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J.S. Bach: The Well-Tempered Clavier Book 1 - No. 2 C minor,

Nimbus

Sheet Music

$7.99 Oct 06, 2023

The main purpose of this edition is to assist those "desirous of learning" with some suggestions and information that might be helpful in the process of learning, understanding and performing the works of Bach. These suggestions should not be taken as a "must" to follow, but are simply meant to assist in the comprehension and practical execution of The Well-Tempered Clavier (WTC) and to encourage further exploration. This Edition is available in 2 Books, or as 48 separate 'Preludes and Fugues' scores

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J.S. Bach: The Well-Tempered Clavier Book 1 - No. 2 C minor,
Nimbus Oct 2023
Sheet Music
$7.99

Mozart & Bach: Peludes & Fugues, K. 404a

Stradivarius

$14.99 ~~$18.99~~ Save 20% Nov 18, 2016

The 6 Trios by J S. Bach, as originally described in the surviving manuscript bears the name of neither the arranger of Bach’s pieces nor the composer of the slow introductions. Despite that, it has long been supposed that it was the work of W. A. Mozart. As far as we can trace, it was Wilhelm Rust, the editor of the volume 9 of the Bach-Gesellschaft edition, who in 1860 first made this connection. A more recent scholarship has identified many details that help us understand the complex backgrounds of these textual deviations found in the surviving manuscripts originated from Vienna in 1770-1800. Each Trio consists of a slow introduction and a fugue. While it retains Bach’s original prelude-fugue design, the keyboard prelude was replaced with something more suitable for string ensemble. In a sense, the arrangement has a close affiliation with the Baroque Sonata da chiesa (i.e. the first two movements of the four-movement set "slow-fast-slow-fast"), the genre, which represents the repertoire of the past, appears to have been much appreciated among the connoisseurs of music in the late eighteenth-century Vienna. The slow introduction typically begins in the tonic and closes in the dominant, so that the main piece, the fugue, can begin in a well-prepared mood. Similarly it makes use of the melodic material that hints the ensuing announcement of the fugue subject. Thus the introduction unfolds in such a manner so that when the fugue subject appears ceremoniously, one feels that at last a show has begun

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Mozart & Bach: Peludes & Fugues, K. 404a
Stradivarius Nov 2016
CD
~~$18.99~~ $14.99

Werner & Caldara

Audite Musikproduktion

$20.99 Feb 14, 2025

After Salve Reginas, Pastorellen, the C minor Requiem, masses and motets, audite now presents the fourth part of the excursion into the work of Haydn's predecessor. The recording, a multi-faceted compendium of fugue, explores the musical connections between Antonio Caldara and his pupil Gregor Joseph Werner. It culminates in the Requiem in G minor, a retrospective by the composer before his death. Werner used madrigals by Caldara and thus reflects his own artistic career as well as the influence of his teacher, the Venetian vice-chapelmaster Antonio Caldara.

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Werner & Caldara
Audite Musikproduktion Feb 2025
CD
$20.99

Gulda: Sinfonie in G - Heidelberger Hazztage 1971

SWR

$6.99 ~~$13.99~~ Save 50% Jan 22, 2021

Gulda's “Symphony in G“, presented on this album, was discovered in the SWR archive in the course of research for the release of all the recordings the Austrian pianist made for the German Southwest Broadcasting Corporation (SWR). Until now nobody actually knew that this work existed for there are no indications of Gulda being commissioned or of a specific occasion for which he might have composed this symphony. Therefore, one listens here to the world première of a piece which – apart from being recorded in the studio on 20 November 1970 – has never been performed in public. At the beginning of the 1970s Gulda gave concerts that exclusively featured his own compositions. This also applies to his performance at the Heidelberger Jazztage in 1971, released here for the first time digitally and on album. Almost all of Gulda's jazz works, though often based on classical forms, cannot be played without knowledge of improvisation so as to “keep them away from bunglers” (as the pianist himself put it). One of Gulda’s few compositions without improvisation to be heard here is No. IV from the ten-part piano cycle “Play Piano Play”. “Prelude and Fugue" was probably Gulda’s favourite work and was the last piece of Gulda’s performance in Heidelberg. An exception on this album is Fritz Pauer's "Etude.” In 1966 Fritz Pauer won a prize in the jazz competition Gulda had initiated and so Gulda decided to include this work in the Heidelberg concert from 1971.

