With his critically acclaimed AVIE Records recordings of music by Johann Sebastian Bach, Johannes Brahms, Gabriel Faure´ and Sergei Rachmaninov to his credit, the celebrated British pianist Charles Owen scales the heights of Franz Liszt’s anthology Annees de pelerinage, Premiere annee: Suisse (“Years of Travel, First Year: Switzerland”), which evokes the great 19th-century pianist-composer’s Swiss sojourns with aural impressions of the Alpine landscape, its peaks and valleys, mountains and streams, and the country’s distinctive folk music. Literary references abound as they do in the album’s concluding piece, the emotional Benediction de Dieu dans la solitude (“The Blessing of God in Solitude”) which was inspired by a poem penned by Liszt’s friend Alphonse de Lamartine. Emotions ran equally high for Charles Owen who turned to Liszt during lockdown. The uncertainty of being homebound throughout the pandemic was eased by the extra meaning and solace of the composer’s evocations of journeying, experiencing the natural world and its sense of beauty and liberation.

Freudvoll und leidvoll (Joyful and sorrowful)

The tenor joins forces with pianist Helmut Deutsch to perform a programme of songs by a largely neglected lieder composer, Franz Liszt.

After their album Selige Stunde, Jonas Kaufmann and Helmut Deutsch used the lockdown necessitated by the coronavirus pandemic, to make a further series of recordings. Their second album of songs is devoted to Franz Liszt, a composer for whom both feel a special affinity and whose music has long featured in their shared concert career.

Together with a group of six other songs including Vergiftet sind meine Lieder, Der König von Thule and Ihr Glocken von Marling, the demanding Petrarch Sonnets have been a part of Jonas Kaufmann’s repertory for many years, while Loreley, O lieb, solang du lieben kannst and Es muss ein Wunderbares sein are among his regular encores. As he himself explains, the process of studying lesser-known “jewels” such as Goethe’s eponymous Freudvoll und leidvoll, two versions of which are heard here, has been a period of intense discovery, during which time he has learnt to value these songs more than ever:

I’m very pleased that our enforced rest made this album possible – under normal circumstances it would probably not have come into existence quite so quickly. As a result we were able to record not only those Liszt songs that we had already tried out in the concert hall but also a number of others that until now have been overshadowed by Liszt’s “great hits”. Among them, pride of place goes to Die stille Wasserrose, which I find more beautiful the more often I hear it. I’m very grateful to Helmut for introducing me to these songs, and I think there will be many listeners who share my delight in these discoveries.

For Helmut Deutsch Liszt was one of the great idols of his youth, alongside Elizabeth Taylor and Herbert von Karajan:

Thanks to these jewels, Liszt deserves to occupy a leading place in the history of the art song, and yet even today he is denied this status. It is a source of tremendous pleasure for me that I have been able to share my enthusiasm with Jonas Kaufmann and persuade him to record an entire album with me.

Volume 55 in the critically acclaimed Liszt Complete Piano Works series features transcriptions of pieces by his contemporary Eduard Lassen, performed here by award-winning pianist Andrey Ivanov in his recording debut. Andrey gave his first concerto performance at the age of nine. In 2006, he was selected to study at the Central School of Music in Minsk, graduating to the Moscow Conservatoire. He won first prize at the Belgrade and Minsk International Piano Competitions and went on to perform in Moscow, St Petersburg, Belgrade, Brussels and Amsterdam. He is currently studying at the Birmingham Conservatoire with Pascal Nemirovski.

Canadian-born Joel Hastings was the winner of the 2006 8th International Web Concert Hall Competition and the 1993 International Bach Competition at the Kennedy Center in Washington, D.C. He won particular acclaim for his performance at the 10th Van Cliburn International Piano Competition in Fort Worth, Texas. Reviewers described his playing as passionate, mesmerizing, hypnotic, and transcendental. A Steinway Artist, he performed solo recitals and orchestral engagements across Canada, the United States, and in Europe. His discography includes live recordings of Liszt’s song and operatic transcriptions and Chopin’s 24 Etudes. His recordings received Canadian critics’ awards, and were praised in publications such as American Record Guide, Limelight magazine, and Musicweb International. His playing was featured on CBC national radio and numerous stations throughout the United States. In August 2014, Naxos released his recording of solo piano music by the American composer Carter Pann to much critical acclaim (8.559751). Joel Hastings died in 2016 at the early age of 46.

