Visits

$12.99
Label
Innova Recordings
Release Date
February 25, 2014
Format
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    Featuring ⌄
    • COMPOSER
      THOMAS, CAREI
    • PERFORMER
      Triade
    Product Details ⌄
    • RELEASE DATE
      February 25, 2014
    • UPC
      726708624927
    • CATALOG NUMBER
      INN249
    • LABEL
      Innova Recordings
    • NUMBER OF DISCS
      1
    • GENRE
      Contemporary Jazz
    Works ⌄

    1. Pertaining to Mesopotamia

      Composer: Carei Thomas, Gary Schulte, Michelle Kinney

      Ensemble: Triade

    2. Bird Stuff

      Composer: Carei Thomas, Gary Schulte, Michelle Kinney

      Ensemble: Triade

    3. Ghetto Pastorality

      Composer: Carei Thomas, Gary Schulte, Michelle Kinney

      Ensemble: Triade

    4. Slavic Ponderance in the Brief Face of Dixie

      Composer: Michelle Kinney, Carei Thomas, Gary Schulte

      Ensemble: Triade

    5. Baroqueing

      Composer: Gary Schulte, Carei Thomas, Michelle Kinney

      Ensemble: Triade

    6. Add-End (Coda)

      Composer: Carei Thomas, Gary Schulte, Michelle Kinney

      Ensemble: Triade

    7. Madame Chantel Delillie Brown of Savannah, Georgia

      Composer: Carei Thomas, Gary Schulte, Michelle Kinney

      Ensemble: Triade

    8. With Joan Miro in Mind (Paul and Carla, Too)

      Composer: Carei Thomas

      Ensemble: Triade

    9. An Early Fragrance: Symphaasium / Choose Choice

      Composer: Carei Thomas

      Ensemble: Triade

    10. Noir in Purple

      Composer: Carei Thomas

      Ensemble: Triade

    11. Poignant Fruits of Memory

      Composer: Gary Schulte, Carei Thomas, Michelle Kinney

      Ensemble: Triade

    12. Kwitchurbeliakin (Cartoon VI)

      Composer: Carei Thomas

      Ensemble: Triade


Visits blurs lines between improvisation and composition, jazz and classical, spontaneity and planning. To hear what Triade do is to lose yourself in endless possibilities. Cellist Michelle Kinney drew Carei Thomas and Gary Schulte down a new path, away more traditional jazz improvising. New possibilities opened up, and new compositions were spontaneously generated on fragments of Thomas' work. Recorded in the mid-1990s, it receives via innova it's first digital pressing.