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Donizetti: L'Elisir d'Amore, Don Pasquale, Le Convenienze ed Inconvenienze Teatrali
BelAir Classiques · Jun 2014DVD$47.99
Schumann: Piano Sonatas / Carlo Grante
Music and Arts Programs of America
CD
$18.99
Jan 01, 2009
SCHUMANN Piano Sonatas: No. 1; No. 2; No. 3 • Carlo Grante (pn) • MUSIC & ARTS 1220 (79:16)
We don’t get the three sonatas on one disc too often; as you can see from the timing, these apples barely fit into the barrel. So on one plane of gratitude we must acknowledge Carlo Grante’s efforts in this regard. His playing has also been generally well received in these pages, though if one searches the article archives, a preponderance of relatively unknown material predominates. Recording Schumann is definitely a step into the mainstream, and as such the requirements get a little tougher for the discerning record collector, though again, convenience cannot be easily overestimated.
But many will, in the case of the sonatas, attempt to make the argument that grouping them together is a silly exercise anyway, since, well, the Schumann sonatas aren’t really sonatas anyway, are they? I guess it all depends on what your definition of sonata is, and whether juxtaposed in extremis , origins can ultimately constitute the same sort of name that fits a form that Mozart would have easily recognized. The No. 1, for instance, began life as an interpolation from his op. 4 Intermezzos, used as the middle Scherzo movement. A later Fandango, composed the same year, would join the conglomeration as the rather sophisticated first movement. So already we are left wondering whether “sonata” is telling-true or simply an afterthought because no better title came to mind.
Sonata No. 2 started life as a concerto without piano; it was to see at least three other incarnations. In the second edition, a Scherzo fourth movement was added, with significant revisions to movement 1. This edition on the present recording uses the added Scherzo, but retains the first thoughts of the original first movement. This is a rather crazy work (in a wonderful way) that features a unique “Clara” theme in the third movement, followed by a series of variations, and the superimposed contrasting rhythms of the last movement making it especially appealing to a composer like Brahms, who adored it. The final sonata had its origins before the other two, but was completed later. Clara herself thought it “not too incomprehensible,” but admitted that the public and critics didn’t understand it. It is the least popular of the sonatas, but even so has much to offer the Schumann-starved.
But getting back to the original question, are these real sonatas? In the end, yes, for they do follow the form more or less closely, even though Schumann felt as if he were storytelling in the most basic narrative sense of the word, while using the Classical structure as a basis for his methodology. In the end, we don’t really care though, for the music is too engaging and rewarding to be overly concerned with the formal scaffolding that Schumann uses to present it to us.
I admire very much Carlo Grante’s recent release on this same label of piano concertos by Mozart, using the Godowsky cadenzas. His playing there is clean, efficient, well rounded tonally, and masculine, while avoiding any sort of hard edge. I find much of the same approach on this album. It is some of the driest Schumann I have ever heard, Grante seeming to forego pedal unless absolutely necessary, and when he does use it, there is such a judicious and economical application that you still come away amazed at how well some of the inner lines of Schumann’s always-critical middle voices are heard. On the other hand, when I listen to the likes of Earl Wild (Sonata 1) or Marc-André Hamelin (Sonata 2), I find a certain flair and wildness that I am missing here, where the confines of ultimate control dominate all conceptions. And Eric Le Sage’s ongoing series (the three sonatas already out and available) sport more resonant and deeply felt sound than what Music &Arts gives us here. Nonetheless, I am reluctant to rain on Grante’s parade, as what he does here is quite admirable and will find many takers. I count myself among them, even if my ultimate requirements need a little more moisture.
FANFARE: Steven E. Ritter
CHANTEUSES DES GRANDS ORCHESTR
Frémeaux
CD
$32.99
Jun 01, 2004
(2-CD set) During the thirties and forties, the ladies singing in the big swing bands sparked the triumph of the music hall which swept the entire planet. Features songs from Helen Ward, Georgia Gibbs, Maxine Sullivan Gone With The Wind, Bea Wain, Gail Reese, Mildred Bailey, Martha Tilton, Billie Holiday, Judy Ellington, Helen Forrest, Pauline Byrne, Helen O'Connell, Marion Hutton, Anita Boyer, Lena Horne, Jo Stafford, Helen Forrest, Pat Cameron and many others.
Donizetti: L'Elisir d'Amore, Don Pasquale, Le Convenienze ed Inconvenienze Teatrali
BelAir Classiques
DVD
$47.99
Jun 24, 2014
Three Donizetti masterpieces in a limited edition box set of internationally acclaimed productions.
