![Wagner: Das Rheingold / Deyoung, Goerne, Begley, Reid [blu-ray Audio]](http://arkivmusic.com/cdn/shop/files/3043864.jpg?v=1786836317&width=1200)
Naxos AudioVisual
Wagner: Das Rheingold / Deyoung, Goerne, Begley, Reid [blu-ray Audio]
$16.99
Details
- Composer
- WAGNER, RICHARD
- Artist
- Goerne, Deyoung, Begley, Pushniak, Reid, Samuil, Humble, Sidhom, Cangelosi, Youn, Milling, Nakamura
- Format
- Blu-Ray
- Label
- Naxos AudioVisual
- Released
- Nov 13, 2015
- Catalog #
- NBD0049
- UPC
- 730099004961
About
This is an audio-only (i.e., with no video content) Blu-ray disc playable only on Blu-ray players.
It is also available on standard CD.
Taken from two concert performances in January, 2015, this is the first installment of an entire Ring Cycle from the Hong Kong Philharmonic under Jaap van Zweden to be recorded by Naxos. It makes you hungry for the rest.
The recording is clean and clear, with no artificial anything. Van Zweden’s approach is closest in memory to Herbert von Karajan’s–intimate and chamber-like, a family drama that happens to be played out in magical, mythological terms. Also like Karajan, van Zweden takes his time (at 2 hours and 33 minutes, this is on the longish side) and offers seamless segues between scenes. When a solo instrument is featured in Wagner’s dense orchestration, it is given a spotlight, and beautiful moments are to be bathed in–the motif after the Rainbow Bridge is created and the singing that follows rarely have sounded so tuneful and lovely. The Hong Kong Philharmonic is not Berlin or Vienna or the Met, but it has nothing to fear–the playing throughout is smooth and handsome. The opening Rhine passage is dark but clear, the piling up of the gold in Scene IV is beautifully built, and the opera’s final moments are indeed the grandest, as they should be–one of the few instances when van Zweden pulls out all the stops.
The storytelling is at the fore; impeccable diction is the order of the day. As revolting as Alberich always is, we can actually hear the flirtatious playfulness in the opera’s opening moments until he realizes that he doesn’t have a chance. And from then on, he’s simply vile–Peter Sidhom sings with an audible sneer and a ringing top to the voice that we rarely get in this role. He’s a baritone with remarkable “face”.
The back and forth between the fine, unexaggerated Fricka of Michelle De Young and the remarkable, surprising Wotan of Matthias Goerne is natural and familiar, and Goerne is the surprise of the performance. His experience and expertise as a Lieder singer comes in very handy in this opera: his interacting with Loge and his cajoling of Mime and Alberich all are textually and dynamically right-on. The bottom of the voice sounds remarkably rich, and while the top notes are brighter than we normally hear, he has authority. One wonders, however, about his Walküre Wotan….
David Cangelosi’s slimy Mime is vivid and actually sung–note for note, and Kim Begley’s Loge is performed with wonderful detachment: he knows he’s smarter than anyone else. Deborah Humble’s Erda could have been darker-hued, but her attention to the text turns her scene into the “event” it should be. Anna Samuil’s Freia is much like every other soprano’s who sings the part: good at complaining and being afraid. Kwangchul Youn’s Fasolt is on a grand scale; Stephen Milling’s Fafner not so much. Froh, small part though it is, deserves a better profile than Charles Reid gives it, and the Donner of Oleksandr Pushniak begins his “Heda…” on an unsteady note but recovers quickly. The Rhinemaidens–Eri Nakamura, Aurhelia Varak, and Hermine Haselböck–are a terrific, articulate, tuneful trio...
First choice among Rheingolds is still the Decca, but Testament’s release of a 1955 Bayreuth performance with Hans Hotter is certainly in the running, and as a non-gimmicky performance, may even be better. But this new set gives a wonderful overall view of this opera, and at a remarkable price.
-- Robert Levine, ClassicsToday.com
It is also available on standard CD.
Taken from two concert performances in January, 2015, this is the first installment of an entire Ring Cycle from the Hong Kong Philharmonic under Jaap van Zweden to be recorded by Naxos. It makes you hungry for the rest.
