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SYMPHONY NO. 4
MDG Nov 2007
CD
$23.99

MAHLER: SYMPHONY NO. 4 (THE ORIGINAL SOURCE SERIE)

DEUTSCHE GRAMMOPHON

Vinyl

$41.49 Jun 19, 2026

Claudio Abbado's 1977 recording of Mahler's Symphony No. 4 with the Wiener Philharmoniker at the Vienna Musikverein, captivates listeners with it's warm, transparent sound and great attention to detail. The orchestra's characteristic sound and Frederica von Stade's sensitive solo voice in the final movement lend the work a special lightness. Abbado's sometimes unusual tempos open new expressive spaces and give the interpretation a special depth that makes this recording unique and highly regarded. For the first time, this recording has been remastered from the original 1-inch, 8-track tapes. The Original Source Series from Deutsche Grammophon features celebrated recordings reissued on vinyl. Remastered by the renowned Berlin-based Emil Berliner Studios using 100% pure analogue techniques to create versions of the highest possible audio quality. Produced on 180g virgin vinyl by Optimal and housed in deluxe gatefold editions, featuring additional photos and/or recording documentation.

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MAHLER: SYMPHONY NO. 4 (THE ORIGINAL SOURCE SERIE)
DEUTSCHE GRAMMOPHON Jun 2026
Vinyl
$41.49

SYMPHONY NO. 4 IN G MAJOR

RCO LIVE HOLLAND

SACD

$21.99 Oct 30, 2015

With Gustav Mahler, the Royal Concertgebouw Orchestra has a very special relationship. The composer conducted the orchestra no less than 12 times and found in Amsterdam an understanding audience. Mahler's Fourth Symphony was premiered in Amsterdam by the composer, who conducted it twice, once before and once after the interval, so that the audience could get to know the work better. With this release, Mariss Jansons and the Concertgebouw orchestra add an impressive new chapter to the RCO's recorded history of Mahler Symphonies.

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SYMPHONY NO. 4 IN G MAJOR
RCO LIVE HOLLAND Oct 2015
SACD
$21.99

Tchaikovsky: Symphony No 4 / Jansons, Oslo Philharmonic
Chandos May 1985
CD
$21.99

Mahler: Symphony No. 4 in G Major

Cameo Classics

$16.99 Aug 02, 2019

Thanks to his unusually strong affinity with Haydn and grasp of classical structures, Josef Krips proves a near-ideal conductor for the Fourth Symphony. Noting Mahler's repeated 'nicht eilen' ('don't rush') markings, Krips never hurries the music or indulges in unnecessary point-making, least of all in the radiant variations of the poco adagio third movement. The score unfolds with natural charm and warmth, lovingly communicated by the LSO's string section - led by Hugh Maguire, whose 'Death the Fiddler' is gauged at just the right level of grotesquery. With Suzanne Danco a pristine soloist in the finale, childlike but never childish, this is a beautifully-judged performance of a work which can too easily sound overstated, faux-naif or both.

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Mahler: Symphony No. 4 in G Major
Cameo Classics Aug 2019
CD
$16.99

SYMPHONY NO. 4
Ondine Jan 2000
CD
$18.99

Tchaikovsky: Symphony No 4; Prokofiev / Ormandy
RCA Apr 2009
CD
$17.99

Brahms: Symphony No. 4 / Dausgaard, Swedish Chamber Orchestra

BIS

SACD

$10.99 ~~$21.99~~ Save 50% Aug 07, 2020

Begun in 2012 with the release of Symphony No. 1, Thomas Dausgaard’s four-album traversal of the symphonies of Johannes Brahms is here brought to a close with the composer’s final work in the genre. The E minor Symphony is sometimes described as Brahms’ ‘elegiac symphony’, and has been called ‘one of the greatest orchestral works since Beethoven’. Typical for the composer is the striking degree of motivic relationships throughout the work. This includes the finale in which Brahms demonstrates his full mastery in a towering Passacaglia consisting of 30 variations and a coda. The smallish forces of the Swedish Chamber Orchestra contribute to a transparency and clarity which bring out the finer details of Brahms’ compositional web. As on previous installments, the symphony is coupled with other works by Brahms. Included on the present release is another late work, Tragic Overture, which concludes the programme. These two ‘serious’ works frame some of the most rousing and ebullient music Brahms ever wrote, namely his Hungarian Dances. Composed for piano four-hands, the 21 dances became immensely popular, and Brahms arranged three of them for orchestra himself. Having made his own orchestrations of the remaining 18 dances, Thomas Dausgaard has recorded the full set for his Brahms cycle, with the final nine dances included here.

