At the turn of the nineteenth and twentieth centuries, the lied increasingly took on orchestral garb. The boundary with opera became almost impalpable. That is what Samuel Hasselhorn and Lukasz Borowicz demonstrate here, in a splendid program mingling smiles and disillusionment, where some of the most characteristic orchestral lieder and operatic arias of this Austro-German 'fin de si�cle' era blend perfectly together.