The recording is clean and clear, with no artificial anything. Van Zweden’s approach is closest in memory to Herbert von Karajan’s–intimate and chamber-like, a family drama that happens to be played out in magical, mythological terms. Also like Karajan, van Zweden takes his time (at 2 hours and 33 minutes, this is on the longish side) and offers seamless segues between scenes. When a solo instrument is featured in Wagner’s dense orchestration, it is given a spotlight, and beautiful moments are to be bathed in–the motif after the Rainbow Bridge is created and the singing that follows rarely have sounded so tuneful and lovely. The Hong Kong Philharmonic is not Berlin or Vienna or the Met, but it has nothing to fear–the playing throughout is smooth and handsome. The opening Rhine passage is dark but clear, the piling up of the gold in Scene IV is beautifully built, and the opera’s final moments are indeed the grandest, as they should be–one of the few instances when van Zweden pulls out all the stops.
The storytelling is at the fore; impeccable diction is the order of the day. As revolting as Alberich always is, we can actually hear the flirtatious playfulness in the opera’s opening moments until he realizes that he doesn’t have a chance. And from then on, he’s simply vile–Peter Sidhom sings with an audible sneer and a ringing top to the voice that we rarely get in this role. He’s a baritone with remarkable “face”.
The back and forth between the fine, unexaggerated Fricka of Michelle De Young and the remarkable, surprising Wotan of Matthias Goerne is natural and familiar, and Goerne is the surprise of the performance. His experience and expertise as a Lieder singer comes in very handy in this opera: his interacting with Loge and his cajoling of Mime and Alberich all are textually and dynamically right-on. The bottom of the voice sounds remarkably rich, and while the top notes are brighter than we normally hear, he has authority. One wonders, however, about his Walküre Wotan….
David Cangelosi’s slimy Mime is vivid and actually sung–note for note, and Kim Begley’s Loge is performed with wonderful detachment: he knows he’s smarter than anyone else. Deborah Humble’s Erda could have been darker-hued, but her attention to the text turns her scene into the “event” it should be. Anna Samuil’s Freia is much like every other soprano’s who sings the part: good at complaining and being afraid. Kwangchul Youn’s Fasolt is on a grand scale; Stephen Milling’s Fafner not so much. Froh, small part though it is, deserves a better profile than Charles Reid gives it, and the Donner of Oleksandr Pushniak begins his “Heda…” on an unsteady note but recovers quickly. The Rhinemaidens–Eri Nakamura, Aurhelia Varak, and Hermine Haselböck–are a terrific, articulate, tuneful trio...
First choice among Rheingolds is still the Decca, but Testament’s release of a 1955 Bayreuth performance with Hans Hotter is certainly in the running, and as a non-gimmicky performance, may even be better. But this new set gives a wonderful overall view of this opera, and at a remarkable price.
-- Robert Levine, ClassicsToday.com
Tracklist 44 tracks
-
1 Scene 1: Vorspiel 05:03
- Track
- 1
- Title
- Scene 1: Vorspiel
- Duration
- 05:03
- Composer
- Richard Wagner
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
2 Scene 1: Weia! Waga! Woge, du Welle! (Rhinemaidens) 01:24
- Track
- 2
- Title
- Scene 1: Weia! Waga! Woge, du Welle! (Rhinemaidens)
- Duration
- 01:24
- Composer
- Richard Wagner
- Performer
