-
COMPOSERJoseph Suder
-
ORCHESTRA / ENSEMBLESymphonieorchester Des Bayrischen Rundfunks
-
PERFORMERMargarita Hohenrieder, Eduard Brunner
Suder: Piano Works / Brunner, Höhenrieder, Hirokami, BRSO
- Profil
- March 1, 2024
-
RELEASE DATEMarch 01, 2024
-
UPC881488240061
-
CATALOG NUMBERPH24006
-
LABELProfil
-
NUMBER OF DISCS1
-
GENRE
-
I. Adagio
Composer: Joseph Suder
Ensemble: Symphonieorchester des Bayerischen Rundfunks
Performer: Eduard Brunner, Margarita Höhenrieder
Conductor: Jun'ichi Hirokami
-
II. Rondo
Composer: Joseph Suder
Ensemble: Symphonieorchester des Bayerischen Rundfunks
Performer: Eduard Brunner, Margarita Höhenrieder
Conductor: Jun'ichi Hirokami
-
No. 1. Menuet I-II
Composer: Joseph Suder
Performer: Margarita Höhenrieder
-
No. 2. Gaillarde
Composer: Joseph Suder
Performer: Margarita Höhenrieder
-
No. 3. Gavotte
Composer: Joseph Suder
Performer: Margarita Höhenrieder
-
No. 4. Volte
Composer: Joseph Suder
Performer: Margarita Höhenrieder
-
No. 2. Lento
Composer: Joseph Suder
Performer: Margarita Höhenrieder
-
No. 1. Andantino
Composer: Joseph Suder
Performer: Margarita Höhenrieder
-
Ariette
Composer: Joseph Suder
Performer: Eduard Brunner, Margarita Höhenrieder
-
Burlesque
Composer: Joseph Suder
Performer: Eduard Brunner, Margarita Höhenrieder
-
Scherzo
Composer: Joseph Suder
Performer: Margarita Höhenrieder
-
No. 1. Andante
Composer: Joseph Suder
Performer: Margarita Höhenrieder
-
No. 2. Lento
Composer: Joseph Suder
Performer: Margarita Höhenrieder
-
No. 3. Vivo
Composer: Joseph Suder
Performer: Margarita Höhenrieder
-
No. 4. Langsam
Composer: Joseph Suder
Performer: Margarita Höhenrieder
Featuring ⌄
Product Details ⌄
Works ⌄
Joseph Suder was an excellent pianist. In his works the piano remained an expressive instrument and did not become (as has been the case in the works of many other twentieth century composers) a sort of a percussion instrument. In these piano pieces, works representing a cross section of his compositional output from 1911 to 1951, Suder is concerned with extending the expressive range oft he piano. Elements of very different character can be found here: dance and lyrical-serious song or humor and onomatopoeia. Although Suder proceeds from the precedents of the tradition like the dance types of the baroque, the Romantic scherzo, or the Song without Words, he transforms the tradition into something new by compressing form and expression in these short pieces and thus penetrating to what is essential.
- Choosing a selection results in a full page refresh.
- Press the space key then arrow keys to make a selection.
