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COMPOSERJohn Gardner
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PERFORMERTom Winpenny
Gardner: Complete Organ Music, Vol. 1 / Winpenny
- Toccata
- May 17, 2024
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RELEASE DATEMay 17, 2024
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UPC5060113447241
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CATALOG NUMBERTOCC0724
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LABELToccata
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NUMBER OF DISCS1
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GENRE
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Intrada and Finale, Op. 241: Intrada
Composer: John Gardner
Performer: Tom Winpenny
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Intermezzo, Op. 13 (Old Series)
Composer: John Gardner
Performer: Tom Winpenny
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I. Allegro moderato
Composer: John Gardner
Performer: Tom Winpenny
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II. Adagio
Composer: John Gardner
Performer: Tom Winpenny
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III. Allegro molto
Composer: John Gardner
Performer: Tom Winpenny
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Hymn Tune: Bicclescombe
Composer: John Gardner
Performer: Tom Winpenny
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2 Variants on Bicclescombe, Op. 134
Composer: John Gardner
Performer: Tom Winpenny
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Prelude in G Minor, Op. 96
Composer: John Gardner
Performer: Tom Winpenny
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Prelude in C Major, WAB 129, "Perger Praludium"
Composer: Anton Bruckner
Performer: Tom Winpenny
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Fantasia and Fugue on a Prelude of Anton Bruckner, Op. 185
Composer: John Gardner
Performer: Tom Winpenny
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No. 1. Old Hundredth
Composer: John Gardner
Performer: Tom Winpenny
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No. 2. Dundee
Composer: John Gardner
Performer: Tom Winpenny
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No. 3. Darwall's 148th
Composer: John Gardner
Performer: Tom Winpenny
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No. 4. Down Ampney
Composer: John Gardner
Performer: Tom Winpenny
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No. 5. Veni Creator Spiritus
Composer: John Gardner
Performer: Tom Winpenny
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Piece for Organ, Op. 10 (Old Series)
Composer: John Gardner
Performer: Tom Winpenny
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Intrada and Finale, Op. 241: Finale
Composer: John Gardner
Performer: Tom Winpenny
Featuring ⌄
Product Details ⌄
Works ⌄
The music of the English composer John Gardner (1917–2011) – basically tonal and always impeccably crafted – is characterised by rhythmic vivacity and harmonic immediacy. His musical fingerprints come from his love of jazz, Renaissance and Baroque procedures and his mastery of imitative counterpoint; his use of established musical forms invests them with a quirky and distinctive harmonic idiom. This first album of two collecting his entire output of organ music presents not only his sly humour but also the staggering contrapuntal craftsmanship of his fugue on a theme by Anton Bruckner – one of the monuments of recent British writing for the organ.
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