- Eri Nakamura, Aurhelia Varak, Hermine Haselböck
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
3 Scene 1: Hehe! Ihr Nicker! (Alberich, Rhinemaidens) 01:29
- Track
- 3
- Title
- Scene 1: Hehe! Ihr Nicker! (Alberich, Rhinemaidens)
- Duration
- 01:29
- Composer
- Richard Wagner
- Performer
- Peter Sidhom, Eri Nakamura, Aurhelia Varak, Hermine Haselböck
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
4 Scene 1: Garstig glatter glitschiger Glimmer! (Alberich, Rhinemaidens) 08:24
- Track
- 4
- Title
- Scene 1: Garstig glatter glitschiger Glimmer! (Alberich, Rhinemaidens)
- Duration
- 08:24
- Composer
- Richard Wagner
- Performer
- Peter Sidhom, Eri Nakamura, Aurhelia Varak, Hermine Haselböck
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
5 Scene 1: Lugt, Schwestern! Die Weckerin lacht in den Grund (Rhinemaidens, Alberich) 04:26
- Track
- 5
- Title
- Scene 1: Lugt, Schwestern! Die Weckerin lacht in den Grund (Rhinemaidens, Alberich)
- Duration
- 04:26
- Composer
- Richard Wagner
- Performer
- Eri Nakamura, Aurhelia Varak, Hermine Haselböck, Peter Sidhom
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
6 Scene 1: Nur wer der Minne Macht entsagt (Woglinde, her sisters, Alberich) 01:51
- Track
- 6
- Title
- Scene 1: Nur wer der Minne Macht entsagt (Woglinde, her sisters, Alberich)
- Duration
- 01:51
- Composer
- Richard Wagner
- Performer
- Eri Nakamura, Aurhelia Varak, Hermine Haselböck, Peter Sidhom
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
7 Scene 1: Der Welt Erbe gewann' ich zu eigen durch dich? (Alberich, Rhinemaidens) 01:47
- Track
- 7
- Title
- Scene 1: Der Welt Erbe gewann' ich zu eigen durch dich? (Alberich, Rhinemaidens)
- Duration
- 01:47
- Composer
- Richard Wagner
- Performer
- Peter Sidhom, Eri Nakamura, Aurhelia Varak, Hermine Haselböck
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
8 Scene 1: Haltet den Rauber! (Flosshilde, her sisters) 03:21
- Track
- 8
- Title
- Scene 1: Haltet den Rauber! (Flosshilde, her sisters)
- Duration
- 03:21
- Composer
- Richard Wagner
- Performer
- Hermine Haselböck, Eri Nakamura, Aurhelia Varak
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
9 Scene 2: Einleitung 01:05
- Track
- 9
- Title
- Scene 2: Einleitung
- Duration
- 01:05
- Composer
- Richard Wagner
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
10 Scene 2: Wotan! Gemahl! Erwache! (Fricka, Wotan) 07:05
- Track
- 10
- Title
- Scene 2: Wotan! Gemahl! Erwache! (Fricka, Wotan)
- Duration
- 07:05
- Composer
- Richard Wagner
- Performer
- Michelle DeYoung, Matthias Goerne
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
11 Scene 2: So schirme sie jetzt (Fricka, Freia, Wotan) 02:01
- Track
- 11
- Title
- Scene 2: So schirme sie jetzt (Fricka, Freia, Wotan)
- Duration
- 02:01
- Composer
- Richard Wagner
- Performer
- Michelle DeYoung, Anna Samuil, Matthias Goerne
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
12 Scene 2: Sanft schloss Schlaf dein Aug'! (Fasolt, Wotan) 02:28
- Track
- 12
- Title
- Scene 2: Sanft schloss Schlaf dein Aug'! (Fasolt, Wotan)
- Duration
- 02:28
- Composer
- Richard Wagner
- Performer
- Kwangchul Youn, Matthias Goerne
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
13 Scene 2: Was sagst du? Ha! Sinnst du Verrath? (Fasolt, Fafner, Wotan) 05:10
- Track
- 13
- Title
- Scene 2: Was sagst du? Ha! Sinnst du Verrath? (Fasolt, Fafner, Wotan)
- Duration
- 05:10
- Composer
- Richard Wagner
- Performer
- Kwangchul Youn, Stephen Milling, Matthias Goerne
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