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Gulda: Sinfonie in G - Heidelberger Hazztage 1971
SWR Jan 2021
CD
~~$13.99~~ $6.99

SYMPHONY IN G MINOR

ZARATHUSTRA MUSIC

Vinyl

$31.99 Sep 01, 2017

Zarathustra Music is proud to present the world premiere recording of Elliot Goldenthal's 'Symphony in G# Minor' performed by Pacific Symphony under conductor Carl St. Clair. Composer, conductor, and orchestra previously collaborated 20 years before when Pacific Symphony commissioned and recorded Goldenthal's highly acclaimed 'Fire, Water, Paper - A Vietnam Oratorio. ' For the occasion of the orchestra's American Composers Festival 2014, Goldenthal composed his 25 minute symphony, in the obscure yet autobiographical key of G# Minor, especially for the occasion. The work premiered immediately after the composer's 60th birthday in May 2014 and represents Goldenthal's first large-scale concert work since Fire, Water, Paper. In the past 20 years, Goldenthal has garnered three Academy Award nominations (Interview with a Vampire, Michael Collins) and won and Oscar and Golden Globe for his score to Frida. In 2007, Goldenthal was finalist for the Pulitzer Prize in Music for his opera Grendel which premiered at Los Angeles Opera and Lincoln Center Festival. In 2013 composed his String Quartet No. 1 'The Stone Cutters' as well as music for Julie Taymor's stage production of 'A Midsummer Night's Dream' that opened a new theater in Goldenthal's hometown of Brooklyn, NY. In 2013 the Joffrey ballet produced his large-scale three-act ballet Othello at the 4, 000 seat Auditorium Theater in Chicago, and in 2015 the American Ballet Theater revives Othello for it's fourth time at the Metropolitan Opera House. Meanwhile, downtown the composer is providing 'Music & Soundscapes' for the new one-woman show Grounded starring Anne Hathaway at the Public Theater. Goldenthal remains one of the most highly acclaimed and dynamic composers working today.

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SYMPHONY IN G MINOR
ZARATHUSTRA MUSIC Sep 2017
Vinyl
$31.99

Bach: Toccatas, Preludes & Fugues / Nordstoga

LAWO Classics

$21.99 Aug 24, 2018

In his ninth and tenth of a total of fourteen releases of Bach’s collected organ works, Kare Nordstoga pulls together much of what was not collected from the composer’s side- preludes and fugues. The double form prelude (or toccata) and fugue has been an established form of composition since the 1600s. The North Germans Dietrich Buxtehude and Georg Bohm made a powerful contribution to this contrastive style in which the freer first part and the more rigorous second part are united in a dynamic whole. The young Johann Sebastian harvested significant impressions from these two composers during his time in Lubeck and Luneburg, and this album was recorded in Luneburg. Kare Nordstoga (b. 1954) studied at the Norwegian Academy of Music. Following his debut in 1978, he continued his studies in London and he was for a time organist at Ullern Church, before coming to Oslo Cathedral in 1984. He has also been associated with the Norwegian Academy of Music, where he was appointed professor in 1994.

REVIEW:

Nordstoga displays a fine architectural grasp of the works and builds them with convincing inevitability. Integrity is the hallmark of all his playing: He is careful but not cautious; deliberate and determined but not dragging and dour; sure-handed and solid but not showy or superficial. The only thing I do not find here is the uniquely electrifying excitement that Ton Koopman brings to his complete cycle. But if, unlike me, your taste in Bach organ performances runs more towards the older tradition of stately grandeur, then definitely consider investing in Nordstoga.

– Fanfare

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Bach: Toccatas, Preludes & Fugues / Nordstoga
LAWO Classics Aug 2018
CD
$21.99

WOLF: String Quartet in D Minor / Italian Serenade in G Majo
SWR Mar 2001
CD
$20.99

Andrea Gabrieli: Keyboard Music / Glen Wilson

Naxos

$19.99 Aug 31, 2010

Nobody interested in early keyboard music should miss this disc.

