The Food of Love / Baltimore Consort
Details
- Composer
- VARIOUS
- Artist
- The Baltimore Consort
- Format
- CD
- Label
- Sono Luminus
- Released
- Aug 23, 2019
- Catalog #
- DSL-92234
- UPC
- 053479223425
About
Founded in 1980 to perform the instrumental music of Shakespeare’s time, The Baltimore Consort has explored early English, Scottish, and French popular music, focusing on the relationship between folk and courtly art song, and dance. Their interest in early music of English/Scottish heritage has also led them to delve into the rich trove of traditional music preserved in North America.
There are hundreds of references to music in the works of Shakespeare. Shakespeare’s music can be placed into three general categories: Incidental Music- The individual titles of incidental music in Shakespeare’s works are never named but the directions “music here,” “music begins,” “music for dancing,” etc. are provided. Literary References- Shakespeare refers to the music, music theory, and instruments of the time within the text of his works. A humorous example is found in the names of the musicians Peter confronts in Romeo and Juliet: Hugh Rebec, Simon Catling and James Soundpost. Songs- Specific songs are included for performance in the text of Shakespeare’s plays. Shakespeare authored the lyrics to some of these songs but also incorporated popular songs known to his contemporary audiences. The plays did not include notation of the tunes of these songs. However, we are certain that Robert Johnson’s settings for “Full Fathom Five” and “Where the Bee Sucks” are the same as when originally performed in The Tempest. Johnson is well documented as Shakespeare’s composer.
For the other songs on the recording we are using the earliest surviving versions – both published and from manuscript – which are contemporary with Shakespeare’s productions. These include, “It Was a Lover and his Lasse,” “Farewell, Dear Love,” “When Griping Grief,” “Gravedigger’s Song,” and “Willow Song.”
REVIEWS:
A very pleasurable late-evening hour can be spent in the company of these musicians.
– MusicWeb International
This gem of an album played with historical performance accuracy and 21st century pizzazz is a revealing and often toe-tapping thing to treasure.
– Rafael's Music Notes (Rafael de Acha)
With most of the songs in the one- to three-minute range (only three exceed four minutes), changes happen fast, the recording never staying in one place for long. As enjoyable as the songs are, the album’s foremost pleasures derive from the interactions between the players and the rich timbral contrasts between their instruments. Often the full ensemble performs, but arrangements vary, with instruments combined in different combinations and number (e.g., “Cuckolds All a-Row” played by cittern alone; voice accompanied by lute for “Willow Song”); the album also benefits from the inclusion of both vocal and instrumental tracks, with a satisfying balance achieved between them.
– Textura
Tracklist 28 tracks
-
1 Tiers livre de danseries: Les Bouffons 02:56
- Track
- 1
- Title
- Tiers livre de danseries: Les Bouffons
- Duration
- 02:56
- Composer
- Jean d'Estrées
- Ensemble
- Baltimore Consort
-
2 Kemp's Jig 01:15
- Track
- 2
- Title
- Kemp's Jig
- Duration
- 01:15
- Composer
- Anonymous
- Ensemble
- Baltimore Consort
-
3 The First Book of Ayres or Little Short Songs: It was a lover and his lasse 03:05
- Track
- 3
- Title
- The First Book of Ayres or Little Short Songs: It was a lover and his lasse
- Duration
- 03:05
- Composer
- Thomas Morley
- Ensemble
- Baltimore Consort
-
4 Consort Lessons, Book 1: O Mistresse Mine 02:07
- Track
- 4
- Title
- Consort Lessons, Book 1: O Mistresse Mine
- Duration
- 02:07
- Composer
- Thomas Morley
- Ensemble
- Baltimore Consort
-
5 Peg a Ramsey 00:52
- Track
- 5
- Title
- Peg a Ramsey
- Duration
- 00:52
- Composer
- Anonymous
- Ensemble
- Baltimore Consort
-
6 Booke of Songes and Ayres, Book 1: Farewell, Dear Love 02:21
- Track
- 6
- Title
- Booke of Songes and Ayres, Book 1: Farewell, Dear Love
- Duration
- 02:21
- Composer