Liszt turned to the composition of large-scale orchestral works after his success as a touring virtuoso and wrote a sequence of ground-breaking symphonic poems that in their narrative-driven structures directly influenced such composers as Richard Strauss and Sibelius. The piano transcriptions that Liszt supervised and produced saw these vivid scores transformed into the virtuoso piano medium in which form their pictorial richness could be enjoyed anew. This volume includes the memorably evocative Les Préludes and Orpheus.

Three events were decisive for Paul Badura-Skonda’s beginnings: Furtwangler and Karajan hired the still unknown musician for their concerts in Vienna in 1949. By standing in for the sick Edwin Fischer at the Salzburg Festival in 1950 he became an international star. Major tours as a soloist followed. Further highlights in his career were his first tour of Japan, where he appeared in Tokyo alone 14 times, and the first, highly successful tour through the Soviet Union in 1964, which was followed by many other tours. In 1979, Paul Badura-Skoda was the first Western pianist to perform in China after the Cultural Revolution. In the Mozart jubilee year 1991, he played the cycle of all Mozart’s sonatas in Paris, Vienna Munich, Madrid, Tokyo, Hong Kong, etc. Paul describes his performance of the B minor Sonata by Franz Liszt from March 29, 1965 in the Carnegie Hall in New York as “one of the most inspired achievements of my career as a pianist.” To confront a perficious and nasty critique two weeks before in the same venue, Badura-Skoda played as unleashed, with an enormous energy, fuelled in part by internal fury. This concert recording which is to an extent owed to that heat of the moment is being published now, featuring a second interpretation of the same Sonata, a studio recording made in the Mozartsaal of the Vienna Konzerthaus six years later. This version is more controlled and, in the calmer passages, more internalized and contemplative than the New York interpretation. Let it be up to the listener to decide which of the two versions is the preferred one.

It was natural for virtuoso performer Franz Liszt to expand his repertoire by transcribing his songs for solo piano. The human voice is the purest of musical instruments, and composers have always been inspired by its warmth, expression and emotional power. Liszt’s masterful command of the piano and his ability to transform vocal lines into purely instrumental sounds is evident throughout this album: the dramatic narrative in both versions of Die Loreley, the watery, arpeggiated texture of Am Rhein im schönen Strome and the orchestral qualities of Gastibelza being only a few examples of these pianistic treasures. Considered an ‘extraordinary musician’ by Martha Argerich, critically acclaimed Steinway Artist Alexandre Dossin enjoys active performing, recording and teaching careers. A prizewinner of several international piano competitions, Dossin received First Prize and the Special Prize at the 2003 Martha Argerich International Piano Competition in Buenos Aires. Other international awards include the Silver Medal and Second Honourable Mention at the Maria Callas Grand Prix, and Third Prize and the Special Prize at the ‘W.A. Mozart’ International Piano Competition, in addition to several awards from competitions in Brazil. An active recording artist, his discography comprises 15 albums released across several labels, including seven albums with Naxos.

This collection contains the most important recordings by Alfredo Perl with piano works by Franz Liszt. A special highlight is the recording of the piano concertos with the BBC Symphony Orchestra. Alfredo Perl studied with Carlos Botto at the Universidad de Chile in Santiago, Günter Ludwig at the Musikhochschule in Cologne and Maria Curcio in London. He gave his first concert at the age of nine and then performed throughout South America and Europe as recitalist and with the Santiago Philharmonic Orchestra and the Zagreb Symphony Orchestra. Perl has since been a prizewinner in major competitions, including the Ferruccio Busoni Competition in Bolzano and the Beethoven Competition in Vienna, and he won first prize at the International Piano Competition in Montevideo. Alfredo Perl is professor for piano at the Detmold University of Music and has been artistic director of the Detmold Chamber Orchestra since 2009.