Some of the most important forms of keyboard music have their origin in the 16th century, in particular the prelude, the toccata and the fugue. In Italy, in the mid-16th century, crucial developments in keyboard composing took place. Among the composers who were responsible for the evolution of keyboard music was Andrea Gabrieli. For that reason a disc which is completely devoted to his keyboard oeuvre is of great importance. It also sheds light on a part of Gabrieli's oeuvre which is not that well-known.

Andrea Gabrieli was born in Venice and was educated as an organist. In 1557 he applied for the position of organist of San Marco, as the successor to Girolamo Parabosco. He failed, and Claudio Merulo was appointed, who would then develop into one of the main musical personalities in Venice in the next 25 years. In the early 1560s Gabrieli came into contact with Orlandus Lassus. In 1562 Lassus' employer, Duke Albrecht V of Bavaria, went to Frankfurt to attend the coronation of Emperor Maximilian II. In his retinue were both Lassus and Gabrieli. But his heart apparently was in Venice. In 1566 he was appointed as organist of San Marco - alongside Merulo - and he resisted an attempt by Lassus to make him return to Bavaria to enter the service of Duke Albrecht. Little is known about him as a person, but in his liner-notes Glen Wilson includes a quotation which suggests Gabrieli was a demanding teacher.

This disc presents a survey of the various genres in vogue at the time. It doesn't include all genres to which Gabrieli contributed. Wilson has omitted that part of his oeuvre intended for the organ. Therefore the Intonazioni which were to be played before a vocal piece, indicating the pitch to the singers, are missing. Instead we get two preludes here, which also can be played at the organ. This kind of piece was originally improvised, and it doesn't surprise me that they were mostly not printed. That’s certainly thre case with the two played here which have both come down to us in manuscript. The other free form with improvisational origins is the toccata. Venice was the main centre of toccata writing, and Gabrieli played an important role in the development of this form. The two toccatas on this disc are in three contrasting sections.

The toccata has roots in the ricercar, one of the main forms of keyboard music at the time. Two types of ricercar are known in music history, the imitative and the non-imitative. The former is the kind of ricercar used in Italy and developed by Gabrieli into a piece on a single theme. In addition he deployed various techniques which were to become a standard part of the fugue in the baroque era, like inversion and diminution. Gabrieli also wrote ricercars on vocal subjects. The Ricercar sopra Pour ung plaisir is an example; it is based on a chanson by Thomas Crecquillon. Here he only uses themes from this chanson, unlike in the canzonas on vocal models, like the Canzona Frais et gaillard, again on a chanson by Crecquillon. In this the upper voice of the vocal original is treated according to the diminution technique which was so popular in Italy. Part of it involves the breaking up of the longer notes in fast passages and the addition of ornaments. The madrigals Anchor che col partire by Cipriano de Rore and Io mi son giovinetta by Domenico Ferrabosco are treated the same way. Lastly Wilson plays two independent pieces, the Ricercar arioso and the Canzon ariosa which may have a vocal character but are not based on vocal models.

The interest of this programme lies in the range of forms on display here. Moreover Wilson has ordered the pieces in such a way that there is a maximum of variety. That is also due to the alternating use of two different instruments. Most pieces are performed on a harpsichord, but it is nice to hear a spinet as well, which was a common instrument but is not often used in recordings. Both instruments are built after Venetian models of the 16th century. "Their soft iron single-stringing produces a more vocal sound than that usually associated with later types of Italian harpsichords", Glen Wilson states.

And he is right: the sound of the instruments suits the music very well. He is also an excellent guide through Gabrieli's oeuvre, and brings out the idiosyncracies of his music convincingly. He plays brilliantly but never in an exhibitionist way. The tempi are well-chosen, and the counterpoint is allowed to blossom.

Nobody interested in early keyboard music should miss this disc.

-- Johan van Veen, MusicWeb International

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Andrea Gabrieli: Keyboard Music / Glen Wilson
Naxos Aug 2010
CD
$19.99

Bach: Organ Works, Vol. 4 / Masaaki Suzuki

BIS

SACD

$21.99 Aug 04, 2023

This album was released in the summer of 2023; it may not have been intended as a Christmas album, but it would make a wonderful purchase at that time.