- Robert Jones
- Ensemble
- Baltimore Consort
-
7 When Griping Grief 03:05
- Track
- 7
- Title
- When Griping Grief
- Duration
- 03:05
- Composer
- Richard Edwards
- Ensemble
- Baltimore Consort
-
8 My Lady Carey's Dompe [16th century] 02:56
- Track
- 8
- Title
- My Lady Carey's Dompe [16th century]
- Duration
- 02:56
- Composer
- Anonymous
- Ensemble
- Baltimore Consort
-
9 Complain My Lute 06:18
- Track
- 9
- Title
- Complain My Lute
- Duration
- 06:18
- Composer
- Anonymous
- Ensemble
- Baltimore Consort
-
10 Pavans, Galliards, Almains and Other Short Aeirs both Grave, and Light: Almaine: The Honey-Suckle 02:57
- Track
- 10
- Title
- Pavans, Galliards, Almains and Other Short Aeirs both Grave, and Light: Almaine: The Honey-Suckle
- Duration
- 02:57
- Composer
- Antony Holborne
- Ensemble
- Baltimore Consort
-
11 The Schoole of Musicke: The Queen's Good Night 01:08
- Track
- 11
- Title
- The Schoole of Musicke: The Queen's Good Night
- Duration
- 01:08
- Composer
- Thomas Robinson
- Ensemble
- Baltimore Consort
-
12 Fancy 02:19
- Track
- 12
- Title
- Fancy
- Duration
- 02:19
- Composer
- John Dowland
- Ensemble
- Baltimore Consort
-
13 The Carman's Whistle 05:24
- Track
- 13
- Title
- The Carman's Whistle
- Duration
- 05:24
- Composer
- Anonymous
- Ensemble
- Baltimore Consort
-
14 The English Dancing Master: Cuckolds All in a Row 00:32
- Track
- 14
- Title
- The English Dancing Master: Cuckolds All in a Row
- Duration
- 00:32
- Composer
- John Playford
- Ensemble
- Baltimore Consort
-
15 The Manchester Lyra-Viol Manuscript, "The Manchester Gamba Book": No. 5. Whoope doe me no harm - Jog On 02:18
- Track
- 15
- Title
- The Manchester Lyra-Viol Manuscript, "The Manchester Gamba Book": No. 5. Whoope doe me no harm - Jog On
- Duration
- 02:18
- Composer
- Anonymous
- Ensemble
- Baltimore Consort
-
16 The King of Denmark's Galiard, H. 11 01:52
- Track
- 16
- Title
- The King of Denmark's Galiard, H. 11
- Duration
- 01:52
- Composer
- John Dowland
- Ensemble
- Baltimore Consort
-
17 Tarleton's Resurrection, P. 59 02:36
- Track
- 17
- Title
- Tarleton's Resurrection, P. 59
- Duration
- 02:36
- Composer
- John Dowland
- Ensemble
- Baltimore Consort
-
18 In Youth When I Did Love - Tarleton's Resurrection, P. 59 02:37
- Track
- 18
- Title
- In Youth When I Did Love - Tarleton's Resurrection, P. 59
- Duration
- 02:37
- Composer
- Anonymous, John Dowland
- Ensemble
- Baltimore Consort
-
19 Bonny Sweet Robin [16th Century] 02:27
- Track
- 19
- Title
- Bonny Sweet Robin [16th Century]
- Duration
- 02:27
- Composer
- Anonymous
- Ensemble
- Baltimore Consort
-
20 Tarleton's Jig , P. 81 02:15
- Track
- 20
- Title
- Tarleton's Jig , P. 81
- Duration
- 02:15
- Composer
- John Dowland
- Ensemble
- Baltimore Consort
-
21 Greensleeves 01:11
- Track
- 21
- Title
- Greensleeves
- Duration
- 01:11
- Composer
- Anonymous
- Ensemble
- Baltimore Consort
-
22 Greensleeves 01:18
- Track
- 22
- Title
- Greensleeves
- Duration
- 01:18
- Composer
- John Johnson
- Ensemble
- Baltimore Consort
-
23 Where the Bee Sucks 00:55
- Track
- 23
- Title
- Where the Bee Sucks
- Duration
- 00:55
- Composer
- Robert Johnson
- Ensemble
- Baltimore Consort
-
24 Full Fathom Five 01:49
- Track
- 24
- Title
- Full Fathom Five
- Duration
- 01:49
- Composer
- Robert Johnson
- Ensemble
- Baltimore Consort
-
25 Fortune My Foe [16th Century] 02:23
- Track
- 25
- Title
- Fortune My Foe [16th Century]
- Duration
- 02:23
- Composer
- Anonymous
- Ensemble
- Baltimore Consort
-
26 The Willow Song 03:24
- Track
- 26
- Title
- The Willow Song
- Duration
- 03:24
- Composer
- Anonymous
- Ensemble
- Baltimore Consort
-
27 Pavans, Galliards, Almains and Other Short Aeirs both Grave, and Light: The Fairie-Round 01:27
- Track
- 27
- Title
- Pavans, Galliards, Almains and Other Short Aeirs both Grave, and Light: The Fairie-Round
- Duration
- 01:27
- Composer
- Antony Holborne
- Ensemble
- Baltimore Consort
-
28 The Mad Merry Pranks of Robin Goodfellow 04:04
- Track
- 28
- Title
- The Mad Merry Pranks of Robin Goodfellow
- Duration
- 04:04
- Composer
- Ben Jonson
- Ensemble
- Baltimore Consort