14 Scene 2: Du da, folge uns fort! (Fafner, Freia, Froh, Donner, Fasolt, Wotan, Fricka) 01:44
- Track
- 14
- Title
- Scene 2: Du da, folge uns fort! (Fafner, Freia, Froh, Donner, Fasolt, Wotan, Fricka)
- Duration
- 01:44
- Composer
- Richard Wagner
- Performer
- Stephen Milling, Anna Samuil, Charles Reid, Oleksandr Pushniak, Kwangchul Youn, Matthias Goerne, Michelle DeYoung
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
15 Scene 2: Endlich Loge! Eiltest du so (Wotan, Loge, Fricka, Froh, Donner, Fafner, Fasolt) 03:50
- Track
- 15
- Title
- Scene 2: Endlich Loge! Eiltest du so (Wotan, Loge, Fricka, Froh, Donner, Fafner, Fasolt)
- Duration
- 03:50
- Composer
- Richard Wagner
- Performer
- Matthias Goerne, Kim Begley, Michelle DeYoung, Charles Reid, Oleksandr Pushniak, Stephen Milling, Kwangchul Youn
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
16 Scene 2: Immer ist Undank Loges Lohn! (Loge, Wotan, Fasolt, Fafner, Fricka) 07:40
- Track
- 16
- Title
- Scene 2: Immer ist Undank Loges Lohn! (Loge, Wotan, Fasolt, Fafner, Fricka)
- Duration
- 07:40
- Composer
- Richard Wagner
- Performer
- Kim Begley, Matthias Goerne, Kwangchul Youn, Stephen Milling, Michelle DeYoung
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
17 Scene 2: Ein Runenzauber zwingt das Gold zum Reif (Loge, Donner, Wotan, Froh, Fricka, Fafner) 03:28
- Track
- 17
- Title
- Scene 2: Ein Runenzauber zwingt das Gold zum Reif (Loge, Donner, Wotan, Froh, Fricka, Fafner)
- Duration
- 03:28
- Composer
- Richard Wagner
- Performer
- Kim Begley, Oleksandr Pushniak, Matthias Goerne, Charles Reid, Michelle DeYoung, Stephen Milling
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
18 Scene 2: Hor', Wotan, der Harrenden Wort! (Fafner, Wotan, Fasolt, Freia) 02:04
- Track
- 18
- Title
- Scene 2: Hor', Wotan, der Harrenden Wort! (Fafner, Wotan, Fasolt, Freia)
- Duration
- 02:04
- Composer
- Richard Wagner
- Performer
- Stephen Milling, Matthias Goerne, Kwangchul Youn, Anna Samuil
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
19 Scene 2: Schwester! Bruder! Rettet! (Freia, Froh, Donner, Loge, Fricka) 05:14
- Track
- 19
- Title
- Scene 2: Schwester! Bruder! Rettet! (Freia, Froh, Donner, Loge, Fricka)
- Duration
- 05:14
- Composer
- Richard Wagner
- Performer
- Anna Samuil, Charles Reid, Oleksandr Pushniak, Kim Begley, Michelle DeYoung
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
20 Scene 2: Wotan, Gemahl, unsel'ger Mann (Fricka, Wotan, Loge, Donner, Froh) 01:49
- Track
- 20
- Title
- Scene 2: Wotan, Gemahl, unsel'ger Mann (Fricka, Wotan, Loge, Donner, Froh)
- Duration
- 01:49
- Composer
- Richard Wagner
- Performer
- Michelle DeYoung, Matthias Goerne, Kim Begley, Oleksandr Pushniak, Charles Reid
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
21 Scene 3: Verwandlungsmusik 02:36
- Track
- 21
- Title
- Scene 3: Verwandlungsmusik
- Duration
- 02:36
- Composer
- Richard Wagner
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
22 Scene 3: Hehe! Hehe! Hieher! Hieher! Tuckischer Zwerg! (Alberich, Mime) 00:46
- Track
- 22
- Title
- Scene 3: Hehe! Hehe! Hieher! Hieher! Tuckischer Zwerg! (Alberich, Mime)
- Duration
- 00:46
- Composer
- Richard Wagner
- Performer
- Peter Sidhom, David Cangelosi
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
23 Scene 3: Schau, du Schelm! (Alberich, Mime) 02:14
- Track
- 23
- Title
- Scene 3: Schau, du Schelm! (Alberich, Mime)
- Duration
- 02:14
- Composer
- Richard Wagner
- Performer
- Peter Sidhom, David Cangelosi
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