The fourth volume of Masaaki Suzuki’s Bach works for organ series features one of the most important surviving instruments of Bach’s time, made by the German organ builder Christoph Treutmann the Elder. Widely known for its extraordinary tonal quality, the instrument was built between 1734 and 1737. A recent general restoration preserved all essential structural elements or renewed them, remaining faithful to the originals, making it an ideal instrument for Bach interpreters who wish to come close to the sound ideas of the Leipzig Thomaskantor.

Suzuki now takes up the Orgel-Büchlein (literally, ‘little organ book’), a collection of 45 short chorale preludes on melodies from the Lutheran hymn book, a project that came into being in connection with Bach’s appointment as organist and chamber musician at the Duke’s court in Weimar in 1708. Presenting chorales for different periods of the church year, this collection serves as a general guide to text-based composition focusing on specific word-sound relationships and content-specific musical expression. Two Preludes and Fugues complete the first volume dedicated to the Orgel-Büchlein, illustrating the principle of variety and structure historically practised by concert organists in order to demonstrate the tone colours and expressive possibilities of their instrument.

REVIEW:

The great Masaaki Suzuki’s traversal of Bach’s keyboard music is well underway, and several attractions have become clear. In general, he is a bit less concerned with a pearly surface and a bit more with direct expression. In works for organ, he has shown a willingness to delve into period instruments, and the one here is a real find. Suzuki is willing to take a bit of time to bring out its colors; there is nothing too radical, but there are subtle adjustments to the tempo throughout that define the profile of each little ornamented chorale, and all the performances are vivid. This album was released in the summer of 2023; it may not have been intended as a Christmas album, but it would make a wonderful purchase at that time.

-- AllMusic.com (James Manheim)

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Bach: Organ Works, Vol. 4 / Masaaki Suzuki
BIS Aug 2023
SACD
$21.99

Bach: The Gamut from A to G / Plutz

Affetto Records

$18.99 Jun 16, 2023

J. S. Bach’s Preludes / Toccatas / Fantasias & Fugues for organ are among the peak artistic achievements of the human race. The combination of harmonic and melodic beauty, visceral force, and intellectual ingenuity is unparalleled by any other solo instrument’s repertoire. Organist Eric Plutz realized that a compelling single program of these masterpieces could be formed by performing them in diatonic order – one for each key: A, B, C etc. In Western music that sequence is known as ‘The Gamut,’ a term that came to mean a "complete range.’ This program, therefore, aligns with Bach’s own deep sense for order while traversing the complete range of Bach’s vision, from tenderest melancholy to the depths of despair, from bold challenge to ecstatic victory. These peaks and valleys are nobly served by the dazzling colors of the Princeton University organ as well as the full historic and acoustic resonance of the Princeton University Chapel itself (the third largest college chapel in the world).

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Bach: The Gamut from A to G / Plutz
Affetto Records Jun 2023
CD
$18.99

Shostakovich: 24 Preludes & Fugues, Op. 87 / Minnaar

Challenge Classics

$26.99 Nov 18, 2022

After Bach's Goldberg Variations, which won him worldwide honors (including a Diapason d'Or from France's Diapason Magazine), Hannes Minnaar challenges and confronts what has become a 'classic' of the 20th century repertoire: Shostakovich's Preludes and Fugues, composed in 1951. Here again, the qualities of his pianism, for which he is recognized as one of the leading musicians of our time, come under the spotlight: the diversity of touch and the suppleness between tension and tranquility to characterize every Prelude and Fugue, the precision of tone, the lack of any affectation, a natural finesse in phrasing and articulation, and a familiarity with the score going hand in hand with a freshness that conjures a sense of improvisation. Here we encounter a new landmark in the crowded field of interpretations of this wonderful music.

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Shostakovich: 24 Preludes & Fugues, Op. 87 / Minnaar
Challenge Classics Nov 2022
CD
$26.99

Bach: Italian Concerto & French Overture in B Minor
Bridge Records Feb 2006
CD
$18.99

Castelnuovo-Tedesco: Complete Music for Two Guitars / Duo Pace Poli Cappelli

Brilliant Classics

$17.99 Aug 26, 2014

Florentine composer Castelnuovo-Tedesco contributed a vast array of music to the guitar literature. This engaging release celebrates his output for two guitars, drawing focus to what is perhaps the repertoire’s most awe-inspiring collection: the cycle of 24 preludes and fugues.

