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COMPOSERTELEMANN, GEORG PHILIPP
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PERFORMERMaas, Dijkhuizen, Podger, Mertens, Borgioni, Kolner Akademie Willens
Telemann: Michaelis-Oratorium / Willens, Kolner Akademie
- CPO
- March 15, 2019
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RELEASE DATEMarch 15, 2019
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UPC761203521425
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CATALOG NUMBER555214-2
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LABELCPO
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NUMBER OF DISCS1
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GENRE
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Komm wieder, Herr (Chorus)
Composer: Georg Philipp Telemann
Ensemble: Chor der Kölner Akademie, Orchester der Kölner Akademie
Conductor: Michael Alexander Willens
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Recitative: Ja Herr, du kömmst (Bass 1)
Composer: Georg Philipp Telemann
Ensemble: Orchester der Kölner Akademie
Performer: Klaus Mertens
Conductor: Michael Alexander Willens
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Aria: O würden uns Zungen der Engel verliehn! (Bass 1)
Composer: Georg Philipp Telemann
Ensemble: Orchester der Kölner Akademie
Performer: Klaus Mertens
Conductor: Michael Alexander Willens
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Recitative: Doch wenn ein treues Herz (Bass 1)
Composer: Georg Philipp Telemann
Ensemble: Orchester der Kölner Akademie
Performer: Klaus Mertens
Conductor: Michael Alexander Willens
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Heilig ist unser Gott (Chorus)
Composer: Georg Philipp Telemann
Ensemble: Chor der Kölner Akademie, Orchester der Kölner Akademie
Conductor: Michael Alexander Willens
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Recitative: Der frühe Trieb, dich hoch zu preisen (Tenor)
Composer: Georg Philipp Telemann
Ensemble: Orchester der Kölner Akademie
Performer: Julian Podger
Conductor: Michael Alexander Willens
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Aria: O Tag, vor dem wir noch erstaunen (Bass 2)
Composer: Georg Philipp Telemann
Ensemble: Orchester der Kölner Akademie
Performer: Mauro Borgioni
Conductor: Michael Alexander Willens
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Recitative: Ja, Höchster (Bass 2)
Composer: Georg Philipp Telemann
Ensemble: Orchester der Kölner Akademie
Performer: Mauro Borgioni
Conductor: Michael Alexander Willens
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Du, du bist erschrecklich (Chorus)
Composer: Georg Philipp Telemann
Ensemble: Chor der Kölner Akademie, Orchester der Kölner Akademie
Conductor: Michael Alexander Willens
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Recitative: Wer half uns aus? (Soprano)
Composer: Georg Philipp Telemann
Ensemble: Orchester der Kölner Akademie
Performer: Rahel Maas
Conductor: Michael Alexander Willens
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Aria: So waren Gnad und Zorn vereinet (Tenor)
Composer: Georg Philipp Telemann
Ensemble: Orchester der Kölner Akademie
Performer: Julian Podger
Conductor: Michael Alexander Willens
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Recitative: Ach Herr, wie viel von denen (Soprano, Alto, Tenor, Bass 1)
Composer: Georg Philipp Telemann
Ensemble: Orchester der Kölner Akademie
Performer: Rahel Maas, Marian Dijkhuizen, Julian Podger, Klaus Mertens
Conductor: Michael Alexander Willens
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Aria: Verstreut gewesne Herde (Soprano)
Composer: Georg Philipp Telemann
Ensemble: Orchester der Kölner Akademie
Performer: Rahel Maas
Conductor: Michael Alexander Willens
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Liebster Jesu, wir sind hier (Chorus)
Composer: Georg Philipp Telemann
Ensemble: Chor der Kölner Akademie, Orchester der Kölner Akademie
Conductor: Michael Alexander Willens
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[instrumental]
Composer: Georg Philipp Telemann
Ensemble: Orchester der Kölner Akademie