L’ELISIR D’AMORE: Heidi Grant Murphy, Paul Groves, Ambrogio Maestri, Laurent Naouri, Orchestre et Chœurs de l’Opéra national de Paris / Conductor Edward Gardner Stage production Laurent Pelly - HD recording: Opéra national de Paris (2006)
• 133 MINS | SUBTITLES: ENGLISH, FRENCH, GERMAN. SPANISH | AUDIO: 2.0 PCM, 5.1 DOLBY DIGITAL, 5.1 DTS | 1 DVD9 16:9
"well worth catching for Kurzak and Gavanelli alone. And there's plenty in the production to impress visually and much to enjoy as a series of stylishly assembled tableaux." Hugo Shirley
DON PASQUALE: Patrizia Ciofi, Simone Alaimo, Norman Shankle, Orchestre de la Suisse Romande, Chœur du Grand Théâtre de Genève / Conductor Evelino Pidò Stage production Daniel Slater - HD recording: Grand Théâtre de Genève (2007)
• 127 MINS | SUBTITLES: ENGLISH, FRENCH, GERMAN, SPANISH | AUDIO: 2.0 PCM, 5.1 DOLBY DIGITAL, 5.1 DTS | 1 DVD9 16:9
"Donizetti’s final comic masterpiece demands velocity, pathos and above all wit. This Don Pasquale from Geneva has them all, and with Evelino Pidò conducting in the pit it bubbles with excitement...Patrizia Ciofi’s Norina is a joy. Looking like the Hollywood comic actress Aline McMahon (Ginger Rogers’s gold-digging friend in Top Hat), this is a benchmark performance" DVD CHOICE, BBC MUSIC MAGAZINE [BAC033]
LE CONVENIENZE ED INCONVENIENZE TEATRALI (VIVA LA MAMMA): Jessica Pratt, Vincenzo Taormina, Simon Bailey, Christian Senn, Orchestra e Coro dell’Accademia del Teatro alla Scala / Conductor Marco Guidarini Stage production Antonio Albanese - HD recording: Teatro alla Scala (2009)
• 114 MINS | SUBTITLES: ENGLISH, FRENCH, GERMAN, SPANISH | AUDIO: 2.0 PCM, 5.1 DOLBY DIGITAL | 1 DVD9 16:9
'Le convenienze ed inconvenienze teatrali' was inspired by two comedies written by Antonio Simone Sografi between 1794 and 1816. It follows the theatrical tradition of Goldoni, Gozzi and Metastasio, and subjects the bad habits of the operatic world to biting and sardonic criticism.
L’ELISIR D’AMORE: Heidi Grant Murphy, Paul Groves, Ambrogio Maestri, Laurent Naouri, Orchestre et Chœurs de l’Opéra national de Paris / Conductor Edward Gardner Stage production Laurent Pelly - HD recording: Opéra national de Paris (2006)
• 133 MINS | SUBTITLES: ENGLISH, FRENCH, GERMAN. SPANISH | AUDIO: 2.0 PCM, 5.1 DOLBY DIGITAL, 5.1 DTS | 1 DVD9 16:9
"well worth catching for Kurzak and Gavanelli alone. And there's plenty in the production to impress visually and much to enjoy as a series of stylishly assembled tableaux." Hugo Shirley
DON PASQUALE: Patrizia Ciofi, Simone Alaimo, Norman Shankle, Orchestre de la Suisse Romande, Chœur du Grand Théâtre de Genève / Conductor Evelino Pidò Stage production Daniel Slater - HD recording: Grand Théâtre de Genève (2007)
• 127 MINS | SUBTITLES: ENGLISH, FRENCH, GERMAN, SPANISH | AUDIO: 2.0 PCM, 5.1 DOLBY DIGITAL, 5.1 DTS | 1 DVD9 16:9
"Donizetti’s final comic masterpiece demands velocity, pathos and above all wit. This Don Pasquale from Geneva has them all, and with Evelino Pidò conducting in the pit it bubbles with excitement...Patrizia Ciofi’s Norina is a joy. Looking like the Hollywood comic actress Aline McMahon (Ginger Rogers’s gold-digging friend in Top Hat), this is a benchmark performance" DVD CHOICE, BBC MUSIC MAGAZINE [BAC033]
LE CONVENIENZE ED INCONVENIENZE TEATRALI (VIVA LA MAMMA): Jessica Pratt, Vincenzo Taormina, Simon Bailey, Christian Senn, Orchestra e Coro dell’Accademia del Teatro alla Scala / Conductor Marco Guidarini Stage production Antonio Albanese - HD recording: Teatro alla Scala (2009)
• 114 MINS | SUBTITLES: ENGLISH, FRENCH, GERMAN, SPANISH | AUDIO: 2.0 PCM, 5.1 DOLBY DIGITAL | 1 DVD9 16:9
'Le convenienze ed inconvenienze teatrali' was inspired by two comedies written by Antonio Simone Sografi between 1794 and 1816. It follows the theatrical tradition of Goldoni, Gozzi and Metastasio, and subjects the bad habits of the operatic world to biting and sardonic criticism.
