Launched by its prologue Das Rheingold (8660374-75), Der Ring des Nibelungen (The Ring of the Nibelung) - one of the supreme works in the history of music - continues with Die Walküre. Part II of the tetralogy centres on the young lovers Siegmund and Sieglinde, whose relationship angers Ficka, goddess of marriage, and on the disobedience of the Valkyrie Brünnhilde who is sent to carry out Fricka’s wishes. Performed by an all-star international cast, the work features thrilling set-pieces such as Wotan’s Farewell and the Ride of the Valkyries.

‘Gotterdammerung’ (Twilight of the Gods) is the epic fourth and final opera of Wagner’s great Ring cycle, with a plot that depicts the fall of heroes, gods, and the entire world. As ever with the Ring, the joys of love are all too fragile and fleeting, and the drama of ‘Gotterdammerung’ revolves around dark and unsettling reversals of fortune and illusions of hope that synthesize thrilling and powerful grand opera traditions with Wagner’s revolutionary techniques. Containing all of the Ring’s essential elements, ‘Gotterdammerung’ possesses a profoundly satisfying sense of inevitability that makes it both a towering climax and a unified summation of the Ring’s abundant variety.