Conductor: Michael Alexander Willens
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Herr Gott, dich loben wir (Chorus)
Composer: Georg Philipp Telemann
Ensemble: Chor der Kölner Akademie, Orchester der Kölner Akademie
Conductor: Michael Alexander Willens
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Recitative: Du hast geredet, Herr! (Bass 1)
Composer: Georg Philipp Telemann
Ensemble: Orchester der Kölner Akademie
Performer: Klaus Mertens
Conductor: Michael Alexander Willens
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Aria: Es schallet deinem ersten Worte (Bass 1)
Composer: Georg Philipp Telemann
Ensemble: Orchester der Kölner Akademie
Performer: Klaus Mertens
Conductor: Michael Alexander Willens
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Recitative: O laß uns noch vor deinem Angesicht (Bass 1)
Composer: Georg Philipp Telemann
Ensemble: Orchester der Kölner Akademie
Performer: Klaus Mertens
Conductor: Michael Alexander Willens
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Aria: Majestät, vor deren Blitz Jaspis und Saphir erbleichen (Bass 2)
Composer: Georg Philipp Telemann
Ensemble: Orchester der Kölner Akademie
Performer: Mauro Borgioni
Conductor: Michael Alexander Willens
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Recitative: Doch die Bedürfnis selbst wies uns ein Mittel an (Alto, Tenor)
Composer: Georg Philipp Telemann
Ensemble: Orchester der Kölner Akademie
Performer: Marian Dijkhuizen, Julian Podger
Conductor: Michael Alexander Willens
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Nun, unser Gott (Chorus)
Composer: Georg Philipp Telemann
Ensemble: Chor der Kölner Akademie, Orchester der Kölner Akademie
Conductor: Michael Alexander Willens
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Aria: Tempel, den die Lieb erbauet (Quintet, Chorus)
Composer: Georg Philipp Telemann
Ensemble: Chor der Kölner Akademie, Orchester der Kölner Akademie
Performer: Rahel Maas, Marian Dijkhuizen, Julian Podger, Klaus Mertens, Mauro Borgioni
Conductor: Michael Alexander Willens
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Recitative: Ja, sei geliebt (Tenor)
Composer: Georg Philipp Telemann
Ensemble: Orchester der Kölner Akademie
Performer: Julian Podger
Conductor: Michael Alexander Willens
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Aria: Ruht, von uns nicht weit geschieden (Alto)
Composer: Georg Philipp Telemann
Ensemble: Orchester der Kölner Akademie
Performer: Marian Dijkhuizen
Conductor: Michael Alexander Willens
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Recitative: Nun, o Unendlicher (Bass 1, Bass 2)
Composer: Georg Philipp Telemann
Ensemble: Orchester der Kölner Akademie
Performer: Klaus Mertens, Mauro Borgioni
Conductor: Michael Alexander Willens
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Aria: Ein Vorspiel des Tages (Quintet, Chorus)
Composer: Georg Philipp Telemann
Ensemble: Chor der Kölner Akademie, Orchester der Kölner Akademie
Performer: Rahel Maas, Marian Dijkhuizen, Julian Podger, Klaus Mertens, Mauro Borgioni
Conductor: Michael Alexander Willens
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Sei Lob und Ehr mit hohem Preis (Chorus)
Composer: Georg Philipp Telemann
Ensemble: Chor der Kölner Akademie, Orchester der Kölner Akademie
Conductor: Michael Alexander Willens
Featuring ⌄
Product Details ⌄
Works ⌄
Hamburg marked an important year in its history in 1762. The city’s large St. Michael’s Church had been destroyed by fire in 1760, and twelve years later the magnificent new Baroque structure (as yet without a tower) was dedicated. This event was celebrated as an official state ceremony, and of course Georg Philipp Telemann, the city’s music director, who by then was eighty-one years old, had to supply the music for it. Aware of the great importance of this event, he produced one of his most magnificent and most expressive scores with an ensemble including six double-choral trumpets and timpani. He wrote Der Tag des Gerichts, the great oratorio of his old age, during the same year, and his dedication music is situated on this same high musical level.
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