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Brahms: Symphony No. 4 / Dausgaard, Swedish Chamber Orchestra
BIS Aug 2020
SACD
~~$21.99~~ $10.99

SYMPHONY NO. 4 - ADAGIO
DUX May 2011
CD
$21.99

Mahler, G.: Symphony No. 4
Delos Jan 2003
CD
$18.99

SYMPHONY NO. 4, OUVERTURES 'BE
Tudor Jan 2001
CD
$21.99

SYMPHONY 4
ALTO May 2012
CD
$11.01

Mahler: Symphony No. 4 - Wagner: Prelude from Parsifal - Men

ICA Classics

$14.99 Nov 19, 2013

The highly distinguished conductor Rudolf Kempe (1910-1976) started as an oboist with the Leipzig Gewandhaus Orchestra. During the Second World War, he was chief conductor of the Chemnitz Opera until 1946. He then worked at Weimar for the 1948-9 season, before joining the Dresden Opera and becoming chief conductor. From 1952 to 1954, he was chief conductor of the Bavarian State Opera, which he conducted at Covent Garden in 1953 to great acclaim. Mahler's Symphony No.4 is a new addition to the Kempe discography. The recording, which was discovered in the Music Preserved archive in York, is a real rarity. Similarly, Mendelssohn's Ruy Blas Overture is a new addition to the conductor's discography. It is heard here in a fiery performance captured live from the Royal Festival Hall in 1967 with the LSO. Kempe's account of the Prelude to Act I of Wagner's Parsifal, recorded in 1965, confirms his status as one of the greatest Wagnerian conductors of the 20th century. His Covent Garden performances of Parsifal in 1959 were landmarks for the company.

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Mahler: Symphony No. 4 - Wagner: Prelude from Parsifal - Men
ICA Classics Nov 2013
CD
$14.99

SYMPHONY NO 4
MUNCHNER PHILHARMONI Oct 2016
CD
$16.49

Shostakovich: Symphony No 4 / Petrenko

Naxos

$19.99 Oct 29, 2013

There are a lot of performances of this remarkable symphony available now, but this one stands out as having a truly distinctive and persuasive point of view. The Royal Liverpool Philharmonic, however well it plays, isn’t an orchestral powerhouse like the Chicago Symphony (Previn) or Kondrashin’s Moscow Philharmonic, but Vasily Petrenko more than compensates for any lack of sheer heft with an extra jolt of energy and a razor-sharp rhythmic attack. Listen to the strings dig into the music right after the first movement’s “climax of fugal insanity”. If the preceding din isn’t exactly paint-peeling, it’s still very exciting, and as you can hear, Petrenko sustains the tension very well, providing an unusual degree of continuity to a movement that easily tends to break up into a sequence of disconnected episodes.

The scherzo also is unusually characterful—slower than the norm, which only makes it more gaunt and spooky. The “tick-tock” percussion at the end is especially clear, and disturbingly mechanical. As for the gripping finale, not only is the wacky ballet suite interlude remarkably fun, but Petrenko really unleashes the hounds in the form of some magnificently braying brass in the final chorale. This is one of those performances that justifies purchasing yet another recording of what is becoming a relatively well-known work. It confirms the piece as a true classic, in the sense that a variety of approaches reveals an endless series of valid interpretive possibilities. The performance is also extremely well recorded, naturally balanced, and vividly present. Wonderful.

– David Hurwitz, ClassicsToday.com

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Shostakovich: Symphony No 4 / Petrenko
Naxos Oct 2013
CD
$19.99

Roussel: Symphony No. 4

Naxos

$13.99 ~~$19.99~~ Save 30% Mar 30, 2010

.Following a period of soul-searching during the mid-1920s, and as his music gained success outside France during the 1930s, Albert Roussel took the rhythmic dynamism, thematic integration and formal lucidity of his Third Symphony to new heights.

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Roussel: Symphony No. 4
Naxos Mar 2010
CD
~~$19.99~~ $13.99

SYMPHONY NO 4
LSO LIVE Mar 2010
SACD
$12.99

Mahler: Symphony No. 4

BR Klassik

$19.99 Jun 19, 2026

The Dutch conductor Bernard Haitink and the Bavarian Radio Symphony Orchestra enjoyed a long and intensive artistic collaboration, which came to an abrupt end with Haitink's death in October 2021. BR-KLASSIK now presents outstanding and previously unreleased live recordings of their concerts from past years. This recording of Shostakovich's Fifteenth Symphony documents a concert given in February 2015 in Munich's Philharmonie i'm Gasteig. This recording of Gustav Mahler's Fourth Symphony documents concerts from November 2005 at Munich's Philharmonie i'm Gasteig. Haitink first conducted a Munich subscription concert in 1958, and from then on was a regular guest with the Bavarian Radio Symphony Orchestra - either in the Herkulessaal of the Residenz or in the Philharmonie i'm Gasteig. This congenial collaboration lasted for more than six decades. The orchestra musicians and singers enjoyed working with him just as much as the BR sound engineers. As an interpreter of the symphonic repertoire, and especially that of the German-Austrian Late Romantic period, Haitink was held in high esteem throughout the world. With him, the symphonies of Dmitri Shostakovich were always in the best of hands. Haitink's driving principle was to make the sound architecture of a musical composition, with it's complex interweaving, transparently audible; extreme sensitivity of sound was combined with a clearly structured interpretation of the score. In his Fourth Symphony, Gustav Mahler brought his preoccupation with the poems from Des Knaben Wunderhorn to a preliminary climax. Texts from the collection, published between 1805 and 1808 by Clemens Brentano and Achim von Arnim, had already been incorporated into the "Wunderhorn Symphonies" Nos. 2 and 3. In Mahler's Fourth Symphony, composed between 1899 and 1901, the final movement features the Wunderhorn poem "Das himmlische Leben" (The Heavenly Life), which the composer had already set to music in 1892. It depicts a paradise beyond the grave, seen from a child's perspective. Mahler's sceptical view of the world of his time forms a utopian counter-concept to this "heavenly world."