24 Scene 3: Nibelheim hier: durch bleiche Nebel (Loge, Mime, Wotan) 06:06
- Track
- 24
- Title
- Scene 3: Nibelheim hier: durch bleiche Nebel (Loge, Mime, Wotan)
- Duration
- 06:06
- Composer
- Richard Wagner
- Performer
- Kim Begley, David Cangelosi, Matthias Goerne
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
25 Scene 3: Nehmt euch in acht! Alberich naht (Mime, Wotan, Alberich) 05:33
- Track
- 25
- Title
- Scene 3: Nehmt euch in acht! Alberich naht (Mime, Wotan, Alberich)
- Duration
- 05:33
- Composer
- Richard Wagner
- Performer
- David Cangelosi, Matthias Goerne, Peter Sidhom
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
26 Scene 3: Die in linder Lufte Weh'n da oben ihr lebt (Alberich, Wotan, Loge) 06:52
- Track
- 26
- Title
- Scene 3: Die in linder Lufte Weh'n da oben ihr lebt (Alberich, Wotan, Loge)
- Duration
- 06:52
- Composer
- Richard Wagner
- Performer
- Peter Sidhom, Matthias Goerne, Kim Begley
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
27 Scene 3: Ohe! Ohe! Schreckliche Schlange (Loge, Wotan, Alberich) 02:23
- Track
- 27
- Title
- Scene 3: Ohe! Ohe! Schreckliche Schlange (Loge, Wotan, Alberich)
- Duration
- 02:23
- Composer
- Richard Wagner
- Performer
- Kim Begley, Matthias Goerne, Peter Sidhom
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
28 Scene 3: Dort, die Krote, greife sie rasch! (Loge, Alberich) 04:02
- Track
- 28
- Title
- Scene 3: Dort, die Krote, greife sie rasch! (Loge, Alberich)
- Duration
- 04:02
- Composer
- Richard Wagner
- Performer
- Kim Begley, Peter Sidhom
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
29 Scene 4: Da, Vetter, sitze du fest! (Loge, Alberich, Wotan) 02:29
- Track
- 29
- Title
- Scene 4: Da, Vetter, sitze du fest! (Loge, Alberich, Wotan)
- Duration
- 02:29
- Composer
- Richard Wagner
- Performer
- Kim Begley, Peter Sidhom, Matthias Goerne
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
30 Scene 4: Wohlan, die Nibelungen rief ich mir nah' (Alberich, Wotan) 02:27
- Track
- 30
- Title
- Scene 4: Wohlan, die Nibelungen rief ich mir nah' (Alberich, Wotan)
- Duration
- 02:27
- Composer
- Richard Wagner
- Performer
- Peter Sidhom, Matthias Goerne
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
31 Scene 4: Gezahlt hab' ich; nun lass' mich zieh'n! (Alberich, Loge, Wotan) 05:26
- Track
- 31
- Title
- Scene 4: Gezahlt hab' ich; nun lass' mich zieh'n! (Alberich, Loge, Wotan)
- Duration
- 05:26
- Composer
- Richard Wagner
- Performer
- Peter Sidhom, Kim Begley, Matthias Goerne
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
32 Scene 4: Ist er gelost? (Loge, Wotan, Alberich) 04:44
- Track
- 32
- Title
- Scene 4: Ist er gelost? (Loge, Wotan, Alberich)
- Duration
- 04:44
- Composer
- Richard Wagner
- Performer
- Kim Begley, Matthias Goerne, Peter Sidhom
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
33 Scene 4: Lauschtest du seinem Liebesgruss? (Loge, Wotan, Froh, Donner, Fricka) 02:47
- Track
- 33
- Title
- Scene 4: Lauschtest du seinem Liebesgruss? (Loge, Wotan, Froh, Donner, Fricka)
- Duration
- 02:47
- Composer
- Richard Wagner
- Performer
- Kim Begley, Matthias Goerne, Charles Reid, Oleksandr Pushniak, Michelle DeYoung
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
34 Scene 4: Lieblichste Schwester, susseste Lust! (Fricka, Fasolt, Wotan) 02:58
- Track
- 34
- Title
- Scene 4: Lieblichste Schwester, susseste Lust! (Fricka, Fasolt, Wotan)
- Duration
- 02:58
- Composer
- Richard Wagner
- Performer
- Michelle DeYoung, Kwangchul Youn, Matthias Goerne
