Never has Bach seemed less dry and more full of fantasy, stated The Telegraph. Mahan Esfahani's mammoth project to record the complete keyboard works of Bach reaches it's zenith with The Complete Keyboard Concertos. At every stage in the series, Esfahani has sought to challenge long-held assumptions about the composer we seek to know. By teaming up with the Britten Sinfonia, he dispels any assumptions that the harpsichord might be seen as an "ancient" instrument, eschewing period instruments in favor of modern ones. In his typically scholarly but engaging liner notes, Esfahani writes of Bach the trendsetter, putting the keyboard front and center in a concerto for the first time. In addition to his roles as harpsichordist and director, Esfahani adds a compositional feather to his cap with the first recording of his own reconstruction of the "lost concerto" No. 8 (BWV1059), once available only as a small fragment. 2-CD set.
Amsterdam Piano Trio / Tchaikovsky: Piano Trio; Schoenberg: Verklarte Nacht This album pairs two works separated by only 17 years, but whose composers seem at first glance to be worlds apart. The coupling of Tchaikovsky's monumental Piano Trio in A minor (1882) with Schoenberg's Verklarte Nacht (1899, in it's original scoring for string sextet) reveals a line of musical continuity from the great Russian Romantic to the pioneering Viennese modernist. Verklarte Nacht has itself been transfigured here in a new, never-before-recorded arrangement for piano trio by Henk Guittart, one of the world's leading Schoenberg specialists. This debut recording from the Amsterdam Piano Trio features award-winning Hyperion pianist Andrey Gugnin alongside violinist Anna Lipkind-Mazor and cellist Dmitry Prokofiev.
Ikon/David Hill - "Howells: King David & Sine nomine". Herbert Howells was perhaps the most distinctive and revered composer of sacred choral music in 20th-century Britain. However, his non-sacred music has been long neglected; this album unearths Howells's little-known secular choral music. 12 of the 14 tracks here represent repertoire that is completely new to UMG. New arrangements by Iain Farrington have been specially made for this recording, including Howells's famous "King David" and the title track "Sine nomine." Ikon comprises the UK's foremost singers brought together to form one superchoir. David Hill MBE has held conducting posts with the Bach Choir, BBC Singers and Yale Schola Cantorum. Featuring starry soloists Ruairi Bowen (tenor), Hilary Cronin (soprano), Charlie Lovell-Jones (violin) and Iain Farrington (piano).
Child's Play is a double album of chamber music by Australian composer Carl Vine, one of the most approachable and prolific composers of our day. Vine's output embraces 8 symphonies, 13 concertante works, numerous chamber works, plus music for film, television, dance and theatre. This album marks the final recording of the Goldner String Quartet, whose members have chosen to honor the occasion in the company of friends, including longtime collaborator Piers Lane. The album's title is taken from the String Quartet No 6. In the liner notes, written by the composer himself, Vine writes of being commissioned to create music that "uplifted, edified and elated."
Steven Isserlis -"Schumann & Moscheles: 1851 Cello Sonatas" "Prepare to be seduced," (Gramophone). Steven Isserlis's latest album takes inspiration from a single year: 1851, a year of invention, exhibition and creativity. Sonatas by Moscheles and Schumann (Violin Sonata No 2, specially arranged for cello by Isserlis) both date from that year. Also featuring four miniatures, including a Schumann song transcription and the famous Bach/Gounod "Ave Maria." The album centers around an 1851 Erard piano (played by Connie Shih) which won a Prize Medal at that year's Great Exhibition in London. The piano recorded here may well be one of the very instruments first showcased at the Great Exhibition Winner of 2 Gramophone Awards. Steven Isserlis CBE enjoys a global career as a cellist, author and broadcaster.
Christopher Tye is less famous than his Tudor contemporary Thomas Tallis and his documented life more chaotic, but the caliber of his Masses and polyphony are unsurpassed for color, full-textured fabric and interwoven melodic lines. The music may be English but the five members of Cinquecento ('16th century' in Italian) are pan-European, each bringing a lifetime of early music experience to forgotten masterpieces. This is their 17th album for Hyperion. Tye successfully negotiated the perilous politics of an era when successive monarchs, from Henry VIII to Elizabeth I, pulled England back and forth between Catholicism and Protestantism, and demanded that church music bend accordingly. The Peterhouse Mass recorded here survives in partbooks found in the Cambridge college of the same name; the missing tenor part has been reconstructed by Paul Doe.
Marc-Andre Hamelin - "Found Objects / Sound Objects". Join Marc-Andre Hamelin on a fearless voyage into the extremities of piano music. Music by Frank Zappa, John Cage, Salvatore Martirano, John Oswald, Stefan Wolpe, Yehudi Wyner and Hamelin himself, all pioneers in their approach to the piano. More than any other pianist, Marc-Andre is renowned for winning over listeners with rare and daring repertoire.
