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COMPOSERVarious Composers
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PERFORMERGiulia Nuti
Dowland, Byrd, Morley et al: The Fall of the Leaf - English Keyboard Music / Nuti
- Arcana
- August 26, 2022
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RELEASE DATEAugust 26, 2022
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UPC3760195735329
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CATALOG NUMBERA532
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LABELArcana
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NUMBER OF DISCS1
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GENRE
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Prelude
Composer: Anonymous
Performer: Giulia Nuti
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Solus cum sola, P. 10: Pavan (arr. for virginal)
Composer: John Dowland
Performer: Giulia Nuti
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The Frog Galliard, P. 23 (arr. J. Wilbye for virginal)
Composer: John Dowland
Performer: Giulia Nuti
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The Primerose (from The Fitzwilliam Virginal Book)
Composer: Martin Peerson
Performer: Giulia Nuti
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John Come Kiss Me Now
Composer: John Tomkins
Performer: Giulia Nuti
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Piper's Pavan, P. 8 (arr. for virginal)
Composer: John Dowland
Performer: Giulia Nuti
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Captain Digorie Piper's Galliard, P. 19 (arr. W. Byrd for virginal)
Composer: John Dowland
Performer: Giulia Nuti
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The Fall of the Leafe (from The Fitzwilliam Virginal Book)
Composer: Martin Peerson
Performer: Giulia Nuti
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The Bells, MB 27/132 (BK 38)
Composer: William Byrd
Performer: Giulia Nuti
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Book of Songs, Book : Can she excuse my wrongs (arr. for virginal)
Composer: John Dowland
Performer: Giulia Nuti
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Almand, FVB 213
Composer: William Tisdale
Performer: Giulia Nuti
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Coranto (from Tisdale Virginal Book)
Composer: William Tisdale
Performer: Giulia Nuti
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Variations for keyboard on O Lord in Thee is all my trust
Composer: John Amner
Performer: Giulia Nuti
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Shall I come, sweet love, to thee? (arr. for virginal)
Composer: Thomas Campion
Performer: Giulia Nuti
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Passymeasures Pavan
Composer: Thomas Morley
Performer: Giulia Nuti
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Amarilli, mia bella
Composer: Giulio Caccini
Performer: Giulia Nuti
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In Sorrows Drown'd (arr. B. Ladlawe for virginal)
Composer: Anonymous
Performer: Giulia Nuti
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Lachrymae Pavan (arr. F. Richardson for virginal)
Composer: John Dowland
Performer: Giulia Nuti
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Galliard in D Minor (arr. J. Bull for virginal)
Composer: James Harding
Performer: Giulia Nuti
Featuring ⌄
Product Details ⌄
Works ⌄
Celebrating the golden age of English keyboard music from the late sixteenth and early seventeenth centuries, this personal anthology features works by the greatest composers of the time. John Dowland’s beguiling Pavanes and Galliards, transcribed by Martin Peerson and William Byrd, are punctuated by John Tomkins’ dazzling song-variations, Thomas Morley and William Tisdall’s whirling dances, and ravishing madrigals set by Peter Philips and others. John Amner’s masterful O Lord, in Thee is all my trust contrasts with William Byrd’s evocative, chiming variations The Bells, showcasing the different styles of these composers. This recording extends Giulia Nuti’s oeuvre of critically acclaimed recordings on historical harpsichords; her solo recital Le Cœur et l’oreille: Manuscript Bauyn (Arcana, 2017), recorded on the harpsichord built by Louis Denis in 1658, was awarded the Preis der Deutschen Schallplattenkritik. In this recording Giulia plays an exquisite Italian virginal from c. 1575.
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