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
35 Scene 4: Gepflanzt sind die Pfahle nach Pfandes Mass (Fafner, Wotan, Loge, Froh, Fricka, Donner, Fasolt, Freia) 06:18
- Track
- 35
- Title
- Scene 4: Gepflanzt sind die Pfahle nach Pfandes Mass (Fafner, Wotan, Loge, Froh, Fricka, Donner, Fasolt, Freia)
- Duration
- 06:18
- Composer
- Richard Wagner
- Performer
- Stephen Milling, Matthias Goerne, Kim Begley, Charles Reid, Michelle DeYoung, Oleksandr Pushniak, Kwangchul Youn, Anna Samuil
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
36 Scene 4: Weiche, Wotan, weiche! Flieh' des Ringes Fluch! (Erda, Wotan) 05:32
- Track
- 36
- Title
- Scene 4: Weiche, Wotan, weiche! Flieh' des Ringes Fluch! (Erda, Wotan)
- Duration
- 05:32
- Composer
- Richard Wagner
- Performer
- Deborah Humble, Matthias Goerne
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
37 Scene 4: Soll ich sorgen und furchten (Wotan, Fricka, Froh, Donner, Freia) 02:25
- Track
- 37
- Title
- Scene 4: Soll ich sorgen und furchten (Wotan, Fricka, Froh, Donner, Freia)
- Duration
- 02:25
- Composer
- Richard Wagner
- Performer
- Matthias Goerne, Michelle DeYoung, Charles Reid, Oleksandr Pushniak, Anna Samuil
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
38 Scene 4: Halt, du Gieriger! Gonne mir auch was! (Fasolt, Fafner, Loge) 01:13
- Track
- 38
- Title
- Scene 4: Halt, du Gieriger! Gonne mir auch was! (Fasolt, Fafner, Loge)
- Duration
- 01:13
- Composer
- Richard Wagner
- Performer
- Kwangchul Youn, Stephen Milling, Kim Begley
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
39 Scene 4: Nun blinzle nach Freias Blick! (Fafner, Wotan, Loge, Fricka, Donner) 04:04
- Track
- 39
- Title
- Scene 4: Nun blinzle nach Freias Blick! (Fafner, Wotan, Loge, Fricka, Donner)
- Duration
- 04:04
- Composer
- Richard Wagner
- Performer
- Stephen Milling, Matthias Goerne, Kim Begley, Michelle DeYoung, Oleksandr Pushniak
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
40 Scene 4: Heda! Heda! Hedo! Zu mir, du Geduft! (Donner) 02:06
- Track
- 40
- Title
- Scene 4: Heda! Heda! Hedo! Zu mir, du Geduft! (Donner)
- Duration
- 02:06
- Composer
- Richard Wagner
- Performer
- Oleksandr Pushniak
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
41 Scene 4: Bruder, hieher! Weise der Brucke den Weg! (Donner, Froh) 02:03
- Track
- 41
- Title
- Scene 4: Bruder, hieher! Weise der Brucke den Weg! (Donner, Froh)
- Duration
- 02:03
- Composer
- Richard Wagner
- Performer
- Oleksandr Pushniak, Charles Reid
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
42 Scene 4: Abendlich strahlt der Sonne Auge (Wotan) 01:45
- Track
- 42
- Title
- Scene 4: Abendlich strahlt der Sonne Auge (Wotan)
- Duration
- 01:45
- Composer
- Richard Wagner
- Performer
- Matthias Goerne
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
43 Scene 4: So gruss' ich die Burg (Wotan, Fricka, Loge) 02:04
- Track
- 43
- Title
- Scene 4: So gruss' ich die Burg (Wotan, Fricka, Loge)
- Duration
- 02:04
- Composer
- Richard Wagner
- Performer
- Matthias Goerne, Michelle DeYoung, Kim Begley
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden
-
44 Scene 4: Rheingold! Rheingold! Reines Gold! (Rhinemaidens, Wotan, Loge) 03:19
- Track
- 44
- Title
- Scene 4: Rheingold! Rheingold! Reines Gold! (Rhinemaidens, Wotan, Loge)
- Duration
- 03:19
- Composer
- Richard Wagner
- Performer
- Eri Nakamura, Aurhelia Varak, Hermine Haselböck, Matthias Goerne, Kim Begley
- Ensemble
- Hong Kong Philharmonic Orchestra
- Conductor
- Jaap van Zweden