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COMPOSERVARIOUS
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PERFORMERStaatskapelle Dresden, Bohm
Edition Staatskapelle Dresden, Vol. 43: Karl Bohm
- Profil
- August 17, 2018
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RELEASE DATEAugust 17, 2018
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UPC881488180350
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CATALOG NUMBERPH18035
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LABELProfil
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NUMBER OF DISCS2
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GENRE
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Die Fledermaus: Overture
Composer: Johann Strauss II
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
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Indigo und die vierzig Rauber, "Tausend und eine Nacht": Interlude
Composer: Johann Strauss II
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
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Die Entführung aus dem Serail (Abduction from the Seraglio), K. 384: Overture
Composer: Wolfgang Amadeus Mozart
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
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Le nozze di Figaro (The Marriage of Figaro), K. 492: Overture
Composer: Wolfgang Amadeus Mozart
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
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Leonore Overture No. 3, Op. 72b
Composer: Ludwig van Beethoven
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
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Egmont, Op. 84: Overture
Composer: Ludwig van Beethoven
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
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Der Freischütz, J. 277: Overture
Composer: Carl Maria von Weber
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
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Oberon, J. 306: Overture
Composer: Carl Maria von Weber
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
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Undine: Ballet Music
Composer: Albert Lortzing
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
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Zar und Zimmermann, Act II: Holzschuhtanz
Composer: Albert Lortzing
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
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Prodaná nevesta (The Bartered Bride): Overture
Composer: Bedřich Smetana
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
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Hänsel und Gretel: Overture
Composer: Engelbert Humperdinck
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
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Pagliacci, Act I: Intermezzo
Composer: Ruggero Leoncavallo
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
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Cavalleria Rusticana: Intermezzo
Composer: Pietro Mascagni
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
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Cavalleria rusticana: Laßt uns preisen den Herrn (Sung in German)
Composer: Pietro Mascagni
Ensemble: Chor der Staatsoperette Dresden, Staatskapelle Dresden
Performer: Christel Goltz
Conductor: Karl Böhm
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Aida: Prelude
Composer: Giuseppe Verdi
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
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Donna Diana, Act I: Overture
Composer: Emil Nikolaus von Reznicek
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
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La damnation de Faust, Op. 24, Part I: Hungarian March, "Rákóczy March"
Composer: Hector Berlioz
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
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Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik"
Composer: Wolfgang Amadeus Mozart
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
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3 Marches militaires, Op. 51, D. 733: No. 1 in D Major (arr. for orchestra)
Composer: Franz Schubert
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
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Capriccio Italien, Op. 45 (excerpts)
Composer: Pyotr Ilyich Tchaikovsky
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
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Kaiser-Walzer (Emperor Waltz), Op. 437
Composer: Johann Strauss II
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
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Rondino Giocoso, Op. 4
Composer: Theodor Berger
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
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No. 5 in F Minor
Composer: Johannes Brahms
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
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No. 6 in D Major
Composer: Johannes Brahms
Ensemble: Staatskapelle Dresden
Conductor: Karl Böhm
Featuring ⌄
Product Details ⌄
Works ⌄
The focus of this impressive release is not only the stunning performance by the Staatskapelle Dresden, but the audiophile-quality sound engineering: “Real live recording – without a safety net, so to speak, without sound engineers in dark horn-rimmed glasses and white coats – belongs to the days of direct cutting to cylinder in the early days of sound recording up to the introduction of magnetic tape after World War II. From that moment on, editing and manipulation became the order of the day – indeed, it is clearly audible on many LPs and may often cause some amusement ... In the short period during which the Direct-to-Disc process was in use, in the 1970s, the aim was to transfer purist recordings to LP without tape noise – mainly in the area of jazz – and this produced some recordings that are hailed even today as ground-breaking and legendary. Made using just one single microphone, these Electrola shellac recordings remain, after a process of careful and time-consuming restoration, a benchmark to this day when it comes to motivation, joy of musicmaking and a determination to give the best performance possible on the part of the musicians, the orchestra, the conductor and the sound engineers. This is perceptible on nearly all the tracks on this album. And the conductor Karl Böhm was surely seldom in such good spirits, so carefree – brisk in his tempi – and yet simultaneously so sensitive in imparting subtle messages. All in the hope that the crackling needle will leave some of the sound for the restoration process ...“ (Sound engineer Holger Siedler)
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