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REVIEW:

This is really great music. It’s inventive, expressive, exciting— truly joyous stuff. Duo Pace Poli Capelli’s performances here are truly excellent. Ensemble is perfect, with a delightful inventiveness and loads of technical finish.

– MusicWeb International

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Castelnuovo-Tedesco: Complete Music for Two Guitars / Duo Pace Poli Cappelli
Brilliant Classics Aug 2014
CD
$17.99

Respighi: Transcriptions of Bach & Rachmaninoff / Neschling, Liège Royal Philharmonic

BIS

SACD

$21.99 Feb 05, 2021

The success of Ottorino Respighi’s ‘Roman Trilogy’ brought the composer international fame as an outstanding orchestrator. One side effect of this are the orchestral transcriptions gathered on this album: all made in 1929-30 and commissioned by eminent conductors such as Arturo Toscanini and Serge Koussevitzky for their American orchestras.

Respighi’s wide-ranging musical tastes included an interest in early music which probably contributed to him taking on the task of transcribing organ works by Bach – or creating ‘orchestral interpretations’, as he himself called the results. Among the Bach works are the celebrated Passacaglia in C minor – which Stokowski had orchestrated just a few years earlier – as well as the Prelude and Fugue in D major. Both are given the full treatment by Respighi, with orchestral forces including strings, triple woodwind, bass clarinet, contrabassoon, four horns, three trumpets, three trombones, tuba, timpani and piano four hands for the Prelude and Fugue. The score for the Passacaglia asks for even greater forces (including an organ); Respighi compared Bach’s original to ‘a cathedral built exclusively of sound’ – a description equally valid for his own arrangement. The Passacaglia was a success for Toscanini in New York, possibly influencing Koussevitsky in Boston to place a commission of his own. For him and the Boston Symphony Orchestra Respighi transcribed five of Rachmaninov’s etudes-Tableaux for solo piano. Although these are programmatic pieces, their subject matter had not been disclosed in the editions for piano, but the Russian composer revealed his inspiration to Respighi in order to help him ‘find the appropriate colors’.

With the present album, l’Orchestre Philharmonique Royal de Liège and John Neschling bring us the fifth installment in a series that has been called ‘the finest-ever survey of the composer’s orchestral output undertaken by a single conductor’ (BBC Music Magazine).

REVIEW:

The alliance of John Neschling and BIS’s engineers has displayed Respighi’s genius for orchestration in all their previous albums together. This latest offering is no exception. I listened to the stereo layer of the SACD and was well impressed with the results. The sound has depth, body and presence and the engineers have conveyed an abundance of detail in a pleasingly natural way. The recorded sound shows the fine, alert playing of the Orchestre Philharmonique Royale de Liège to optimum advantage. The booklet essay by Jean-Pascal Vachon is very useful.

If anyone doubts Respighi’s flair and skill as an orchestrator, this SACD should still those doubts. It’s an entertaining disc in the best sense of the word and it’s a worthy addition to John Neschling’s Respighi series.

– MusicWeb International

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Respighi: Transcriptions of Bach & Rachmaninoff / Neschling, Liège Royal Philharmonic
BIS Feb 2021
SACD
$21.99

Mendelssohn: Piano Works Vol 1 / Benjamin Frith
Naxos Feb 1995
CD
$19.99

Reger: Organ Works

Signum Classics

$27.99 Apr 01, 2013

The two major organ works on these discs (his longest for organ) show Max Reger at the height of his powers; not only do they sustain a structural coherence over an impressive span, but they show an almost inexhaustible proliferation of invention. As well as the large-scale Variations and Fugue on an Original Theme and the Introduction, Passacaglia and Fugue in E minor, this 2 CD Set includes a collection shorter preludes and fugues - the Five Easy Preludes and Fugues and two transcriptions of preludes and fugues by JS Bach from the Well-Tempered Clavier.