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Mahler: Symphony No. 4
BR Klassik Jun 2026
CD
$19.99

Mix & Match

Mahler, G.: Symphony No. 4
Berlin Classics Aug 2004
CD
$18.99

SZYMANOWSKI: SYMPHONY NO.4 MAZURKAS

RUBICON

$20.49 Mar 27, 2026

Karol Szymanowski is considered to be Poland's greatest composer after Chopin. A contemporary of Bartok, Stravinsky, Scriabin and Ravel, his earlier works are of the late romantic style - Strauss, Reger and Rimsky Korsakov. Later he developed an impressionistic, oriental and partially atonal style which he later fused with folk music of his native land. Marin Alsop leads the Polish National Symphony in the 4th and last of his symphonies. This masterpiece of the symphonic repertoireis is a 20th century take on the Sinfonia featuring a prominent piano part, performed by Szymon Nehring.

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SZYMANOWSKI: SYMPHONY NO.4 MAZURKAS
RUBICON Mar 2026
CD
$20.49

Mix & Match

Prokofiev: Symphony No. 4 / Alsop, Sao Paulo Symphony [blu-ray Audio]

Naxos AudioVisual

Blu-Ray

$16.99 Oct 29, 2013

This is an audio-only (i.e., with no video content) Blu-ray disc playable only on Blu-ray players.

It is also available on standard CD

3752590.az_PROKOFIEV_Symphony_4.html

PROKOFIEV Symphony No. 4 (revised version); op. 112. The Prodigal Son, op. 46 • Marin Alsop, cond; São Paulo SO • NAXOS 0038 (Blu-ray Audio: 78:18)

Of Prokofiev’s seven symphonies, the Fourth has the most unassuming demeanor. Less sparkling than the First, less violent than the acidic Second and Third, less monumental than the Fifth and Sixth, and less magical than the nostalgic Seventh, its lack of distinctive character has kept it (especially in its baggier revised version) on the edge of the repertoire. Still, despite its relatively anodyne character, it has its fair share of charm, and its virtues are brought to the fore in this graceful performance, the second installment in Alsop’s symphony cycle.

Granted, at first, the performance seems slightly distracted. But within a minute or two, it comes into focus, and from then on, Alsop shows consistent sensitivity to the score’s harmonic flavor (the more mournful harmonies are especially well conveyed), its lyrical pull (especially in the more regretful moments—try the melancholy of the second movement), and its rhythmic stride. Alsop never tries to push the score into a grandeur it doesn’t possess—this is a fairly laid-back performance. But while it’s low in pressure, it’s never inattentive. She has a good sense of balance, so the passages with superimposed ideas (especially in the Finale) have enviable transparency. Details carry well, too (listen, for instance, to the marcato chatter on the bass lines at the beginning of the Finale). And while São Paulo is not quite a super-virtuoso ensemble, its members (especially the busy solo winds) play deftly. If the Symphony still sometimes seems to meander or sag (especially in the second movement and the Finale), the fault is really with the composer, not the performers.

Just as Prokofiev fashioned his Third from his opera The Fiery Angel, so he filched most of the musical material of the Fourth from his ballet The Prodigal Son. Putting the Symphony and its source material together on a single disc will seem either revelatory or redundant, depending on whether you are more interested getting insight into Prokofiev’s compositional methods or getting some musical variety. In any case, the original ballet is as pale as the Symphony (and formally a lot looser): You’ve rarely heard a less violent robbery scene than the seventh movement here, or, for that matter, a more anemic seductress than the one Prokofiev introduces in the third. Still, it too has its beauties (or, most of the time, the same beauties), and the interpretive grace that serves the Symphony so well has the same effect here. The sound is excellent, with plenty of timbral clarity (timpani have exceptional presence); the surround speakers on the 5.1 tracks offer an appropriate warmth to the total aural experience. Recommended.

FANFARE: Peter J. Rabinowitz

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Prokofiev: Symphony No. 4 / Alsop, Sao Paulo Symphony [blu-ray Audio]
Naxos AudioVisual Oct 2013
Blu-Ray
$16.99

Bruno Walter Edition - Bruckner: Symphony no 4 / Columbia SO
Sony Masterworks Sep 2010
CD
$17.99

Mahler: Symphony No 4; Mozart, Brahms, Et Al / Bruno Walter
Music and Arts Programs of America May 2001
CD
$32.99