick)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: John Cheek

      Conductor: Robert Craft

    32. Act II Scene 1: Duet-Finale: My tale shall be told… (Tom, Nick)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jon Garrison, John Cheek

      Conductor: Robert Craft

    33. Act II Scene 2: Introduction

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Conductor: Robert Craft

    34. Act II Scene 2: Recitative and Arioso: How strange! (Anne)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jayne West

      Conductor: Robert Craft

    35. Act II Scene 2: Duet: Anne! Here! (Tom, Anne)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jon Garrison, Jayne West

      Conductor: Robert Craft

    36. Act II Scene 2: Recitative: My love, am I to remain in here forever? (Baba, Ann, Tom)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Wendy White, Jayne West, Jon Garrison

      Conductor: Robert Craft

    37. Act II Scene 2: Trio: Could it then… (Anne, Tom, Baba)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jayne West, Jon Garrison, Wendy White

      Conductor: Robert Craft

    38. Act II Scene 2: Finale: I have not run away… (Baba, Tom, Town People)

      Composer: Igor Stravinsky

      Ensemble: Gregg Smith Singers, Orchestra of St. Luke's

      Performer: Wendy White, Jon Garrison

      Conductor: Robert Craft

    39. Act II Scene 3: Aria: As I was saying… (Baba, Tom)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Wendy White, Jon Garrison

      Conductor: Robert Craft

    40. Act II Scene 3: Baba's Song (Baba)

      Composer: Igor Stravinsky

      Performer: Wendy White

    41. Act II Scene 3: Aria: Scorned! Abused! Neglected! (Baba)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Wendy White

      Conductor: Robert Craft

    42. Act II Scene 3: Recitative: My heart is cold… (Tom)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jon Garrison

      Conductor: Robert Craft

    43. Act II Scene 3: Pantomime (Nick)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: John Cheek

      Conductor: Robert Craft

    44. Act II Scene 3: Recitative - Arioso - Recitative: Awake? (Nick, Tom)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: John Cheek, Jon Garrison

      Conductor: Robert Craft

    45. Act II Scene 3: Duet: Thanks to this excellent device… (Tom, Nick)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jon Garrison, John Cheek

      Conductor: Robert Craft

    46. Act II Scene 3: Recitative: Forgive me, master… (Nick, Tom)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: John Cheek, Jon Garrison

      Conductor: Robert Craft

    47. Act III Scene 1: Ruin, Disaster, Shame (Town People, Anne, Sellem)

      Composer: Igor Stravinsky

      Ensemble: Gregg Smith Singers, Orchestra of St. Luke's

      Performer: Jayne West, Melvin Lowery

      Conductor: Robert Craft

    48. Act III Scene 1: Recitative: Ladies, both fair and gracious… (Sellem)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Melvin Lowery

      Conductor: Robert Craft

    49. Act III Scene 1: Aria: Who hears me, knows me… (Sellem, Chorus, Baba)

      Composer: Igor Stravinsky

      Ensemble: Gregg Smith Singers, Orchestra of St. Luke's

      Performer: Melvin Lowery, Wendy White

      Conductor: Robert Craft

    50. Act III Scene 1: Aria: Sold! Annoyed! (Baba, Chorus, Tom, Nick)

      Composer: Igor Stravinsky

      Ensemble: Gregg Smith Singers, Orchestra of St. Luke's

      Performer: Wendy White, Jon Garrison, John Cheek

      Conductor: Robert Craft

    51. Act III Scene 1: Recitative: Now, what was that? (Chorus, Baba, Anne, Sellem)

      Composer: Igor Stravinsky

      Ensemble: Gregg Smith Singers, Orchestra of St. Luke's

      Performer: Wendy White, Jayne West, Melvin Lowery

      Conductor: Robert Craft

    52. Act III Scene 1: Duet: You love him, seek to set him right… (Baba, Anne, Sellem, Chorus)

      Composer: Igor Stravinsky

      Ensemble: Gregg Smith Singers, Orchestra of St. Luke's

      Performer: Wendy White, Jayne West, Melvin Lowery

      Conductor: Robert Craft

    53. Act III Scene 1: Ballad Tune: If boys had wings and girls had stings… (Tom, Nick, Anne, Baba, Sellem, Chorus)

      Composer: Igor Stravinsky

      Ensemble: Gregg Smith Singers, Orchestra of St. Luke's

      Performer: Jon Garrison, John Cheek, Jayne West, Wendy White, Melvin Lowery

      Conductor: Robert Craft

    54. Act III Scene 1: Stretto-finale: I go to him… (Anne, Baba, Sellem, Chorus)

      Composer: Igor Stravinsky

      Ensemble: Gregg Smith Singers, Orchestra of St. Luke's

      Performer: Jayne West, Wendy White, Melvin Lowery

      Conductor: Robert Craft

    55. Act III Scene 1: Ballad Tune: Who cares a fig… (Tom, Nick, Baba, Chorus)

      Composer: Igor Stravinsky

      Ensemble: Gregg Smith Singers, Orchestra of St. Luke's

      Performer: Jon Garrison, John Cheek, Wendy White

      Conductor: Robert Craft

    56. Act III Scene 2: Prelude

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Conductor: Robert Craft

    57. Act III Scene 2: Duet: How dark, how dark and dreadful is this place (Tom, Nick)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jon Garrison, John Cheek