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Reger: Organ Works
Signum Classics Apr 2013
CD
$27.99

Franck: Symphony In D, Etc / Neuhold, Flanders Philharmonic
Naxos Apr 1989
CD
$19.99

Bach: Organ Chorales, Etc / Wolfgang Rübsam
Naxos Jul 1996
CD
$19.99

Dmitri Shostakovich: Complete Piano Works, Vol. 3 - Eugenio

Stradivarius

$33.99 Jun 05, 2026

Eugenio Catone continues the development of Shostakovich's complete piano works by presenting the third volume. Few piano cycles of the 20th century can boast an impact and a resonance comparable to those of Dmitri Shostakovich's 24 Preludes and Fugues Op. 87. This work, which holds a special place both in the composer's output and in the history of the genre itself, represents a significant return to writing for his instrument, seventeen years after Piano Concerto no.1 Op. 35 (1933), in a context deeply changed both on a personal level and in relation to the evolution of his musical language. Shostakovich held Op. 87 in special consideration: he recorded several numbers on multiple occasions and devoted himself to transcribing each Prelude and Fugue for several performers, with the aim of recording the entire work with a home recorder, thus making it's polyphonic architecture as clear as possible.

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Dmitri Shostakovich: Complete Piano Works, Vol. 3 - Eugenio
Stradivarius Jun 2026
CD
$33.99

Bach: The Well-Tempered Clavier / Francesco Cera

Dynamic

$22.99 ~~$29.99~~ Save 25% Sep 15, 2023

Bach’s The Well-Tempered Clavier was written at a time when composers had begun to expand the limited tonal compass of keyboard instruments through far wider use of keys and; ultimately; equal temperament. The 48 preludes and fugues that constitute The Well-Tempered Claver are composed in a wide range of styles; and the work remains one of the most important and influential in Western classical music. Francesco Cera is a prominent Italian early music specialists and he plays on a copy of a Hemsch harpsichord of 1736; using his own personal tuning. For Book II he employs the Altnickol edition of the score which includes numerous variants.

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Bach: The Well-Tempered Clavier / Francesco Cera
Dynamic Sep 2023
CD
~~$29.99~~ $22.99

Sale

Bach: Trio Sonatas Bwv 528-530, Etc / Wolfgang Rübsam
Naxos Aug 1993
CD
~~$19.99~~ $9.99

Bach: The Well-Tempered Clavier

Alpha

$40.99 Mar 25, 2014

"• Recorded on four different organs, J. S. Bach's The Well-Tempered Clavier, 48 Préludes and Fugues equally divided into two books, is a veritable manifesto of the art of the keyboard and a founding work of all future keyboard literature. • Organist Frédéric Desenclos clearly reveals the architecture of these gems of imagination and compositional skill, originally composed for harpsichord. • Mr. Desenclos was a student of famed French organists Gaston Litaize and Andre Isoir. • Complete on 4 CD's; digibox."

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Bach: The Well-Tempered Clavier
Alpha Mar 2014
CD
$40.99

Bach: Well-Tempered Clavier, Book 1 / Masato Suzuki

BIS

SACD

$34.99 Mar 15, 2024

Described as the ‘Pianists’ Old Testament’, The Well-Tempered Clavier is a collection of pieces of exceptional artistic quality. No other work from the baroque period has been as valued, performed and studied as this collection whose objectives were musical, theoretical and didactic.

Both books of The Well-Tempered Clavier feature a prelude and fugue in each of the 12 semitones of the chromatic scale, covering each of the 24 major and minor modes – a unique body of works. No two preludes or fugues are alike; they display the full range of contrapuntal devices, while the preludes offer an infinite variety of melodic, rhythmic and constructional possibilities. Each of these pieces demonstrates a mastery of counterpoint that never takes precedence over emotion, beauty and aesthetics. With the two books of The Well-Tempered Clavier, Bach established himself as the unrivalled master of the fugue genre.

Following his recordings of Bach’s concertos for one and two harpsichords (BIS-2041, BIS 2051 and BIS-2481), which reviewers have praised for his unaffected playing and acute musicianship, Masato Suzuki now offers us his take on this Bach monument.

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Bach: Well-Tempered Clavier, Book 1 / Masato Suzuki
BIS Mar 2024
SACD
$34.99

BRUCKNER: Symphony No. 6 in A major, WAB 106 / BACH: Prelude
SWR Jun 2002
CD
$20.99

J.S. Bach: The Well-Tempered Clavier Book 1 - No. 22 Bb mino

Nimbus

Sheet Music

$7.99 Oct 06, 2023

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J.S. Bach: The Well-Tempered Clavier Book 1 - No. 22 Bb mino
Nimbus Oct 2023
Sheet Music
$7.99