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COMPOSERKOZELUCH, LEOPOLD
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PERFORMERJenny Soonjin Kim
Koželuch: Complete Keyboard Sonatas, Vol. 4 / Jenny Soonjin Kim
- Brilliant Classics
- September 18, 2020
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RELEASE DATESeptember 18, 2020
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UPC5028421959801
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CATALOG NUMBERBRI95980
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LABELBrilliant Classics
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NUMBER OF DISCS4
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GENRE
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I. Allegro
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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II. Adagio
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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III. Rondeau: Allegro molto
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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I. Allegro
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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II. Adagio
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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III. Rondeau: Allegretto
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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I. Largo - Allegro agitato
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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II. Allegretto
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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I. Moderato
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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II. Menuetto
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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III. Allegro
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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I. Allegro
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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II. Adagio
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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III. Rondo: Vivace
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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I. Largo - Allegro
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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II. Allegro molto
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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III. Rondeau: Allegro
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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I. Largo - Allegro
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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II. Rondeau: Allegretto
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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I. Allegro
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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II. Andante espressivo
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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III. Rondo: Allegretto
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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I. Poco adagio - Allegro molto
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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II. Rondo: Allegretto
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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I. Allegro
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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II. Rondo: Allegretto
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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I. Allegro
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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II. Andante molto con espressione
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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III. Finale: Presto
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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I. Arietta con Variazioni: Andante
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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II. Menuetto: Vivace - Trio
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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III. Rondeau: Allegretto
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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I. Arietta con Variazioni: Andantino
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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II. Allegro ma non tanto
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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I. Adagio
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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II. Allegro
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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I. Adagio maestoso - Allegro molto
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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II. Allegro molto
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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III. Rondeau: Allegretto
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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I. Allegro
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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II. Andante sostenuto
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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III. Rondeau: Allegretto
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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I. Adagio
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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II. Allegro molto con fuoco
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
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III. Larghetto - Rondo: Presto
Composer: Leopold Koželuch
Performer: Jenny Soonjin Kim
Featuring ⌄
Product Details ⌄
Works ⌄
Especially in his late sonatas, Leopold Kozeluch’s keyboard music belongs no less to the quickly evolving cultural landscape of late 18th- and early 19th-century Vienna than the works of Mozart, Beethoven and Schubert. It can even at times be hard to tell which composer influenced whom; Kozeluch is his own man, not gifted in the final analysis with Beethoven’s feeling for dramatic expression, Mozart’s subtlety of formal innovation or Schubert’s melodic inspiration, but sharing a portion of these qualities while bringing to the table something of his own, not least a mood of deceptive simplicity which belongs to the world of his native Bohemia. Kozeluch (1747-1818) seems to have worked with uncommon ease and fluidity, in command of all the technical possibilities of his instrument, writing in the popular galant style and testing both performer and instrument with moto perpetuo passagework, double trills, sudden contrasts and, in the minor-key sonatas, a brooding chromaticism that belongs to the most powerful expressions of Sturm und Drang. In the hands of Kozeluch, as in those of all fine composers, they produce a musical whole that seems far greater than the sum of its parts; and, as in the creations of all geniuses, there is a profundity that cannot be explained merely by description of the processes at work. Jenny Soonjin Kim is a specialist in performances of Classical-era repertoire on instruments of the period. For this recording she performs on a modern copy of an Anton Walter fortepiano from Vienna in 1795.
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