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COMPOSERGRIEG TCHAIKOVSKY
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ORCHESTRA / ENSEMBLEBerlin Symphony
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PERFORMERGimpel, Matzerath, Rother
Tchaikovsky: Piano Concerto No. 1 - Grieg: Piano Concerto in A Minor, Op. 16 / Gimpel, Berlin Symphony
- Cambria
- December 24, 2021
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RELEASE DATEDecember 24, 2021
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UPC021475012602
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CATALOG NUMBERCD1260
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LABELCambria
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NUMBER OF DISCS1
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GENRE
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I. Allegro non troppo e molto maestoso - Allegro con spirito
Composer: Pyotr Ilyich Tchaikovsky
Ensemble: Deutsches Symphonie-Orchester Berlin
Performer: Jakob Gimpel
Conductor: Otto Matzerath
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II. Andantino semplice - Prestissimo - Tempo I
Composer: Pyotr Ilyich Tchaikovsky
Ensemble: Deutsches Symphonie-Orchester Berlin
Performer: Jakob Gimpel
Conductor: Otto Matzerath
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III. Allegro con fuoco - Molto meno mosso - Allegro vivo
Composer: Pyotr Ilyich Tchaikovsky
Ensemble: Deutsches Symphonie-Orchester Berlin
Performer: Jakob Gimpel
Conductor: Otto Matzerath
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I. Allegro molto moderato
Composer: Edvard Grieg
Ensemble: Deutsches Symphonie-Orchester Berlin
Performer: Jakob Gimpel
Conductor: Arthur Rother
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II. Adagio
Composer: Edvard Grieg
Ensemble: Deutsches Symphonie-Orchester Berlin
Performer: Jakob Gimpel
Conductor: Arthur Rother
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III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso
Composer: Edvard Grieg
Ensemble: Deutsches Symphonie-Orchester Berlin
Performer: Jakob Gimpel
Conductor: Arthur Rother
Featuring ⌄
Product Details ⌄
Works ⌄
Cambria Master Recordings is honored to present the legendary pianist Jacob Gimpel (1906 – 1989) performing two beloved piano concerti with the Berlin Symphony – Pyotr Ilyich Tchaikovsky Piano Concerto No. 1 in B flat Minor, Op 23 (Dr. Paul Otto Matzerath, conductor) and Edvard Grieg Piano Concert in A Minor, Op 18 (Artur Rother, conductor) (Cambria 1260). These stereo performances date from 1961 and 1959, when Gimpel was at the height of his career, and are now being released for first time in America. The Polish-born pianist, known by connoisseurs the world over as “a musician’s musician” and as one of the great piano virtuosos of the Twentieth Century, brought a classical elegance (authentically born of his intimate familiarity with the Polish music ethos and the cultural and stylistic brilliance of Imperial Vienna), combined with a formidable musical intellect and a rapturous poetic and tonal imagination. This great artist, teacher, and humanitarian, once the associate and protégé of the legendary violinist Bronislaw Huberman, was all too rarely heard in his adopted homeland of America, despite his spectacular European career, universal critical acclaim, and many outstanding recordings, a few of which were even distributed in the United States.
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