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COMPOSERMadeleine Dring, Elisabeth Jacquet De La Guerre, Betsy Jolas, Elena Kats-Chernin, Meredith Monk, Gab
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PERFORMERSarah Cahill
The Future is Female, Vol. 2: The Dance - Piano Music, 1600s-Now / Cahill
- First Hand Records
- October 21, 2022
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RELEASE DATEOctober 21, 2022
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UPC5060216341132
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CATALOG NUMBERFHR132
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LABELFirst Hand Records
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NUMBER OF DISCS1
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GENRE
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I. Prelude
Composer: Élisabeth Jacquet de La Guerre
Performer: Sarah Cahill
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IV. Courante II
Composer: Élisabeth Jacquet de La Guerre
Performer: Sarah Cahill
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V. Sarabande
Composer: Élisabeth Jacquet de La Guerre
Performer: Sarah Cahill
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VIII. Chaconne L'Inconstante
Composer: Élisabeth Jacquet de La Guerre
Performer: Sarah Cahill
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VI. Gigue
Composer: Élisabeth Jacquet de La Guerre
Performer: Sarah Cahill
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Variations on a Theme by Robert Schumann, Op. 20
Composer: Clara Schumann
Performer: Sarah Cahill
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I. Perpetuum Mobile
Composer: Germaine Tailleferre
Performer: Sarah Cahill
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II. Notturno
Composer: Germaine Tailleferre
Performer: Sarah Cahill
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III. Allegramente
Composer: Germaine Tailleferre
Performer: Sarah Cahill
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Rhapsody
Composer: Zenobia Powell Perry
Performer: Sarah Cahill
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IV. Blue air
Composer: Madeleine Dring
Performer: Sarah Cahill
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V. Brown study
Composer: Madeleine Dring
Performer: Sarah Cahill
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Tango si
Composer: Betsy Jolas
Performer: Sarah Cahill
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Peggy's Rag
Composer: Elena Kats-Chernin
Performer: Sarah Cahill
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St. Petersburg Waltz (version for piano)
Composer: Meredith Monk
Performer: Sarah Cahill
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Preludio 3
Composer: Gabriela Ortiz
Performer: Sarah Cahill
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Estudio 3 Homenaje a Jesusa Palancares
Composer: Gabriela Ortiz
Performer: Sarah Cahill
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She Dances Naked Under Palm Trees
Composer: Theresa Wong
Performer: Sarah Cahill
Featuring ⌄
Product Details ⌄
Works ⌄
The Future is Female is a three-volume series, which celebrates and highlights women composers from the 17th century to the present day. These albums encompass 30 compositions by women from around the globe and include many new commissioned works and world première recordings. Most pianists grow up with the classical canon, which has always excluded women composers as well as composers of color. It is still standard practice to perform recitals consisting entirely of music written by men. The Future is Female aims to be a corrective towards rebalancing the repertoire. It does not attempt to be exhaustive, in any way, and the three albums in this series represent only a small fraction of the music by women which is waiting to be performed.
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