      Conductor: Robert Craft

    58. Act III Scene 2: Recitative: Very well then… (Nick, Tom)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: John Cheek, Jon Garrison

      Conductor: Robert Craft

    59. Act III Scene 2: Duet: Well, then. My heart is wild with fear… (Nick, Tom, Anne)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: John Cheek, Jon Garrison, Jayne West

      Conductor: Robert Craft

    60. Act III Scene 3: Introduction

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Conductor: Robert Craft

    61. Act III Scene 3: Arioso: Prepare yourselves… (Tom)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jon Garrison

      Conductor: Robert Craft

    62. Act III Scene 3: Dialogue: Madmen's words are all untrue… (Madmen, Tom)

      Composer: Igor Stravinsky

      Ensemble: Gregg Smith Singers, Orchestra of St. Luke's

      Performer: Jon Garrison

      Conductor: Robert Craft

    63. Act III Scene 3: Chorus-minuet: Leave all love and hope behind! (Madmen)

      Composer: Igor Stravinsky

      Ensemble: Gregg Smith Singers, Orchestra of St. Luke's

      Conductor: Robert Craft

    64. Act III Scene 3: Recitative: There he is… (Keeper, Tom, Anne)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jeffrey Johnson, Jon Garrison, Jayne West

      Conductor: Robert Craft

    65. Act III Scene 3: Arioso: I have waited (Tom)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jon Garrison

      Conductor: Robert Craft

    66. Act III Scene 3: Duet: In a foolish dream… (Tom, Anne)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jon Garrison, Jayne West

      Conductor: Robert Craft

    67. Act III Scene 3: Recitative: I am exceeding weary (Tom)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jon Garrison

      Conductor: Robert Craft

    68. Act III Scene 3: Lullaby: Gently, little boat (Anne, Chorus)

      Composer: Igor Stravinsky

      Ensemble: Gregg Smith Singers, Orchestra of St. Luke's

      Performer: Jayne West

      Conductor: Robert Craft

    69. Act III Scene 3: Recitative: Anne, my dear… (Trulove, Anne)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Arthur Woodley, Jayne West

      Conductor: Robert Craft

    70. Act III Scene 3: Duettino: Every wearied body must… (Anne, Trulove)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jayne West, Arthur Woodley

      Conductor: Robert Craft

    71. Act III Scene 3: Finale: Where art thou, Venus? (Tom, Chorus)

      Composer: Igor Stravinsky

      Ensemble: Gregg Smith Singers, Orchestra of St. Luke's

      Performer: Jon Garrison

      Conductor: Robert Craft

    72. Act III Scene 3: Mourning-chorus: Mourn for Adonis (Chorus)

      Composer: Igor Stravinsky

      Ensemble: Gregg Smith Singers, Orchestra of St. Luke's

      Conductor: Robert Craft

    73. Act III Scene 3: Epilogue: Good people, just a moment… (Anne, Baba, Tom, Nick, Trulove)

      Composer: Igor Stravinsky

      Ensemble: Orchestra of St. Luke's

      Performer: Jayne West, Wendy White, Jon Garrison, John Cheek, Arthur Woodley

      Conductor: Robert Craft


A subtle alchemy and a powerful performance.

The association of Robert Craft with The Rake’s Progress spans the 45 years between this recording and his first meeting with Stravinsky in 1948 on the same day that W.H. Auden delivered the completed libretto to the composer. Craft subsequently became involved in what he describes as “the first step” in the composition of the opera, especially in helping Stravinsky master the pronunciation, vocabulary and rhythms of the English text. This involvement is described in an extract from Robert Craft’s memoirs in the booklet. Craft’s recordings of Stravinsky and others, in this case originally on the MusicMasters label, have seen a recent revival from Naxos with their ‘Robert Craft Collection’, and very excellent they are too.

With the label’s bargain pricing position, it seems fairest to compare like with more-or-less like in that department. My main reference has been Stravinsky’s own 1964 recording, now hiding discreetly as discs 16 and 17 in Sony’s bargain 22 CD box Works of Igor Stravinsky . This set is a must-have for any Stravinsky collector, but the recording in this set is not to be confused with the mono 1953 Metropolitan Opera recording, now available on Naxos Historical.

