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COMPOSERVAUGHAN WILLIAMS, RALPH
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ORCHESTRA / ENSEMBLELondon Philharmonic Choir, London Symphony Orchestra
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PERFORMERHickox, Mannion, Randle, Brook
Vaughan Williams: A Cotswold Romance, Death Of Tintagiles
- Chandos
- July 31, 2012
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RELEASE DATEJuly 31, 2012
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UPC095115172827
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CATALOG NUMBERCHAN 10728 X
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LABELChandos
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NUMBER OF DISCS1
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GENRE
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The Men of Cotsall (Chorus)
Composer: Maurice Jacobson
Ensemble: London Philharmonic Choir, London Symphony Orchestra
Conductor: Richard Hickox
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Sweet Little Linnet (Hugh)
Composer: Maurice Jacobson
Ensemble: London Symphony Orchestra
Performer: Thomas Randle
Conductor: Richard Hickox
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Hugh's Song of the Road (Chorus, Hugh)
Composer: Maurice Jacobson
Ensemble: London Philharmonic Choir, London Symphony Orchestra
Performer: Thomas Randle
Conductor: Richard Hickox
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Love at First Sight (Hugh, Mary, Chorus)
Composer: Maurice Jacobson
Ensemble: London Philharmonic Choir, London Symphony Orchestra
Performer: Thomas Randle, Rosa Mannion
Conductor: Richard Hickox
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The Best Man in England (Baritone solo, Chorus)
Composer: Maurice Jacobson
Ensemble: London Philharmonic Choir, London Symphony Orchestra
Performer: Matthew Brook
Conductor: Richard Hickox
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Alone and Friendless (Hugh)
Composer: Maurice Jacobson
Ensemble: London Symphony Orchestra
Performer: Thomas Randle
Conductor: Richard Hickox
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The Fight and its Sequel (Baritone solo, Mary, Hugh, Chorus)
Composer: Maurice Jacobson
Ensemble: London Philharmonic Choir, London Symphony Orchestra
Performer: Matthew Brook, Rosa Mannion, Thomas Randle
Conductor: Richard Hickox
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Hugh in the Stocks (Hugh)
Composer: Maurice Jacobson
Ensemble: London Symphony Orchestra
Performer: Thomas Randle
Conductor: Richard Hickox
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Mary Escapes (Mary, Chorus)
Composer: Maurice Jacobson
Ensemble: London Philharmonic Choir, London Symphony Orchestra
Performer: Rosa Mannion
Conductor: Richard Hickox
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Freedom at last (Hugh, Mary, Chorus)
Composer: Maurice Jacobson
Ensemble: London Philharmonic Choir, London Symphony Orchestra
Performer: Thomas Randle, Rosa Mannion
Conductor: Richard Hickox
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Prelude: Largo - Andantino - Adagio -
Composer: Ralph Vaughan Williams
Ensemble: London Symphony Orchestra
Conductor: Richard Hickox
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Lento -
Composer: Ralph Vaughan Williams
Ensemble: London Symphony Orchestra
Conductor: Richard Hickox
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Allegro -
Composer: Ralph Vaughan Williams
Ensemble: London Symphony Orchestra
Conductor: Richard Hickox
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Lento - Andante tranquillo - Lento -
Composer: Ralph Vaughan Williams
Ensemble: London Symphony Orchestra
Conductor: Richard Hickox
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Moderato -
Composer: Ralph Vaughan Williams
Ensemble: London Symphony Orchestra
Conductor: Richard Hickox
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Allegro -
Composer: Ralph Vaughan Williams
Ensemble: London Symphony Orchestra
Conductor: Richard Hickox
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Lento
Composer: Ralph Vaughan Williams
Ensemble: London Symphony Orchestra
Conductor: Richard Hickox
Featuring ⌄
Product Details ⌄
Works ⌄
Vaughan Williams composed his ‘ballad-opera’ Hugh the Drover, from which A Cotswold Romance is adapted, between 1910 and 1914. In his own words, he had an idea for an opera written ‘to real English words, with a certain amount of real English music’. The finished product, set in the Cotswold Village of Northleach during the Napoleonic wars, certainly does contain a host of identifiable English elements: the bringing-in of May, the bustling fair, and the prize-fight, for instance. Accommodating his publishers’ request for a version of the music which was more appropriate for concert performance, Vaughan Williams came up with the cantata A Cotswold Romance for tenor and soprano soloists with mixed-voice chorus and orchestra. The writing has the open, fresh, and vital quality that coloured many of Vaughan Williams’s works composed before the First World War.
In contrast, Death of Tintagiles, the incidental music for Maurice Maeterlinck’s play of the same name, is powerfully atmospheric and possesses a strong elegiac quality throughout. In five acts, the play concerns the tragic fate of a young child, Tintagiles, at the hands of his suspicious and jealous grandmother. Vaughan Williams perfectly captures the sense of foreboding and gloom in the play. In its simplicity and overall atmosphere the music recalls both Holst and Sibelius, while in the tender moments there are hints of A London Symphony, too.
BBC Music Magazine wrote of this disc: ‘Richard Hickox directs a vivid performance [of A Cotswold Romance] with splendid support from his assembled forces… Although not major works, these are notable additions to the catalogue, and the performances could hardly be better *****’.
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