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COMPOSERVarious
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ORCHESTRA / ENSEMBLEEnsemble Celadon
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PERFORMERPaulin Bundgen
Under der Linden: Songs of the Minnesingers / Bündgen, Ensemble Céladon
- Ricercar
- September 23, 2022
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RELEASE DATESeptember 23, 2022
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UPC5400439004474
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CATALOG NUMBERRIC447
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LABELRicercar
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NUMBER OF DISCS1
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GENRE
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Do ich mich übt der seiten klang
Composer: Konrad von Wurzburg
Ensemble: Ensemble Céladon
Performer: Paulin Bündgen
Conductor: Paulin Bündgen
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Gar starc bekannt ist der helffant
Composer: Frauenlob
Ensemble: Ensemble Céladon
Performer: Paulin Bündgen
Conductor: Paulin Bündgen
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Zuch durch die wolken
Composer: Albrecht Lesch
Ensemble: Ensemble Céladon
Conductor: Paulin Bündgen
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Ich buwe eyn hus
Composer: Bruder Wernher
Ensemble: Ensemble Céladon
Performer: Paulin Bündgen
Conductor: Paulin Bündgen
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Der Winter waere mir ein zît
Composer: Dietmar von Aist
Ensemble: Ensemble Céladon
Performer: Paulin Bündgen
Conductor: Paulin Bündgen
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Avianuss der frey poet
Composer: Tannhauser
Ensemble: Ensemble Céladon
Conductor: Paulin Bündgen
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Ir schauwent an die cleyn ameyss
Composer: Konrad Marner
Ensemble: Ensemble Céladon
Performer: Paulin Bündgen
Conductor: Paulin Bündgen
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Lucas vns melt im anderen capitel
Composer: Frauenlob
Ensemble: Ensemble Céladon
Performer: Paulin Bündgen
Conductor: Paulin Bündgen
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Der kvninc Rodolp
Composer: Unverzagte
Ensemble: Ensemble Céladon
Performer: Paulin Bündgen
Conductor: Paulin Bündgen
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Nieman tzv vro sol prysen
Composer: Robin
Ensemble: Ensemble Céladon
Performer: Paulin Bündgen
Conductor: Paulin Bündgen
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Under der linden an der heide
Composer: Walther von der Vogelweide
Ensemble: Ensemble Céladon
Performer: Paulin Bündgen
Conductor: Paulin Bündgen
Featuring ⌄
Product Details ⌄
Works ⌄
Like the Occitan troubadours and the trouvères of northern France, the Minnesänger celebrated courtly love and gave medieval German its letters of nobility. These "singers of love" — Minne is the old German word for love — thus perpetuated a poetic and musical tradition that had begun nearly two centuries earlier in Occitania. The Minnesänger, generally of noble and knightly blood, gradually emancipated themselves from their French models and developed their own styles and forms during the 13th century. We should, however, make a clear distinction between Minnesangand Spruchsang, given that they both existed within the German song genre during the high and late Middle Ages. The two disciplines differed not only in theme and form, but also in their creators: Minnesang was generally the dilettante love poetry of courtly nobility, while Spruchsang was practiced by travelling professional poets and singers. The present program offers a foray through these creative periods and of the Spruchsang in particular: no less than six of the twelve old masters are represented here, notably Konrad von Würzburg, Frauenlob, Brother Wernher, Konrad Marner, Tannhäuser and Walther von der Vogelweide.
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