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COMPOSERHINDEMITH, PAUL
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ORCHESTRA / ENSEMBLESchleswig-Holstein Festival Orchestra
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PERFORMERKronberg Academy Soloists, Eschenbach
Hindemith: Kammermusik Nos. 4-7, Vol. 2 / Christoph Eschenbach
- Ondine
- September 4, 2020
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RELEASE DATESeptember 04, 2020
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UPC0761195135723
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CATALOG NUMBERODE 1357-2
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LABELOndine
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NUMBER OF DISCS1
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GENRE
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I. Signal
Composer: Paul Hindemith
Ensemble: Kronberg Academy Soloists, members Schleswig-Holstein Music Festival Orchestra
Performer: Stephen Waarts
Conductor: Christoph Eschenbach
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II. Sehr lebhaft
Composer: Paul Hindemith
Ensemble: Kronberg Academy Soloists, members Schleswig-Holstein Music Festival Orchestra
Performer: Stephen Waarts
Conductor: Christoph Eschenbach
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III. Nachtstück
Composer: Paul Hindemith
Ensemble: Kronberg Academy Soloists, members Schleswig-Holstein Music Festival Orchestra
Performer: Stephen Waarts
Conductor: Christoph Eschenbach
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IV. Lebhafte Viertel
Composer: Paul Hindemith
Ensemble: Kronberg Academy Soloists, members Schleswig-Holstein Music Festival Orchestra
Performer: Stephen Waarts
Conductor: Christoph Eschenbach
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V. So schnell wie möglich
Composer: Paul Hindemith
Ensemble: Kronberg Academy Soloists, members Schleswig-Holstein Music Festival Orchestra
Performer: Stephen Waarts
Conductor: Christoph Eschenbach
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I. Schnelle Halbe
Composer: Paul Hindemith
Ensemble: Kronberg Academy Soloists, members Schleswig-Holstein Music Festival Orchestra
Performer: Timothy Ridout
Conductor: Christoph Eschenbach
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II. Langsam
Composer: Paul Hindemith
Ensemble: Kronberg Academy Soloists, members Schleswig-Holstein Music Festival Orchestra
Performer: Timothy Ridout
Conductor: Christoph Eschenbach
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III. Mässig schnell
Composer: Paul Hindemith
Ensemble: Kronberg Academy Soloists, members Schleswig-Holstein Music Festival Orchestra
Performer: Timothy Ridout
Conductor: Christoph Eschenbach
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IV. Variante eines Militärmarsches
Composer: Paul Hindemith
Ensemble: Kronberg Academy Soloists, members Schleswig-Holstein Music Festival Orchestra
Performer: Timothy Ridout
Conductor: Christoph Eschenbach
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Mässig schnell, majestätisch - Doppelt so schnell -
Composer: Paul Hindemith
Ensemble: Kronberg Academy Soloists, members Schleswig-Holstein Music Festival Orchestra
Performer: Ziyu Shen
Conductor: Christoph Eschenbach
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Langsam -
Composer: Paul Hindemith
Ensemble: Kronberg Academy Soloists, members Schleswig-Holstein Music Festival Orchestra
Performer: Ziyu Shen
Conductor: Christoph Eschenbach
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Variationen: Mässig schnell, bewegt - Lebhaft, wie früher
Composer: Paul Hindemith
Ensemble: Kronberg Academy Soloists, members Schleswig-Holstein Music Festival Orchestra
Performer: Ziyu Shen
Conductor: Christoph Eschenbach
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I. Nicht zu schnell
Composer: Paul Hindemith
Ensemble: Kronberg Academy Soloists, members Schleswig-Holstein Music Festival Orchestra
Performer: Christian Schmitt
Conductor: Christoph Eschenbach
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II. Sehr langsam und ganz ruhig
Composer: Paul Hindemith
Ensemble: Kronberg Academy Soloists, members Schleswig-Holstein Music Festival Orchestra
Performer: Christian Schmitt
Conductor: Christoph Eschenbach
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III. eighth note = 184
Composer: Paul Hindemith
Ensemble: Kronberg Academy Soloists, members Schleswig-Holstein Music Festival Orchestra
Performer: Christian Schmitt
Conductor: Christoph Eschenbach
Featuring ⌄
Product Details ⌄
Works ⌄
The final volume of Paul Hindemith’s(1895–1963) youthful and fresh Kammermusik series from the 1920s includes Kammermusik Nos. 4–7 performed by Kronberg Academy Soloists and the Schleswig-Holstein Festival Orchestra under a true Hindemith specialist, Christoph Eschenbach, who has won a Grammy for a previous Hindemith album on Ondine.
These four works by Hindemith can be considered as full-bodied concertos for violin, viola, viola d’amore and organ. These work feature four young talented soloists, Stephen Waarts, Rimothy Ridout, Ziyu Shenand Christian Schmitt. Hindemith’s Kammermusik No. 4 (‘Violin Concerto’) is scored for a larger orchestra than its three predecessors and includes 24 instrumentalists. Kammermusik No. 5 (‘Viola Concerto’) the composer premiered himself by playing the solo part. In total, Hindemith performed this work for 85 times during the next 11 years! In a letter, Hindemith described the viola d’amore as “the most beautiful thing that you can imagine in sound”. The composer fell in love with the instrument and wrote his Kammermusik No. 6 with this instrument in mind. Hindemith’s final Kammermusik (No. 7) was written to a commission by the Southwest German Radio: the premiere of this Organ Concerto was transmitted live in 1928. The radio broadcast had a decisive role in the composer’s choice of instrumentation.
REVIEWS:
As in Vol 1, Eschenbach relishes the music’s wild iconoclasm. Tempos are again lively and throughout he draws marvellous playing from the Kronberg Academy strings and Schleswig-Holstein Festival Orchestra’s winds (the trumpet not least!) and percussion.
– Gramophone
Have I mentioned that these are some of Hindemith’s most wonderful pieces? They combine the brash gestures of his early, avant-garde period with the serious, neo-Baroque elements of his later music—one can hear him changing from 1922 to 1927 in these seven pieces—several of the slow movements approach the meditative depths of his “Mathis der Maler” Symphony. I still recommend the Chailly set as a first choice, but Hindemith fanciers will want this one too.
– Fanfare
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