As you would expect, the more recent Craft recording wins in terms of sound quality, but aside from the usual leathery-sounding oboes and some tape hiss Stravinsky’s recording still comes up sounding pretty good. The same goes for the orchestral playing, with Craft more slick, and often more adventurous and energetic in terms of tempi. Stravinsky comes in at just under 141 minutes for the whole opera to Craft’s 128. If I have a minor criticism of both, it is the level at which the harpsichord is set, especially in the Craft recording. Even listening on best-possible hi-fi, the level is arguably too low to hear much of what is being played, and in the recitatives and important card game scene it is easily covered by the voices. This is a tricky aspect of such a recording and may be a fairly accurate representation of what you would hear in a live performance, but it is a shame that detail and harmonic content is missed in some of these recitatives, and I found my ears straining somewhat. By the way, Stravinsky’s recording has some useful riffle sound effects which help the ‘cards’ imagery in that long recitative Duet scene with Tom and Shadow which are absent with Craft. The timps are also a bit boomy in the Naxos recording, such as at the end of Act 3 scene 1, but this is another minor caveat.

While we are dealing with negatives, there is an aspect of the singing which bothered me just a little throughout. Jayne West is a star as Anne Trulove, and I have no complaints about her gorgeously innocent performance. Her gently simple final Lullaby is guaranteed to raise a tear. I am also greatly in admiration of just about everyone else, but for me the principal male characters Tom Rakewell and Nick Shadow, and Father Trulove for that matter, lack vocal variety and therefore remain rather two-dimensional as characters. Tom and Nick both have a hard-edged projection to their voices which softens little, even when the pair of them are supposedly in the hushed atmosphere of the dark and mysterious graveyard. John Cheek as Nick Shadow gives pretty much 110 % of his rich and powerful bass at all times, and comes across as more of an irresistible force than menacing presence. To be fair, Jon Garrison does give us some admirable restraint once he has been struck mad by Nick, and in any case this whole subject might in fact be less of a problem that you might imagine. I don’t wish to put anyone off with these comments - we’re talking bargain purchase territory after all. It is in the nature of Stravinsky’s vocal writing that there is almost always a certain amount of ‘distance’ between what might be expected to develop as a fully rounded theatrical character and the intentional neo-classical or even neo-baroque purity of the music. The Rake’s Progress is a wonderful score, ranging from Broadway musical corn very much to the heights of human expressiveness. There is always more than enough going on to keep us from worrying if this or that line might have been given marginally more colour or inflection. What I really do like about all of the solo vocalists is how clearly they articulate the all-important text, and while there is no libretto in the booklet for this release, you shouldn’t really need it.

With an American cast, you might also wonder if the accents of the singers might intrude to scandalise European sensibilities. This is not often the case, though there are one or two ‘The Waltons’ moments, such as when Trulove calls Anne, Anne! at the end of the Quietly, night aria, Act 1 Scene 3. The choir does very well and are stylishly punchy, but the satellite characters do leap out somewhat, and this is a mixed blessing on occasion. Shirley Love is very wobbly as Mother Goose, though this could easily be intentional. Wendy White begins imperious and perfectly and appropriately unsympathetic as the spoiled Baba the Turk, but mellows nicely for the You love him, seek to set him right scene. I was also glad to hear the smashing of crockery in her tiff with Tom in Act 2 is every bit as juicy as in Stravinsky’s 1964 version. Melvin Lowery’s Sellem is an energetic NYC auctioneer. The brief Keeper’s solo is alas unmemorable, but the part was never likely to steal the show.

There are numerous recordings of The Rake’s Progress around these days, and I still have an affection for the Decca recording with the London Sinfonietta conducted by Ricardo Chailly, though Cathryn Pope’s Anne Trulove leaves a bit of a beige gap in an otherwise strong team of soloists. If it’s the best of the best of modern recording you are looking for at any price, then the critics seem fairly universal in praise of Kent Nagano’s 1995 Lyons Opera recording on Erato, though I don’t have this to hand for comparison. As far as the Sony Box/Naxos competition goes you can easily accommodate both - Stravinsky having a bit more unruly bite and grit, Craft winning in terms of refinement but at the same time losing out in terms of pithy character. What Craft does manage is to bring out the sheer wit in several little moments of Stravinsky’s score - more so than the composer himself did. I laughed out loud in a few places which might not have been intentional, but you simply must find fun in all those corners and cadences - vocal and tonal - which Stravinsky throws in to disarm us and allow us up for air in this most human and intense of dramas.

The Rake’s Progress holds a fascination for us in the 21st century, in the first place as a ‘classic’ and iconic work from one of the last century’s greatest composers, but also as one in possession of the magical tensions one of music’s turning points. In the late 1940s and early 1950s there was a wind of change, many of the protagonists of which both held Stravinsky as a respected statesman of contemporary music making, but who also already knew his style and idiom, and were more than prepared to see the new opera as rather old hat. The opera stands at the cusp of this transition in Stravinsky’s work, between the development or recycling of old formulae, and the decision whether or not to break new ground in order to compete with the new generation of composers. In the end, the intangible alchemy which was Stravinsky’s gift for creating remarkable music, combined in The Rake’s Progress with a penetrating insight into human nature and frailty, created a masterpiece which transcended and survived all of those internal and external musical revolutions. That we have such a direct link to Stravinsky’s living thoughts and intentions in Robert Craft and such a powerful performance makes this recording - even with its imperfections - as much a ‘must have’ as the composer’s own.

-- Dominy Clements, MusicWeb International